Grateful Dead 06/29/1992
Set I
Feel Like A Stranger
Althea
Little Red Rooster
So Many Roads
Desolation Row
Deal
Althea
Little Red Rooster
So Many Roads
Desolation Row
Deal
Set II
Box Of Rain
Victim Or The Crime >
Ship Of Fools >
Corrina >
Drums >
Space >
The Other One >
Stella Blue >
Sugar Magnolia
Encore:
Brokedown Palace
Victim Or The Crime >
Ship Of Fools >
Corrina >
Drums >
Space >
The Other One >
Stella Blue >
Sugar Magnolia
Encore:
Brokedown Palace
Set III
Comment
Steve Miller Band opened
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
2281
Nak300 (CP-4 shotgun caps) -> Sony D5M-Pro (used as mic preamp) -> Yamaha MT1X cassette deck using DBX type II encoding; A/D Playback: Cassette Master in Yamaha MT120S using DBX type II decoding ->Tascam DA20 -> Zefiro ZA2 -> CoolEdit editing -> CDR; slight bit of the beginning of Desolation is missing, as well as the first couple notes of Deal; tape flip in Drums/Space spliced together with Cool Edit; Recording by Pat Volkerding and Eddie Wahba; A>D>CDR transfer by by Pat Volkerding; upload by Chris Ladner; see info file for burning notes
SHNID
9399
SBD>DAT>C>DAT>CDR; Seeded to etree by Tony G
SHNID
91644
flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
SHNID
132789
flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
SHNID
135350
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
SHNID
135351
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
SHNID
140222
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID
140285
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID
149399
flac16/48kHz; Source Info: FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
SHNID
176993
flac2496 Source: Nak 100 w/ CP4 > Sony D-6 > Marantz PMD420 > MC
Location: OTS
Transfer: Cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM)
Audacity used for trim, gain and minor cleanup
Master by Jim Kirk and Lee Maddex
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