Loading...

Grateful Dead 04/08/1985

SHOWID 1607

Set I

In The Midnight Hour >
Walking The Dog >
Big Boss Man
Me & My Uncle >
Cumberland Blues
Down In The Bottom >
I Ain't Superstitous
Althea
Tons Of Steel >
Supplication >
Might As Well

Set II

Revolution
Hell In A Bucket >
Touch Of Grey
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Goin' Down The Road Feeling Bad >
Stella Blue >
Around & Around >
Turn On Your Lovelight
Brokedown Palace

Set III


Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Sources

SHNID 3420
possible reDAE/reSHN of previous shn set; via redbeard to abgd
SHNID 8755
(Healy Mix)SBD>MC>PCM>BETA>DAT>CDR; Seeded to etree by Tim W
SHNID 20010
SB> MC> DAT> CD via Kevin Gills
SHNID 24227
Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
SHNID 33804
Sennheiser 421's FOB & Sony TCD5M Transfered: Master Casssette; Taped & Transfered by Brian Mandel; Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tool
SHNID 74161
Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN taped and transferred by Charles Bandrofcheck
SHNID 87465
flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro >flac frontend
SHNID 96598
flac16; Taper: Greg Holtz Source: Nakamichi 100's & Sennheiser 421's Mix -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Metaxial 90) -> Tascam 112, dolbyB -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
SHNID 102065
flac24; Source: Nak 300/CP4 > TCD5m - TDK MA90 (metal), OTS, 12' -- TCD5m (same as recorder) > Minime @ 24/96 > SD744 > Audacity > Flac24; Recorded: David Barfield And/Or David Lane; Transfer: David Barfield
SHNID 103445
flac16; Recorded by Dave Cohen Back right corner of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was NOT used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
SHNID 107045
flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; recorded and mastered to cdr by D5scott
SHNID 117189
flac16; Source: MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> r8brain PRO> .wav @ 16/44.1> CD Wave Editor> TLH> flac16. Location: Approx. 20 feet from the stage, Dead Center; Taper: Mark McCue; Transferred and mastered by Alex Ford
SHNID 117212
flac24; MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> CD Wave Editor> TLH> flac24. Location: Approx. 20 feet from the stage, Dead Center; Recorded by Mark McCue; Transferred and mastered by Alex Ford
SHNID 118375
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48) -> WAV; Transfer Info: WAV -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
SHNID 118481
flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper : Dan Healy; Editing : Joe D'Amico
SHNID 124854
flac24; lineage: nakamichi 700 (fob)> optimus> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
SHNID 145497
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
SHNID 145498
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
SHNID 149321
flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID 149322
flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
SHNID 151430
16 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96)
Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels, resample, mBit+ dither) > FLAC 1644
SHNID 151431
24 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels) > FLAC 2496
SHNID 152173
flac16/44 Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey
SHNID 152174
flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey
SHNID 169938
Final Cut Pro (16b 48k) > Izotope Rx Advanced > Peak Pro > Xact > Flac 16
SHNID 169970
Soundboard+Audience Mqatrix Created by Brian Miksis January 15, 2025 using Final Cut Pro (16b 48k) > Izotope Rx Advanced > Peak Pro > Xact > Flac 16
SHNID 170743
flac1648 Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
SHNID 170744
flac2496 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
SHNID 175954
flac1648 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
SHNID 175955
flac2496 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496