Grateful Dead 04/04/1991
Set I
Let The Good Times Roll
Feel Like A Stranger
They Love Each Other
Walkin' Blues
Ramble On Rose
Stuck Inside Of Mobile With The Memphis Blues Again
High Time
Promised Land
Feel Like A Stranger
They Love Each Other
Walkin' Blues
Ramble On Rose
Stuck Inside Of Mobile With The Memphis Blues Again
High Time
Promised Land
Set II
Help On The Way >
Slipknot! >
Franklin's Tower >
Estimated Prophet >
He's Gone >
Drums >
Space >
I Need A Miracle >
Standing On The Moon >
Good Lovin'
U.S. Blues
Slipknot! >
Franklin's Tower >
Estimated Prophet >
He's Gone >
Drums >
Space >
I Need A Miracle >
Standing On The Moon >
Good Lovin'
U.S. Blues
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
15548
FOB> AKGc1000s>Sony Cassette D3 > cdr
Eac > cool edit > shntool > cdwav >shnv3
Taped by Thomas Larson
Discs provided by Chris Adams
Eac >shn (secure with proper offsets) by Ernie Dodd
SHNID
24711
patched shnID 15548, FOB> AKGc1000s>Sony Cassette D3 > cdr >Eac > cool edit > shntool > cdwav >shnv3 with patch of promised land with cassette master by cdipietro; source of patch: AT835's> D5ProII> master cassette crossfaded with soundforge 7.0 via Tol
SHNID
31954
flac16; record: Audio Technica 835a's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>M Audio Audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record & transfer by cdipietro
SHNID
93472
flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
SHNID
99240
flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
SHNID
103623
flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
SHNID
112309
flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441\'s>Radio Shack Mixer>?>Sony D6; Tapes From Floater,Transfer By Keo; Tapes:Maxell MX 90,MX-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
SHNID
112310
flac16; Master Audience Nakamichi CM300 CP4 Shotguns + Sennheiser 441's>Radio Shack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit 5.6 MHz Tracking Sample Rate Conversion Metadata Tagging With AudioGate Software To 32 Bit Float 96 kHz Dithered Flacked With Korg Aqua To 16 44 SBE's Checked Fixed With Trader's Little Helper
SHNID
133809
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
SHNID
133810
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
SHNID
138838
flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; 7 Rows FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
SHNID
140691
flac16/48kHz; Set 2 Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
SHNID
149626
flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section 5, row FF, seat 7; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648
SHNID
152022
flac24/96 Recording Info:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
SHNID
152093
flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152022 24 -> 16 @ 44.1
Add Show
List Collectors
Wanted By
History