Grateful Dead 08/11/1987
Set I
Cold Rain & Snow >
Little Red Rooster
Tons Of Steel
High Time
When I Paint My Masterpiece
When Push Comes To Shove
Let It Grow
Little Red Rooster
Tons Of Steel
High Time
When I Paint My Masterpiece
When Push Comes To Shove
Let It Grow
Set II
Crazy Fingers >
Samson & Delilah
Ship Of Fools
Playing In The Band >
China Doll >
Drums >
Space >
All Along The Watchtower >
Goin' Down The Road Feeling Bad >
Around & Around >
Sugar Magnolia
Encore:
Black Muddy River
Samson & Delilah
Ship Of Fools
Playing In The Band >
China Doll >
Drums >
Space >
All Along The Watchtower >
Goin' Down The Road Feeling Bad >
Around & Around >
Sugar Magnolia
Encore:
Black Muddy River
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
4951
set 2; SBD> PCM> Dat> Cass> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no EAC); Conversion & Seed: Brian Cole; show stemming from John Craft and Jay Serafin; see info file for notes
SHNID
5247
set 1; SBD> PCM> ??> Dat> CD (Healy Matrix); Conversion: Kenwood TrueX> EAC> shn V3 (seekable); via Brian Cole, from Paul B.'s seed' see info file for notes
SHNID
14944
SBD -> PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller
SHNID
81953
flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in 15th row, stage left side of the soundboard. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR >
EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC
SHNID
82033
flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci aka nak700
SHNID
92056
flac16; Recording Info:SBD -> PCM -> Sonic Solutions -> CD;
Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC
Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller
SHNID
138303
flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT
SHNID
138972
flac16; Patched/Pitch Corrected Audience (original shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - pitch correction and patches by Kevin Tobin
SHNID
138973
flac16; Matrix 2 Source Mix - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
SHNID
138974
DTS-Audio-CD 5.1 Mix; SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - dts mixing by Kevin Tobin
SHNID
138975
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - surround mixing by Kevin Tobin
SHNID
142088
flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
SHNID
160460
flac1644 Microphones: Beyer M201's X-Y
Recorder: Sony TC-D5M| Maxell MX-90's
Location: 110' from stage 25 feet ROC
1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr
Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661
Recorded by: Executive Crew: Tom Pinney, John Goode, Eric Britt, Kyle Holbrook, Phil Schuman
Transfer and process: Kyle Holbrook
SHNID
160462
flac2448 Microphones: Beyer M201's X-Y
Recorder: Sony TC-D5M| Maxell MX-90's
Location: 110' from stage 25 feet ROC
1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr
Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661
Recorded by: Executive Crew: Tom Pinney, John Goode, Eric Britt, Kyle Holbrook, Phil Schuman
Transfer and process: Kyle Holbrook
SHNID
163607
flac1648 Source Info:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
SHNID
163608
flac2496 Source Info:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
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