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The Eagles 03/04/1980

SHOWID 216346

Set I

Hotel California
Already Gone
In The City
The Disco Strangler
The Sad Cafe
Lyin' Eyes
I Can't Tell You Why
Those Shoes
Heartache Tonight
One Of These Nights
Turn To Stone
The Long Run
Life's Been Good
Life In The Fast Lane
Boys Of Summer
New Kid In Town
Best Of My Love
It's True
Desperado
The Well Runs Dry

Set II

 

Set III

 

Comment

 

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
John H (5/5) flac / 2 AA AA View   soundboard
Notes: Excellent soundboard recording Another stellar recording from "The RS Arvhives" (a Mexminute/TheCommish production)
OldNeumanntapr (5/5) FLAC / 1 A View   Soundboard; Cassette Master->?->CDR
Notes: Trade CD >FLAC (Level 8) Via xACT 2.39
wes meyette (5/0) / View  
Shearing (5/5) FLAC / 2 A View   SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend > FLAC
Slick2007 (5/5) FLAC / 2 A View   SB
Michael D. (5/0) FLAC / View  
michael kass (5/5) cdr / 2 View  
michael kass (5/5) / 1 View  
Notes: “Transmission Impossible”
MyLibbyDog (5/4.8) CDR / 2 A A View  
Notes: Perfect Mono Soundboard of the Long Run Tour.
Luke (5/4.6) CDR / 1 A+ A+ View   SBD
randy walton (5/5) cdr / 2 a View   sbd
Notes: 117 minutes, complete show
Zoooma (5/5) FLAC / 0 View   Soundboard
Notes: SB > 2nd Gen cassette > CD-R > EAC > WAV > editing (info below) > FLAC Frontend > FLAC > me > TLH > WAV (to test for lossiness) > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to check for SBE's and create and verify new ffp & md5 files) > you (2) Remaster Info: FLAC files > Wavemerge > pitch correction, cleanup, and volume balancing in Soundforge 8/Adobe Audition 2 > CD Wave > FLAC NOTES: "Remastered by terrapinstation on 2008-12-14"
Ron A (5/4.5) Flac / 1 A- View  
David Bennett (5/5) CD / 2 A A View  
gwendibbley (5/0) Digital / View  
Brandon Whitford (5/0) CD / 0 View  
MrSteve (5/5) flac / 2 View  
John Champion (5/5) / 2 8* View   FM "LA Forum"
hazel1183 (5/5) cdr / 2 View  
cotaper (5/5) flac / 2 B+ View  
Notes: 87 minutes
Lester's Soundroom (5/5) CDR / 2 View  
Notes: /
Kurtis K (5/5) / 0 View   aud>?>cd silvers>eac>wav>flac
Gary (5/4.3) CDR / 2 View  
Notes: SBD>MC>Flac [RS Archives]
Adam (5/5) CDR / 2 A- View   SBD
jimiagogo (5/5) CD / 2 B+ View   audience
Notes: with Dan Fogelberg
Larry (5/4) / 0 View  
Douglas Tunstall (5/5) / 2 View   SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend >
Notes: SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend >
iluvmewzic2 (5/4.9) CD / 1 A View  
PeaceTrader (5/3) CDR / 2 View  
Hopper (5/5) CDR / 2 A A View  
Notes: Great Show; Filler - Don Henley acoustic (6 songs. Etree shows Dallas show, I believe it's from LA.
taraimo (5/5) CDR / 2 A- View  
stephen (5/4.8) FLAC / 1 SBD View  
Jason (5/4.8) CDR / 2 A A View   SBD from "The RS Archives"
Jordan Jacobs (5/3) CD/2 / 0 View   SBD
Notes: w/ David Sanborn SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend > FLAC>WAV>CD
Jim Hennessy (5/5) CDR / 2 A A View   SDB
Slammer (5/5) CDR / 2 View  
Mike (5/5) CDR / 2 A A- View  
Steve K (4/5) FLAC / 2 A View   SBD
Freebird 63 (4/5) cdr / 2 B+ View   aud
Grayson Kimball (4/4.8) CDR / 2 A+ View   SBD/FLAC
Notes: Set 1
Mark Goldey (4/4.3) FLAC.16 / 1 View  
Notes: S:C(2)>CDR>EAC
Jeff Hagen (4/5) Flac / 2 View   Lineage: SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend > FLAC...
Andrew Davies (4/4.4) CDR / 2 A A View  
Brad Foster (4/4.9) FLAC / 1 View   SBD > Cass/2 > CDR
Neil Hobson (4/5) cdr / 2 A+ View   sbd
Notes: Last track "Carol" incomplete
Chris Horner (4/5) FLAC / 1 View   SBD
MooManJack (4/5) cdr / 2 A- View  
Gregory (4/5) CDR / 1 A+ B+ View  
zowie (3/5) cd / 2 a View   sdb
Musicjunkie's Tunes (3/4.9) CDR / 2 A- View   SBD
joe m (3/5) FLAC / 1 View   Excellent soundboard recording Another stellar recording from "The RS Arvhives" (a...
Jeff Hyman (3/5) cdr / 2 View   SBD
Dave Heenan (3/0) FLAC / 1 View   SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend >...
ivan (3/5) CDR / 2 View   SBD
Notes: DALLAS IS INCORRECT. SHOW IS AT L.A. FORUM
jim hopf (3/4.7) CDR / 2 A- View   SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend >...
