Grateful Dead 10/29/1985
Set I
Feel Like A Stranger
Friend Of The Devil
New Minglewood Blues
Bird Song
Hell In A Bucket
Deal
Friend Of The Devil
New Minglewood Blues
Bird Song
Hell In A Bucket
Deal
Set II
Mississippi Half Step Uptown Toodleloo >
Franklin's Tower >
Lost Sailor >
Saint Of Circumstance >
Crazy Fingers >
Drums >
Space >
The Wheel >
The Other One >
Wharf Rat >
Johnny B. Goode
Encore:
Brokedown Palace
Franklin's Tower >
Lost Sailor >
Saint Of Circumstance >
Crazy Fingers >
Drums >
Space >
The Wheel >
The Other One >
Wharf Rat >
Johnny B. Goode
Encore:
Brokedown Palace
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
8501
AUD > DAT > CDR > EAC > CDR > EAC > SHN; Seeded to abgd by cepx with thanks to Paul B.; Note 2nd set only: see txt file for editing notes
SHNID
8599
Complete; Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD; via Tommy Danscuk; Seeded to etree by Ernie Dodd
SHNID
12182
2nd set only; Source: SBD>Cassette>Cassette>DAT
Conversion: Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN)
Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 7/8/02.
Includes filler from GDH #461 - Warfield, 2/17/82
SHNID
16756
Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom):
Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3
Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy
Eac > cool edit > CDwav > shnv3 Ernie Dodd
shntool verified
SHNID
21533
SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
SHNID
33704
flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation
SHNID
76118
flac16; Pitch-corrected fix of shn id 33704 - Recording: SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
SHNID
83024
flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC. The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section.
SHNID
89970
flac16; Source: Master Audience Cassette Taper: Bill Koucky Location:Taper Section – Mezzanine Media: Maxell MX 90’s Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 10, 2008
SHNID
104708
flac16; Recorded by Dave Cohen Orchestra Floor Sec. L/C Row RR Seat 73 3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
SHNID
105818
flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90);
Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
SHNID
108081
flac16; Source: 2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 7 feet 16th row-center Maxell MX90's Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
SHNID
119948
flac16; Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion. TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts
SHNID
126305
flac24; source: (4) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
SHNID
132358
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5
SHNID
148423
flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
148424
flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
SHNID
148858
flac16/48kHz; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
148859
flac24; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
SHNID
151883
flac16/48 Source Info:
Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
SHNID
151884
flac24/96 Source Info:
Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
SHNID
154300
flac24/96 Recording Info:
SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) >
Samplitude Pro X6 Suite > FLAC/24
SHNID
154409
flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - This is 154300 2496 > 1644
SHNID
157449
flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging), of shnid's 154300 & 151884.
SHNID
157450
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC/16 via xACT w/meta-tagging), of shnid's 154300 & 151884.
SHNID
164046
flac1648 Source Info:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
SHNID
164047
flac2496 Source Info:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
SHNID
177050
flac2448 Tom Strizak MAC (2) Senn. MD421 standard stereo configuration (mic stand at approx. 7’) > Sony TC-D5M stereo cassette recorder, (2 Fugi -FR90 Metal/Dolby-B).
Location: Taper section Left of center section approx row 25 aisle seat.
Lineage: Analog Master cassettes played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > Reaper *DAW (master digitize recording @ 24 bit 48Khz WAV / export FLAC) > Audacity *DAW (for track labeling, audio edits, and conversion to Tracked and Labeled FLAC fileset (*DAW = Digital Audio Workstation)
Taped, transferred, and mastered by Tom Strizak
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