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Grateful Dead 07/02/1986

SHOWID 1693

Set I

Alabama Getaway >
Greatest Story Ever Told
They Love Each Other
Little Red Rooster *
Don't Think Twice It's Alright *
It's All Over Now Baby Blue *
Candyman
Me & My Uncle >
Mexicali Blues >
Don't Ease Me In

Set II

China Cat Sunflower >
I Know You Rider
Playing In The Band > $
Desolation Row > $
Drums >
Space >
Truckin' >
Black Peter >
Sugar Magnolia

Encore:
Box Of Rain

Set III


Comment

Bob Dylan and Tom Petty & The Heartbreakers opened

Jerry Garcia - Guitar (Without Jerry $)
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Dylan - Guitar *

Sources

SHNID 12934
AUD>DAT>CDR; via the Doodah Man; seedeD
SHNID 22381
2 Beyer M160 FOB> Sony TCD5M Master Cassette>shn
SHNID 82519
flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey
SHNID 82520
flac24/96; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey
SHNID 105444
flac16; Recorded by David Cohen FOB Phil's side about 35 yards from stage chest high mic stand 2 Nakamichi CM100s/ CP1>Sony WMD6 Maxell XLII cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
SHNID 124587
flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Michael Hessberg; All Transfers and Mastering By Charlie Miller
SHNID 135055
flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
SHNID 139271
flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID 139284
flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139271 24 bit -> 16 bit
SHNID 139414
flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
SHNID 139580
flac16/48kHz; Oade Brothers Recording: Schoeps > spaced omnis > PCM > DAT (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel > flac 16/44; Checksum & tags created in xACT
SHNID 141053
flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
SHNID 157074
flac1644 1st GEN AUDCA Microphones: AKG c422|AKG B18 X-Y handheld Recorder: Sony TC-D5M| Maxell MX-90's Location: 45' from stage DFC 1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661 Recorded by: Mike Davis, Kenny Davis, Tom Pinney, Eddie Wahba Transfer and process: Kyle Holbrook
SHNID 157075
flac2448 1st GEN AUDCA Microphones: AKG c422|AKG B18 X-Y handheld Recorder: Sony TC-D5M| Maxell MX-90's Location: 45' from stage DFC 1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661 Recorded by: Mike Davis, Kenny Davis, Tom Pinney, Eddie Wahba Transfer and process: Kyle Holbrook
SHNID 157076
flac1644 1st GEN AUDCA Microphones: Beyer M88's X-Y handheld Recorder: Sony TC-D5M| Maxell MX-90's Location: 45' from stage DFC 1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661 Recorded by: Tom Pinney Transfer and process: Kyle Holbrook
SHNID 157077
flac2448 1st GEN AUDCA Microphones: Beyer M88's X-Y handheld Recorder: Sony TC-D5M| Maxell MX-90's Location: 45' from stage DFC 1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661 Recorded by: Tom Pinney Transfer and process: Kyle Holbrook