Grateful Dead 04/14/1984
Set I
Feel Like A Stranger
They Love Each Other
C.C. Rider
Brown Eyed Women
My Brother Esau
Tennessee Jed
Let It Grow
They Love Each Other
C.C. Rider
Brown Eyed Women
My Brother Esau
Tennessee Jed
Let It Grow
Set II
Touch Of Grey
Playing In The Band >
Terrapin Station >
Don't Need Love >
Drums >
Space >
Morning Dew >
Throwing Stones >
One More Saturday Night
It's All Over Now Baby Blue
Playing In The Band >
Terrapin Station >
Don't Need Love >
Drums >
Space >
Morning Dew >
Throwing Stones >
One More Saturday Night
It's All Over Now Baby Blue
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
1562
Neumann U-87 mics > Sony D-6 > DAT > CDR; d2 is 80 min; via PJ to abgd; (thanks to Trip Bates for txt/md5 here)
SHNID
12572
3 Nak 701s > MX-100(modified) > D5 > D10 > SHN
(track names originally in the form of "d1t1.shn" - original md5 was not consistent with this file naming. with consistent file naming, all SHNs do verify)
SHNID
32501
flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
SHNID
34555
Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: behind SBD and to the left. Taped and transfered to shn by Charles Bandrofcheck. MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated
Stereo Amp MP-68 > SBLive! > Audacity Normaliation > WAV > CDWave > WAVs >
mkwAC > SHN
SHNID
34901
flac16; Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 bit/96 KHz WAV > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer and editing by C.Ladner
SHNID
79652
flac16; (FOB) MAC: Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s Location: FOB. 15-20 feet from stage, DFC Tapers: unknown & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > Trader's Little Helper > FLAC16. Master audience cassettes supplied by Mark McCue. Transfer, edits & upload to bt.etree.org by Alex Ford 11/01/2006.
SHNID
90595
flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
SHNID
105836
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Dolby B/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
SHNID
109331
flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
SHNID
123023
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
SHNID
126040
flac16; Master: 2 Sennhesier 441s and Sony TC-D5m Cassette Master; 2nd deck in line after another D5; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
SHNID
139327
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16
SHNID
139328
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
SHNID
148457
flac16/48kHz; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
148458
flac24; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496
SHNID
149111
flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
Transferred by Kyle Holbrook
SHNID
149112
flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
Transferred by Kyle Holbrook
SHNID
149490
flac16/44.1khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)
Transferred by Kyle Holbrook
SHNID
149491
flac24/48khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)
Transferred by Kyle Holbrook
SHNID
154427
flac16/48 Source Info:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
SHNID
154428
flac24/96 Source Info:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
SHNID
157542
flac2448 Lineage: unknown mics -> Marantz pdm360 ( no dolby )->
Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-6->
Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave ->
TLH -> analysis, flac, checksums.
taped and transferred by Ted Carpenter
SHNID
161418
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 105836 & 154427.
SHNID
164498
flac1648 Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
SHNID
164499
flac2496 Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
SHNID
176745
flac2448 Master Audience Cassettes (2-TDK-MA90’s / Dolby OFF). Sony TC-D5M stereo recorder patched 2nd in line *Special Thanks to Jim Vita (RIP) TC-D5M recorder. Microphones: (2) Beyer M160 mics with (1) Beyer M88 center blend mic. Location: Approx. 40’ from stage at center of audience FOB.
Lineage: Analog Master Cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/48K WAV > Reaper v7.61 *DAW (for final audio editing and mastering (-14LUFS) > Audacity *DAW (for track labeling and conversion from 24bit/48K single WAV file to FLAC 24bit/48K multiple file set = 1 stereo file for each song track. TOTAL tracks = 17) (*DAW = Digital Audio Workstation)
Taped by Tom Strizak
Transfer by Tom Strizak
Mastered by Tom Strizak March 2026
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