Grateful Dead 08/16/1987
Set I
Mississippi Half Step Uptown Toodleloo
Little Red Rooster
Iko Iko
Beer Barrel Polka
Far From Me
West L.A. Fadeaway
When I Paint My Masterpiece
Big Railroad Blues
Promised Land
Little Red Rooster
Iko Iko
Beer Barrel Polka
Far From Me
West L.A. Fadeaway
When I Paint My Masterpiece
Big Railroad Blues
Promised Land
Set II
When Push Comes To Shove >
Samson & Delilah >
He's Gone >
Drums >
Space >
The Other One >
Truckin' >
Black Peter >
Good Lovin'
Encore:
Touch Of Grey >
Brokedown Palace
Samson & Delilah >
He's Gone >
Drums >
Space >
The Other One >
Truckin' >
Black Peter >
Good Lovin'
Encore:
Touch Of Grey >
Brokedown Palace
Set III
Comment
FM Broadcast KOTO
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
4170
PreFM > Rm > DAT > CDR > EAC > SHN; via C. Ladner; known flaws: d2t6:digipop@7:19, d2t7: song cuts @ 6:56
SHNID
81679
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
SHNID
82200
flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci
SHNID
142154
flac16; Source Info: 1st Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
SHNID
159374
flac1648 First set: FM onsite signal/Marantz PMD 420/Maxell XLIIS 90
Second set: OTS Nakamichi CM 100/CP-4/Marantz PMD 420/Maxell XLIIS 90
Transfer: Nak DR3/SD 722/24/48
Taped by Jon Pasternak
SHNID
159375
flac2448 First set: FM onsite signal/Marantz PMD 420/Maxell XLIIS 90
Second set: OTS Nakamichi CM 100/CP-4/Marantz PMD 420/Maxell XLIIS 90
Transfer: Nak DR3/SD 722/24/48
Taped by Jon Pasternak
SHNID
160473
flac1644 microphones: Beyer M201's XY >
recorder: Sony TCD5M|Maxell MX 90 x 2 No Dolby
Location: 55 feet from stage 10 ft LOC, handheld
Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Tom Pinney, Eric Britt, Phil Schuman, Kyle Holbrook, John Goode,
SHNID
160475
flac2448 microphones: Beyer M201's XY >
recorder: Sony TCD5M|Maxell MX 90 x 2 No Dolby
Location: 55 feet from stage 10 ft LOC, handheld
Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew: Tom Pinney, Eric Britt, Phil Schuman, Kyle Holbrook, John Goode
SHNID
163857
flac1648 Source Info:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
SHNID
163858
flac2496 Source Info:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
SHNID
173378
flac2496 Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
All Transfers and Mastering by Charlie Miller
SHNID
173380
flac1648 Ultramatrix Sbd > Cassette Master > 24bit Flac > 16bit Flac
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