Jethro Tull 06/19/1971
Set I
My God > Bourée > My God (reprise)
With You There To Help Me >
By Kind Permission Of ...
Sossity, You're A Woman > Reasons For Waiting > Sossity, You’re A Woman (reprise)
To Cry You A Song
Aqualung
Cross-Eyed Mary
Nothing Is Easy
Wind-Up >
Midnight Rambler Jam >
Locomotive Breath >
Hard Headed English General >
Wind-Up (reprise)
With You There To Help Me >
By Kind Permission Of ...
Sossity, You're A Woman > Reasons For Waiting > Sossity, You’re A Woman (reprise)
To Cry You A Song
Aqualung
Cross-Eyed Mary
Nothing Is Easy
Wind-Up >
Midnight Rambler Jam >
Locomotive Breath >
Hard Headed English General >
Wind-Up (reprise)
Set II
Set III
Comment
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| OldNeumanntapr | FLAC / 0 | A- | View | 1 Sennheiser 805 Shotgun Microphone >Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips On 5" Diameter... | ||
| Notes: | My Copy (early 1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Additional clean up and EQ (2016) iZotope RX4 advanced > Har-Bal 3.0 > CD Wav > TLH Transfer notes: The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over). Spliced so that you may not even notice where. Reduced bandwidth from DAT tape at Long Play speed (32 KHz sample rate has a max. freq. of 16 KHz). This tape was very shrill and the original attempt to combat this was by pushing the 200-400Hz band up by an amazing 18dB. Helped to add something down there but it went from shrill to hollow sounding. This time Har-Bal was used to balance the frequency spectrum adding some warmth and reducing the brittleness in the high end. There was a problem in the recording equipment creating intermittent thumping sounds. Maybe a poor connection made these noises but they were in the low frequency band so the eqaulization made them louder. Hundreds of these noises were attenuated just during the Midnight Rambler Jam > Locomotive Breath transition. Additionally hundreds of small tape dropouts and loud claps were individually masqued using an assortment of iZotope tools. Quite often just copy and paste from the opposite channel for the dropouts (it is mono). Much better without those technical issues distracting from an inspired performance. Thanks go out to Dub and Ken for this nice recording. For historical reference only and not intended for resale or any commercial use. enjoy -M- (December 2012) (Rev A - updated info page and artwork: March 2013 - iZotope RX4A repairs and Har-Bal EQ: March 2016) FLYING M PRODUCTIONS Fan Recordings for Collectors Trade Freely But Please Do Not Sell | |||||
| wes meyette | / | View | ||||
| Slick2007 | FLAC / 1 | B+ | View | |||
| cotaper | flac / 1 | B+ | View | |||
| Notes: | 71 minutes | |||||
| tullillnow | cdr / 1 | View | ||||
| Notes: | part of bootleg:a song for america | |||||
| catherine | shn 1 / 0 | View | ||||
| Notes: | sounds like multiple sources, starts as AUD, then SBD | |||||
| BILL SCARNATI | / 1 | View | ||||
| joe | CDR / 1 | View | ||||
| Craig Behymer | SHN / 1 | View | ||||
| Steve K | FLAC / 2 | B+ | View | Aud | ||
| Notes: | Disc One Introduction My God > Bourée > My God (reprise) With You There To Help Me > By Kind Permission Of ... Sossity, You're A Woman > Reasons For Waiting > Sossity, You’re A Woman (reprise) To Cry You A Song Aqualung Disc Two Introduction Cross-Eyed Mary Nothing Is Easy encore: Wind-Up > Midnight Rambler Jam > * Locomotive Breath > Hard Headed English General > Wind-Up (reprise) | |||||
| Michael Shilling | CDR/Flac / 2 | A- | View | |||
| Notes: | Outstanding Performance with VG+ Clarity to hear all of the Softer Musical Passages. Ian Banter between Songs sometimes difficult to hear. | |||||
| Brad Foster | FLAC / 1 | View | Sennheiser 805 shotgun mic > Uher 4000 1/2 track R2R > R/1 > DAT | |||
| Steve Hemric | SHN / 1 | View | ||||
| Notes: | 1 CDR disc | |||||
| Anthony Dellacioppa | cdr / 1 | b+ | View | aud | ||
| a thomson | cdr / 1 | View | ||||
| TTDaddy | FLAC / 1 | View | AUD | |||
| Notes: | A very nice sounding Mono audience recording from a first generation Reel - converts to 2 audio discs (TRT 1:30:57) Source: 1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" diameter 3M Scotch tapes My Copy (early 1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Additional clean up and EQ (2016): iZotope RX4 advanced > Har-Bal 3.0 > CD Wav > TLH Transfer notes: The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over).- Spliced so that you may not even notice where. | |||||
| Keith Borrelli | CD / 1 | A- | View | AUD | ||
| Robbie Kellman | flac / 2 | View | ||||
| Notes: | dvd Yes Moody Tull | |||||
| robgrant | cdr / 1 | a | View | |||
| Dave Konrad | SHN / 1 | View | AUD: A TalkTull CD Tree release | |||
| Sun Drake | SHN / 1 | View | ||||
| RM's Giant Live Music Archive | FLAC / 0 | View | audience (SS081) | |||
| Notes: | sorry no fingerprints THE LINEAGE: audience > ??? > cassette to me > Nakamichi BX-2 > digitize via Audacity > FLAC 8 via xAct | |||||
| RM's Giant Live Music Archive | FLAC / 0 | View | TMoQ source (U080 & U112) | |||
