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Jethro Tull 06/19/1971

SHOWID 184842

Set I

My God > Bourée > My God (reprise)
With You There To Help Me >
By Kind Permission Of ...
Sossity, You're A Woman > Reasons For Waiting > Sossity, You’re A Woman (reprise)
To Cry You A Song
Aqualung
Cross-Eyed Mary
Nothing Is Easy

Wind-Up >
Midnight Rambler Jam >
Locomotive Breath >
Hard Headed English General >
Wind-Up (reprise)

Set II

 

Set III

 

Comment

 

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
OldNeumanntapr (5/5) FLAC / 0 A- View   1 Sennheiser 805 Shotgun Microphone >Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips On 5" Diameter...
Notes: My Copy (early 1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Additional clean up and EQ (2016) iZotope RX4 advanced > Har-Bal 3.0 > CD Wav > TLH Transfer notes: The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over). Spliced so that you may not even notice where. Reduced bandwidth from DAT tape at Long Play speed (32 KHz sample rate has a max. freq. of 16 KHz). This tape was very shrill and the original attempt to combat this was by pushing the 200-400Hz band up by an amazing 18dB. Helped to add something down there but it went from shrill to hollow sounding. This time Har-Bal was used to balance the frequency spectrum adding some warmth and reducing the brittleness in the high end. There was a problem in the recording equipment creating intermittent thumping sounds. Maybe a poor connection made these noises but they were in the low frequency band so the eqaulization made them louder. Hundreds of these noises were attenuated just during the Midnight Rambler Jam > Locomotive Breath transition. Additionally hundreds of small tape dropouts and loud claps were individually masqued using an assortment of iZotope tools. Quite often just copy and paste from the opposite channel for the dropouts (it is mono). Much better without those technical issues distracting from an inspired performance. Thanks go out to Dub and Ken for this nice recording. For historical reference only and not intended for resale or any commercial use. enjoy -M- (December 2012) (Rev A - updated info page and artwork: March 2013 - iZotope RX4A repairs and Har-Bal EQ: March 2016) FLYING M PRODUCTIONS Fan Recordings for Collectors Trade Freely But Please Do Not Sell
wes meyette (5/0) / View  
Slick2007 (5/5) FLAC / 1 B+ View  
cotaper (5/5) flac / 1 B+ View  
Notes: 71 minutes
tullillnow (5/5) cdr / 1 View  
Notes: part of bootleg:a song for america
catherine (5/5) shn 1 / 0 View  
Notes: sounds like multiple sources, starts as AUD, then SBD
BILL SCARNATI (5/4) / 1 View  
joe (5/5) CDR / 1 View  
Craig Behymer (5/5) SHN / 1 View  
Steve K (4/5) FLAC / 2 B+ View   Aud
Notes: Disc One Introduction My God > Bourée > My God (reprise) With You There To Help Me > By Kind Permission Of ... Sossity, You're A Woman > Reasons For Waiting > Sossity, You’re A Woman (reprise) To Cry You A Song Aqualung Disc Two Introduction Cross-Eyed Mary Nothing Is Easy encore: Wind-Up > Midnight Rambler Jam > * Locomotive Breath > Hard Headed English General > Wind-Up (reprise)
Michael Shilling (4/5) CDR/Flac / 2 A- View  
Notes: Outstanding Performance with VG+ Clarity to hear all of the Softer Musical Passages. Ian Banter between Songs sometimes difficult to hear.
Brad Foster (4/4.9) FLAC / 1 View   Sennheiser 805 shotgun mic > Uher 4000 1/2 track R2R > R/1 > DAT
Steve Hemric (4/4.8) SHN / 1 View  
Notes: 1 CDR disc
Anthony Dellacioppa (4/5) cdr / 1 b+ View   aud
a thomson (4/4.9) cdr / 1 View  
TTDaddy (3/5) FLAC / 1 View   AUD
Notes: A very nice sounding Mono audience recording from a first generation Reel - converts to 2 audio discs (TRT 1:30:57) Source: 1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" diameter 3M Scotch tapes My Copy (early 1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Additional clean up and EQ (2016): iZotope RX4 advanced > Har-Bal 3.0 > CD Wav > TLH Transfer notes: The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over).- Spliced so that you may not even notice where.
Keith Borrelli (3/5) CD / 1 A- View   AUD
Robbie Kellman (3/5) flac / 2 View  
Notes: dvd Yes Moody Tull
robgrant (3/5) cdr / 1 a View  
Dave Konrad (3/4.6) SHN / 1 View   AUD: A TalkTull CD Tree release
Sun Drake (3/0) SHN / 1 View  
RM's Giant Live Music Archive (2/5) FLAC / 0 View   audience (SS081)
Notes: sorry no fingerprints THE LINEAGE: audience > ??? > cassette to me > Nakamichi BX-2 > digitize via Audacity > FLAC 8 via xAct
RM's Giant Live Music Archive (2/5) FLAC / 0 View   TMoQ source (U080 & U112)
