Grateful Dead 03/28/1985
Set I
Truckin' >
Smokestack Lightning *
High Time
El Paso
Peggy-O
Cassidy >
China Cat Sunflower >
I Know You Rider
Smokestack Lightning *
High Time
El Paso
Peggy-O
Cassidy >
China Cat Sunflower >
I Know You Rider
Set II
Scarlet Begonias >
Fire On The Mountain >
Looks Like Rain >
Drums >
Space >
Gimme Some Lovin' >
The Other One >
Black Peter >
Sugar Magnolia >
Sunshine Daydream
Keep Your Day Job
Fire On The Mountain >
Looks Like Rain >
Drums >
Space >
Gimme Some Lovin' >
The Other One >
Black Peter >
Sugar Magnolia >
Sunshine Daydream
Keep Your Day Job
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Matthew Kelly - Harmonica *
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Matthew Kelly - Harmonica *
Sources
SHNID
357
set 1; SBD PCM > DAT > Sonic Solutions > CD; via Alan Fink, Mark Ferguson ; upgrade in circulation
SHNID
5313
SBD> MC> DAT> CDR; via Randy Griesman; dropouts at d1t7 0:10, d2t1 0:32
SHNID
23443
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net)
SHNID
34839
flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue.
SHNID
77465
flac16;MTX by PLS SBD > MC > DAT > CDR > FLAC EAC'd and converted on 9/17/2001 by Randy Griesman and AUD Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac ; upgrade in circulation
SHNID
78436
Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
SHNID
87226
flac16; taper : Joe D'Amico nak 300 mics > sony d-5 > ? > flac
SHNID
89043
DTS Audio 5.1; by Randy Griesman Sources used: AUD: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac and SBD: SBD > MC > DAT > CDR > FLAC
SHNID
89074
flac16; Matrix of SBD: SBD > MC > DAT > CDR > FLAC EAC'd and converted by Randy Griesman and Oade AUD: Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac This seed fixes d1t04 of shn id 77465, on which the sbd and aud were badly out of sync
SHNID
94484
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
SHNID
94544
flac16; Set 1 only, Matrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC)
SHNID
103184
flac24; nakamichi 300/cp4 (ots 12') > tcd5m (tdk mar, +dolby) > master cassette > tcd5m (original recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
SHNID
106785
flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09.
SHNID
118304
flac16; Soundboard > 1st Gen Tape > Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'Amico
SHNID
124745
flac24; lineage: sennheiser 441 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
SHNID
137507
flac16; Set 1 Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
SHNID
137534
flac24; Set 1 Matrix of SBD & AUD (both FLAC/24) -> Audacity 2.0.6 -> alignment -> Dynamic Range Compression -> Normalization -> Export FLAC 24 (single file) -> Audacity -> labeled, tracked & exported (multiple files) -> FLAC 24 (level 8)
SHNID
141047
flac16; Soundboard> 1st Gen Tape>Nak Dragon>Korg Mr-1000>Audio Gate>Cool Edit>Traders Little Helper>xACT>ProTools LE>xACT; this is a fix for source ID 118304; see info file for details
SHNID
145221
flac16; Matrix 3 Source Mix - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - matrix mixing by Kevin Tobin
SHNID
145222
DTS-Audio-CD 5.1 Mix; - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - dts mixing by Kevin Tobin
SHNID
145224
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - surround mixing by Kevin Tobin
SHNID
149305
flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
149306
flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
SHNID
149979
flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche; the fixed version has the d1t07 that was missing from the original seed
SHNID
151044
flac16/48khz Source Info:
Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16/48) > Tim Dalton's DAT (16/48)
Transfer Info:
Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648
SHNID
152067
flac16/44 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line >
Maxell MX 90s No Dolby -lead deck
Location: 40 feet from stage DFC, 8 ft up
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
SHNID
152068
flac24/48 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line >
Maxell MX 90s No Dolby -lead deck
Location: 40 feet from stage DFC, 8 ft up
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
SHNID
163427
flac1648 Source Info:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
SHNID
163428
flac2496 Source Info:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
SHNID
165008
flac1648 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
SHNID
165009
flac2496 Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
SHNID
167092
flac1648 Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
SHNID
167093
flac2496 Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
SHNID
169427
flac1644: Source: Bryan Tartus' Master Audience Recording: 2 AKG 451 Shotguns > D6 (Maxell XLII, Dolby B) > Tascam 122 mk III > Cool Edit Pro 2.0 > CDWav > SHN
Transfer by Chuck Lewis
Notes:
**The beginning of Cassidy was mixed in mono with the left channel source to compensate for dropouts and static in the right channel (probably a loose mic cable).
***China Cat Sunflower is from a 3rd generation cassette soundboard source, replacing the missing audio from the first set tape flip.
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