Grateful Dead 06/23/1984
Set I
Alabama Getaway >
Promised Land
Peggy-O
Little Red Rooster
Brown Eyed Women
My Brother Esau
Big Railroad Blues
The Music Never Stopped >
Don't Ease Me In
Promised Land
Peggy-O
Little Red Rooster
Brown Eyed Women
My Brother Esau
Big Railroad Blues
The Music Never Stopped >
Don't Ease Me In
Set II
Touch Of Grey >
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Truckin' >
Spoonful >
Black Peter >
Around & Around >
Goin' Down The Road Feeling Bad >
One More Saturday Night
Keep Your Day Job
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Truckin' >
Spoonful >
Black Peter >
Around & Around >
Goin' Down The Road Feeling Bad >
One More Saturday Night
Keep Your Day Job
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
14566
AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
SHNID
14951
Recording Info:
(FOB) Senn 441 -> PCM -> Dat;
Transfer Info:
Dat (Tascam DA20) ->
CD (Tascam CDRW700) ->
EAC (Plextor 24/10/40A) ->
Cool Edit Pro v1.2 ->
SHN (2 Discs SHN / 2 Discs Audio);
Seeded to etree by Charlie Miller
SHNID
18226
Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
SHNID
81280
flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
SHNID
81548
flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
SHNID
109812
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
SHNID
124088
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
SHNID
138873
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
SHNID
138874
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
SHNID
139571
flac16/48kHz; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
SHNID
140159
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648
SHNID
140516
flac24; source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)
SHNID
141597
flac16; Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44
SHNID
164770
flac1648 Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
SHNID
164771
flac2496 Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
SHNID
166999
flac1648 Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2023 > TLH2496
SHNID
167000
flac2496 Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2023 > TLH2496
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