Grateful Dead 07/16/1988
Set I
The Music Never Stopped >
Sugaree
Little Red Rooster
Loser
Stuck Inside Of Mobile With The Memphis Blues Again
Far From Me
Bird Song
Sugaree
Little Red Rooster
Loser
Stuck Inside Of Mobile With The Memphis Blues Again
Far From Me
Bird Song
Set II
China Cat Sunflower >
I Know You Rider >
Looks Like Rain >
Terrapin Station >
Drums > *
Space >
I Will Take You Home >
The Other One >
Stella Blue >
Around & Around >
One More Saturday Night
Encore:
Knockin' On Heaven's Door
I Know You Rider >
Looks Like Rain >
Terrapin Station >
Drums > *
Space >
I Will Take You Home >
The Other One >
Stella Blue >
Around & Around >
One More Saturday Night
Encore:
Knockin' On Heaven's Door
Set III
Comment
Rex Benefit
FM Broadcast KPFA
Alexander Gradsky played between sets
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Babatunde Olatunji - Percussion *
FM Broadcast KPFA
Alexander Gradsky played between sets
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Babatunde Olatunji - Percussion *
Sources
SHNID
10080
Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
SHNID
87751
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
SHNID
107042
flac16; Nak700/cp701>Bill Box>dbx224>D5: Nak>dbx224>mytek8x96AD6(24bit)ftp>r8brain>audacity>cdwave>tlh; Recorded and Transferred by Bill Reutelhuber
SHNID
138037
flac16; Source: NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids(2) > Tascam PortaOne 4-Track; Cassette w/DBX Type II on > Maxell XLII-S90; Set up right of center on the hill behind seating and walkway on 2 mic stands 8'&12' high; Processing: Maxell XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps/start/end and patching) > encoded to FLAC (level 8) w/ TLH FM masters for patch processed the same as the audience masters (w/out dbx-224X) Maxell MX-90 > w/Onkyo TA-2027(Dolby C on)
SHNID
139808
flac16; Recording Info: UltraMatrix SBD (Broadcast Mix) > PCM Master; Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
SHNID
140495
flac24; Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-FI VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496
SHNID
140549
flac16; Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-FI VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496
SHNID
140750
flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
SHNID
143156
flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID
143160
flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID
160875
flac1644 Source:1st gen AUDCA:
microphones: Beyer M201's aimed FWD (0')about 2 feet wide mixed with AKG ck61's XY> Tascam 442# mixed to 2 channels on the fly >
recorder: Sony TCD5M|Maxell XLII90 s1; Maxell MX 90 s2; No Dolby
Location: 100 feet from stage 20 ft LOC
Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode
Processed by: Kyle Holbrook
# NOTES: This is first gen from the dbx 4 channel master decoded using an dbx224.
SHNID
160876
flac2448 Source: 1st gen AUDCA:
microphones: Beyer M201's aimedFWD (0')about 2 feet wide mixed with AKG ck61's XY> Tascam 442# mixed to 2 channels on the fly >
recorder: Sony TCD5M|Maxell XLII90 s1; Maxell MX 90 s2; No Dolby
Location: 100 feet from stage 20 ft LOC
Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode
Processed by: Kyle Holbrook
# NOTES: This is first gen from the dbx 4 channel master decoded using an dbx224.
SHNID
164614
flac1648 Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
SHNID
164615
flac2496 Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
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