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Grateful Dead 03/17/1995

SHOWID 175715

Set I

Phil Practices Base Line By Himself
"it Would Really Help To Have Vinny Here...bob Did You Give That Disc To Steve?"
Mostly Dead Air, Drummers Start To Come In
Phil, Vince, And Drummers Practice
Phil Gives Directions
Vince: "let Me Here The Groove Of The Body Of The Song"
Phil To Bobby "i Want To Do It In Philadelphia Man"
Let's Do The Verses From A-minor C - Take 1
More From The A-minor C - Take 2
Phil: "that Tempo Is Too Fast"
Next Take From Same Spot - Take 3
Phil: "if I Have To Go "lookin Fo Famila Fafes""
Take 4
Vince: "is There One Of Those Elevens At The End Of The Threes"
Phil Counts Out The Changes
Learning The Part After The First Verse
Vince: "where In The Bar Are You Starting That Three"
Back To The Intro - Take 1
Intro - Take 2
Intro - Take 3 - Phil Explains The Timing
Phil Works With Steve On The Tele-prompter
"well Then Get Your God Damn Earphones Tunred Up Man"
Take 4 Intro - Whole Song
Phil Explains Ending
Ending - Take 2
What Are The Stumbling Blocks -- Jerry "not Knowing It"
Let's Do Something Else For A While
Here Comes Sunshine - Take 1
Here Comes Sunshine - Take 2

Total

Set II

 

Set III

 

Comment

Unbroken Chain soundcheck

Sources

SHNID 1366
Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally)
SHNID 13400
AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman
SHNID 16057
Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
SHNID 17951
Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
SHNID 91840
flac16; Taper:John Bleich - Lineage: Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
SHNID 92087
flac16; Source: Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz Transfer: Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain 16/44.1kHz-> Traders Little Helper, flac8 Taper: Greg Holtz
SHNID 97658
flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
SHNID 141179
flac16/44.1 Source Info: FOB B&K 4011-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
SHNID 141505
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
SHNID 142982
flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
SHNID 150765
flac16; DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8
SHNID 170533
flac1644 Senheizer 421 mics> Sony D5 Master Analog Cassette 2 x Maxell MX-90 Location: OTS Lineage: Master Analog Cassette playback on Sony D5>CDR> Windows Media Player FLAC Level 8. Taped, Mastered and uploaded by Mark Van Blunk.