Notes: a Mono audience recording from a first generation Reel Source: 1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" 3M Scotch tapes My Copy (1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Transfer notes: The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over). Reduced bandwidth from DAT tape at Long Play speed (32 KHz sample rate has a max. freq. of 16 KHz). This tape was shrill so 18 dB was added at 200 Hz and 2 dB at 420 Hz to add some low end and balance the sound. There is a problem in the recording equipment creating intermittent ground jumps (bumping noises). Hundreds of these were removed but during the Midnight Rambler Jam > Locomotive Breath transition these noises became too numerous to remove without changing the speed of the recording and are still heard in the background. Additionally many small dropouts and loud claps were repaired or removed with Audacity wave editor.
RM's Giant Live Music Archive (2/5) FLAC1644 / View   Flying M Productions of the "Ken & Dub" recording (RM197)
Notes: Recorded by "Ken & Dub" from section 16, Row J, seat 2 Source: 1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" diameter 3M Scotch tapes My Copy (early 1980's): 1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77 Transfer to DAT (1996): Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP Transfer to Hard Drive (2012): Sony DTC-690 > Korg MR-2000s > Audiogate > Audacity > CD Wav > Flac (Level 8) > Stamp ID3 tag editor Additional clean up and EQ (Rev A - 2016) iZotope RX4 advanced > Har-Bal 3.0 > CD Wav > TLH Repair (Rev B - 2021) iZotope RX8 advanced > TLH Modified a patch used as filler applause at a tape flip on track 6. Removed a repeated bit of Ian speaking so this is a tad shorter than the original rev a. One caveat: DAT was recorded at the LP speed so there is a reduced bandwidth of 16 KHz (1/2 sample rate of 32 KHz) Transfer notes: The master tapes had to be flipped every 22-23 minutes (and that's not as easy as flipping a cassette over). Spliced so that you may not even notice where. This tape was very shrill and the original attempt to combat this was by pushing the 200-400Hz band up by an amazing 18dB. Helped to add something down there but it went from shrill to hollow sounding. This time Har-Bal was used to balance the frequency spectrum adding some warmth and reducing the brittleness in the high end. There was a problem in the recording equipment creating intermittent thumping sounds. Maybe a poor connection made these noises but they were in the low frequency band so the equalization made them louder. Hundreds of these noises were attenuated just during the Midnight Rambler Jam > Locomotive Breath transition. Still there in the background but not as distracting now. Additionally hundreds of small tape dropouts and loud claps were individually masqued using an assortment of iZotope tools. Quite often just copy and paste from the opposite channel for the dropouts (it is mono). Sorry but nothing could fix the small dropout in Sossity as it was across both channels. Much better without those technical issues distracting from an inspired performance. For historical reference only and not intended for resale or any commercial use. enjoy -M- (December 2012) (2016-Rev A) (2021 - removed repeated comment in a patch) FLYING M PRODUCTIONS
OBIE (2/5) FLAC / 1 View  
zosa (2/4.9) CDR / 1 View  
AAA Audio (2/4.7) shn / 1 View  
Chris Myers (2/5) Shns/Flacs / 1 B View  
Notes: "Flute Cake"
Carter (1/5) CDR / 1 View  
Warren (1/5) CD / 2 View  
Brian C (1/4.7) SHN / 1 A A- View  
Notes: shares disc with Santana 7/16/96 shn
Paul Russell (1/4.6) cdr / 1 A- View  
Notes: some grest playing Ian in sparkling form
bewise (1/0) flac / 1 View  
Notes: 417mb sd 2
tarkus22 (1/5) FLAC / 1 View  
John DePietro (1/0) CD-R / 1 View  
orest (1/0) SHN / 1 View  
Cyndi (1/5) / 0 View   very good, aud."A TalkTull CD Tree release
Notes: Jethro Tull Anaheim, California Convention Center June 19, 1971 SHN (416 MB) A TalkTull CD Tree release This is from the "Aqualung" tour. Barriemore Barlow has already replaced Clive Bunker. Quality I would rate at: "very good, aud." This classic lineup would remain intact May 1971 - Dec 1975: IAN ANDERSON MARTIN BARRE JOHN EVAN BARRIEMORE BARLOW JEFFREY HAMMOND HAMMOND T01 - My God 15:52 T02 - With You There To Help Me/By Kind Permission Of... 14:07 T03 - Sossity: You're A Woman/Reasons For Waiting 7:17 T04 - To Cry You A Song 6:37 T05 - Aqualung 7:53 T06 - Cross-Eyed Mary 8:46 T07 - Nothing Is Easy 8:24 T08 - Locomotive Breath (incomplete) 5:03 Total 73:59
julien (0/0) CD FLAC / 2 View   Audience - Very Good Recording
Notes: 91 minutes
AtS (0/4.7) shn / 1 B View   AUD
sean o'connor (0/0) dvd-r - flac / 1 View  
Notes: flac
Matt W (0/5) CD-R/1 SHN / 1 B View  
Notes: *Last track incomplete
mike (0/0) MP3 / 0 View  
Notes: My God With You There To Help Me Sossity, You're A Woman To Cry You A Song Aqualung Cross Eyed Mary Nothing Is Easy Locomotive Breath Wind Up
nuttinbutbootz (0/5) CDR / 1 View