Grateful Dead 03/27/1985
Set I
Mississippi Half-Step Uptown Toodleloo >
Hell In A Bucket
West L.A. Fadeaway
Mama Tried >
Big River
Just Like Tom Thumb's Blues
Brown Eyed Women
Tons Of Steel >
Might As Well
Hell In A Bucket
West L.A. Fadeaway
Mama Tried >
Big River
Just Like Tom Thumb's Blues
Brown Eyed Women
Tons Of Steel >
Might As Well
Set II
Shakedown Street >
Uncle John's Band >
Playing In The Band >
Drums >
Space >
Stella Blue >
Turn On Your Lovelight
Touch Of Grey
Uncle John's Band >
Playing In The Band >
Drums >
Space >
Stella Blue >
Turn On Your Lovelight
Touch Of Grey
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
7369
updated source: PCM AUD (unknown taper/mics)> PCM> DAT> CDR(1)> SHN, big thanks to David Minches for the seed (had been marked unknown aud); via Scott Zarnegar; Matt Vernon
SHNID
8567
SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo
SHNID
23442
Recorded by the Oade Brothers;Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net)
SHNID
34778
flac16; MAC: (FOB) 2 Sennheiser 421's > Sony D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, editing, conversion and seeding by Alex Ford. Master Cassettes provided by Mark McCue.
SHNID
78403
Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
SHNID
87209
flac16; taper Joe D'Amico audio tech mics > sony d5 > ? > flac
SHNID
103144
flac24; nak300/cp4 (ots, 12') > sony tcd5m > tdk-ma (dolby on, master) playback: tcd5m (same as recorder) > minime (24/96) > sd744 > audacity > xact (flac)
SHNID
106784
flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09.
SHNID
107391
flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
SHNID
124675
flac24; lineage: sennheiser 421 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
SHNID
140844
flac24; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
SHNID
141207
flac16; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
SHNID
149303
flac16/48kHz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
149304
flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
SHNID
149949
flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche
SHNID
152065
flac16/44 Source: Master AUDCA: Beyer M201's XY > Nakamichi 550 > 2nd Sony TCD5M in line >
Maxell MX 90s No Dolby -lead deck run by ??.
Location: 40 feet from stage DFC, 8 ft up
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
SHNID
152066
flac24/48 Source: Master AUDCA: Beyer M201's XY > Nakamichi 550 > 2nd Sony TCD5M in line >
Maxell MX 90s No Dolby -lead deck run by ??.
Location: 40 feet from stage DFC, 8 ft up
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
SHNID
163419
flac1648; Source Info:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
SHNID
163420
flac2496 Source Info:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
SHNID
164915
flac1644; Source Info: Master Soundboard Cassettes > Cassettes > DAT > CDR (shnid8567). This is a patched, pitch corrected, channel corrected and re-mastered version of shnid8567.
SHNID
164921
flac1648 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
SHNID
164922
flac2496 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
SHNID
169122
flac2496; Set 1 Recording Info: SBD > Cassette Master (Maxell XL-II90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > DDi Codec (Dolby B) > FLAC/24
SHNID
169155
flac1648; Set 1 Recording Info: SBD > Cassette Master (Maxell XL-II90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > DDi Codec (Dolby B) > FLAC/24 - This is 169122 2496 > 1648
SHNID
169426
flac1644: Source: Bryan Tartus' Master Audience Cassette: 2 AKG 451 Shotguns > D6 (Sony UCX-S90, Dolby B) > Tascam 122 mk III > Cool Edit Pro 2.0 > CDWav > SHN
Transfer by Chuck Lewis (dark_starr@sympatico.ca)
Notes:
CoolEdit Pro 2.0 used to cross-fade the tape flips and add fades to the beginning and end of the sets. The beginning of "West LA" is in mono; the left channel was used as a patch to replace the heavy static of a loose cable in the right.
SHNID
170910
flac1648 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
SHNID
170911
flac2496 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
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