Grateful Dead 04/16/1984
Set I
Shakedown Street
Little Red Rooster
Peggy-O
Me & My Uncle >
Mexicali Blues
Dupree's Diamond Blues
Cassidy
West L.A. Fadeaway >
Might As Well
Little Red Rooster
Peggy-O
Me & My Uncle >
Mexicali Blues
Dupree's Diamond Blues
Cassidy
West L.A. Fadeaway >
Might As Well
Set II
Hell In A Bucket >
Ship Of Fools
Far From Me >
He's Gone >
Drums >
Space >
The Other One >
Stella Blue >
Around & Around >
Johnny B. Goode
Keep Your Day Job
Ship Of Fools
Far From Me >
He's Gone >
Drums >
Space >
The Other One >
Stella Blue >
Around & Around >
Johnny B. Goode
Keep Your Day Job
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
1298
Neumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd
SHNID
32884
flac16; Source: FOB Sennheiser 441s > Sony D5. Patched out of Steve Adleman's D5>D5 at the show. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded to analog MAC and transferred to digital realm by B.Koucky. Editing/remastering: All editing with Wavelab 5 (Level fluctuations adjusted using gain function > Tape pauses between tracks during the first set & tape flips smoothed with crossfades > Waves L3 Multimaximizer at -1.1 dB threshold, ceiling -0.1 dB with hi res CD rendering > CDWAV 1.9 > FLAC (level 5) > bt.etree.org by C.Ladner.
SHNID
35408
flac16; Pitch corrected and patched version of shn id 32884 - FOB Sennheiser 441s > Sony D5 > DAT > CD > EAC > FLAC by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
SHNID
106621
flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master
(Sony TCD5M/Maxell UDXLI C-90)
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) >
Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Recorded FOB by Bob Morris
SHNID
109343
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (12th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
SHNID
113880
flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
SHNID
123069
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000Hz/24 bit
SHNID
127158
flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2014
SHNID
127159
flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2014
SHNID
133031
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
SHNID
133032
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
SHNID
137003
flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
SHNID
141021
flac16; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
SHNID
141022
flac24; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
SHNID
149113
flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M >
Maxell Metal 90s No Dolby - Master copy from lead deck run by CK.
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
SHNID
149114
flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M >
Maxell Metal 90s No Dolby - Master copy from lead deck run by CK.
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
SHNID
149492
flac16/44.1khz Recording Information:
Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M >
s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH.
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
SHNID
149493
flac24/48khz Recording Information:
Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M >
s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH.
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
SHNID
154453
flac16/48 Source Info:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
SHNID
154454
flac24/96 Source Info:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
SHNID
164730
flac1648 Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
SHNID
164731
flac2496 Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
SHNID
176954
flac2496 Source: Tom Strizak Master Audience Cassettes (2 TDK-MA90 / Dolby OFF). (2) Sennheiser MD421 standard stereo configuration (mic stand at approx. 6’) Sony TC-D5M stereo recorder patched first in line to Ed Schenk Sony TC-D5M recorder. Location: FOB Approx. 60’ from stage at R center audience.
Lineage: Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/96Khz WAV) > Audacity *DAW (for track labeling, audio edits, and conversion from 24 bit/96khz WAV file to FLAC 24bit/96khz FLAC file set = 1 file for each track/song. TOTAL tracks = 21) (*DAW = Digital Audio Workstation)
Taped by and transferred/mastered by Tom Strizak April 2026
SHNID
176982
flac2448 Tom Strizak Master Audience Cassettes (2 TDK-MA90 / Dolby OFF). (2) Sennheiser MD421 standard stereo configuration (mic stand at approx. 6’) Sony TC-D5M stereo recorder patched first in line to Ed Schenk Sony TC-D5M recorder. Location: FOB Approx. 60’ from stage at R center audience.
Lineage: Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/96Khz WAV) > Audacity *DAW (for track labeling, audio edits, and conversion from 24 bit/96khz WAV file to FLAC 24bit/96khz FLAC file set = 1 file for each track/song. TOTAL tracks = 21) (*DAW = Digital Audio Workstation)
Taped by and transferred/mastered by Tom Strizak April 2026. This is an upgrade to sourceid 176954 and fixes imbalance to left and some eq for bass boom and highs.
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