| Notes: | a Mono audience recording from a first generation Reel Source: 1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" 3M Scotch tapes My Copy (1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Transfer notes: The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over). Reduced bandwidth from DAT tape at Long Play speed (32 KHz sample rate has a max. freq. of 16 KHz). This tape was shrill so 18 dB was added at 200 Hz and 2 dB at 420 Hz to add some low end and balance the sound. There is a problem in the recording equipment creating intermittent ground jumps (bumping noises). Hundreds of these were removed but during the Midnight Rambler Jam > Locomotive Breath transition these noises became too numerous to remove without changing the speed of the recording and are still heard in the background. Additionally many small dropouts and loud claps were repaired or removed with Audacity wave editor. | |||||
| RM's Giant Live Music Archive | FLAC1644 / | View | Flying M Productions of the "Ken & Dub" recording (RM197) | |||
| Notes: | Recorded by "Ken & Dub" from section 16, Row J, seat 2 Source: 1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" diameter 3M Scotch tapes My Copy (early 1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Additional clean up and EQ (Rev A - 2016) iZotope RX4 advanced > Har-Bal 3.0 > CD Wav > TLH Repair (Rev B - 2021) iZotope RX8 advanced > TLH Modified a patch used as filler applause at a tape flip on track 6. Removed a repeated bit of Ian speaking so this is a tad shorter than the original rev a. One caveat: DAT was recorded at the LP speed so there is a reduced bandwidth of 16 KHz (1/2 sample rate of 32 KHz) Transfer notes: The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over). Spliced so that you may not even notice where. This tape was very shrill and the original attempt to combat this was by pushing the 200-400Hz band up by an amazing 18dB. Helped to add something down there but it went from shrill to hollow sounding. This time Har-Bal was used to balance the frequency spectrum adding some warmth and reducing the brittleness in the high end. There was a problem in the recording equipment creating intermittent thumping sounds. Maybe a poor connection made these noises but they were in the low frequency band so the equalization made them louder. Hundreds of these noises were attenuated just during the Midnight Rambler Jam > Locomotive Breath transition. Still there in the background but not as distracting now. Additionally hundreds of small tape dropouts and loud claps were individually masqued using an assortment of iZotope tools. Quite often just copy and paste from the opposite channel for the dropouts (it is mono). Sorry but nothing could fix the small dropout in Sossity as it was across both channels. Much better without those technical issues distracting from an inspired performance. For historical reference only and not intended for resale or any commercial use. enjoy -M- (December 2012) (2016-Rev A) (2021 - removed repeated comment in a patch) FLYING M PRODUCTIONS | |||||
| OBIE | FLAC / 1 | View | ||||
| zosa | CDR / 1 | View | ||||
| AAA Audio | shn / 1 | View | ||||
| Chris Myers | Shns/Flacs / 1 | B | View | |||
| Notes: | "Flute Cake" | |||||
| Carter | CDR / 1 | View | ||||
| Warren | CD / 2 | View | ||||
| Brian C | SHN / 1 | A | A- | View | ||
| Notes: | shares disc with Santana 7/16/96 shn | |||||
| Paul Russell | cdr / 1 | A- | View | |||
| Notes: | some grest playing Ian in sparkling form | |||||
| bewise | flac / 1 | View | ||||
| Notes: | 417mb sd 2 | |||||
| tarkus22 | FLAC / 1 | View | ||||
| John DePietro | CD-R / 1 | View | ||||
| orest | SHN / 1 | View | ||||
| Cyndi | / 0 | View | very good, aud."A TalkTull CD Tree release | |||
| Notes: | Jethro Tull Anaheim, California Convention Center June 19, 1971 SHN (416 MB) A TalkTull CD Tree release This is from the "Aqualung" tour. Barriemore Barlow has already replaced Clive Bunker. Quality I would rate at: "very good, aud." This classic lineup would remain intact May 1971 - Dec 1975: IAN ANDERSON MARTIN BARRE JOHN EVAN BARRIEMORE BARLOW JEFFREY HAMMOND HAMMOND T01 - My God 15:52 T02 - With You There To Help Me/By Kind Permission Of... 14:07 T03 - Sossity: You're A Woman/Reasons For Waiting 7:17 T04 - To Cry You A Song 6:37 T05 - Aqualung 7:53 T06 - Cross-Eyed Mary 8:46 T07 - Nothing Is Easy 8:24 T08 - Locomotive Breath (incomplete) 5:03 Total 73:59 | |||||
| julien | CD FLAC / 2 | View | Audience - Very Good Recording | |||
| Notes: | 91 minutes | |||||
| AtS | shn / 1 | B | View | AUD | ||
| sean o'connor | dvd-r - flac / 1 | View | ||||
| Notes: | flac | |||||
| Matt W | CD-R/1 SHN / 1 | B | View | |||
| Notes: | *Last track incomplete | |||||
| mike | MP3 / 0 | View | ||||
| Notes: | My God With You There To Help Me Sossity, You're A Woman To Cry You A Song Aqualung Cross Eyed Mary Nothing Is Easy Locomotive Breath Wind Up | |||||
| nuttinbutbootz | CDR / 1 | View | ||||
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