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Grateful Dead 09/15/1985

SHOWID 1637

Set I

Alabama Getaway >
Promised Land
West L.A. Fadeaway
Mama Tried >
Big River
Dupree's Diamond Blues
Smokestack Lightning >
Deal

Set II

Twilight Zone Theme >
Scarlet Begonias >
Fire On The Mountain
Samson & Delilah
She Belongs To Me
Truckin' >
Comes A Time >
Around & Around >
Drums >
Space >
U.S. Blues >
(I Can't Get No) Satisfaction

Encore:
Brokedown Palace

Set III


Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Sources

SHNID 376
set 1; SBD -> ? -> DAT -> CD -> EAC -> SHN conversion by AJ
SHNID 378
set 2 only; cut in Drums/Space; reportedly SBD>CM>DAT>CDR; extraction> shn> upload by E. Walker; note a SBD> PCM> DAT version of set 2, plus encore and two set 1 songs is known to circulate- might this be a 1-disc (length ~74:15) condensation from same source?
SHNID 13600
Unknown Mics (parabolic reflectors, 40" apart)>Unknown deck> CM> C> Sony R500 w/ SBM (a/d)>WAV>CD-R.
SHNID 34722
flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
SHNID 76992
flac16; Source:Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor
SHNID 88814
flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-DFC-20 foot off stage@ 7 ft high on stand Taper: Rick "Coyotte" Colyard 2 TDK-SA90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/25/07
SHNID 120921
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed,Metadata Tagging With Tag&Rename By Keo
SHNID 120922
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
SHNID 150271
flac24; Doug Schnetlage's Master Audience Cassettes; Sennheiser 441 mics > Sony D5 (TDK HX-S90); 33 foot microphone spacing; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by Jim Blackwood
SHNID 150272
flac24; Set 2 Only; Ben Lukosky's Master Audience Cassette; Sennheiser 421 mics > Sony D5 (TDK HX-S90); 33 foot microphone spacing; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by Jim Blackwood
SHNID 151233
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 34722 & 13600.
SHNID 155725
Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M) > DAT (48k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC/48k