Notes: SoundBoard
Scott Gesler (3/5) CD / 2 A A View  
Notes: SBD
Denman (3/5) Digital / 0 View   SBD
Mike (3/5) cdr / 2 View  
Rich (3/5) CDR / 2 A View  
Notes: SBD
hugh (3/5) cd / 2 B + View  
Jason Smoliak (3/5) Audio / 1 View  
Ron Laxton (3/5) CDR / 2 View  
marc geanoules (3/5) CD / 2 A++ View   SBD
Rich Willis (3/0) CDR / 2 View  
Notes: AUD
AlanZ (3/0) FLAC / 2 View   SBD
Crowster2 (3/5) CDR / 2 View  
keith smith (3/5) cdr / 2 A- View   SBD.
Notes: w/ David Sanborn. Small 1 second cut at end of track 7/beginning of track 8.
Sugardrops (3/5) CD-R / 1 View  
paul (3/0) / 0 View  
Mike Langen (2/4.9) cdr / 2 A View   sbrd
Notes: The Eagles Los Angeles Forum Inglewood, CA (a suburb of Los Angeles) Mar. 4, 1980 Excellent soundboard recording Another stellar recording from "The RS Arvhives" (a Mexminute/TheCommish production) **mp3 samples provided (as always) in the Comments section** TheCommish notes: Great show in support of "The Long Run" album. My favorite Eagles era is the Joe Walsh period, so for me, this show is OUTSTANDING. It includes some nice horns work courtesy of David Sanborn, and the inclusion of Chuck Berry's "Carol" at the end is a bonus (but unfortunately, the song fades out a little past the one-minute mark...bummer). A must-have show for any Eagles fan or sorta Eagles fan. Setlist: 101. Hotel California 102. Already Gone 103. In The City 104. The Disco Strangler 105. The Sad Cafe ** 106. Lyin' Eyes 107. I Can't Tell You Why 201. Those Shoes 202. Heartache Tonight 203. One Of These Nights 204. Turn To Stone 205. The Long Run ** 206. Life's Been Good 207. Life In The Fast Lane 208. Carol (incomplete--fades out) ** with special guest David Sanborn Lineage: SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend > FLAC Editing notes: * Re-tracked show (combined WAV files in Nero, then re-split with CD Wave) * There was a small gap/glitch at the 1:15 mark of Track 101 (which lasted roughly 1/5 of a second); removed the gap with Nero's wave editor. "Fixed" version of Track 101 is not perfect, but much better than it was. * There was a rough transition between Tracks 106-107 so approximiately 5 seconds of applause were deleted, resulting in a smoother transition between tracks. * There was also a rough transition between Tracks 202-203 so approximately 2 seconds of applause were deleted, which results in a smoother transition between tracks. About "The RS Archives": The RS Archive consists of a selection of live recordings made by a great individual who passed away in 2005. RS worked in the music industry in many capacities….a music fan….a musician….a sound engineer. He was considered one of the best behind the mixing board. I was honored to have known him for practically 35 years. There was no one like him….he was a wonderful human being. Everybody loved him. He was a level-headed guy who knew what sounded good and what didn't. He could conceive and design sound systems from scratch in his head to meet the artist’s needs. Whatever they wanted, he could do. For years, he mixed music at the annual Grammy Awards and the American Music Awards television show. RS worked closely for years with Daryl Hall and John Oates, Juice Newton, Anita Baker, Mariah Carey, Tears for Fears, Crack the Sky, Kid Creole and the Coconuts, Aretha Franklin, Pink Floyd, Whitney Houston, Bette Midler, Ann Murray, Michael Bolton, Kenny G, Tony Bennett, Johnny Cash, Eric Clapton, John Fogerty, Bonnie Raitt, Frank Sinatra, John Hiatt, Little Feat, Little Village, and Waylon Jennings….. to name a few. He had a huge reputation in the business, and that's why he was chosen to work with such budding clients as Mariah Carey. With the major stars, he was one of the preferred engineers they choose to work with. A particular client of RS who had a reputation for firing sound engineers with great regularity was Anita Baker, whom he won over not only with his technical abilities and personality, but with his refusal to put up with her criticism. He quit a few times but always came back because she loved the way he mixed her music. He could coddle difficult and temperamental celebrities, and they respected his work. He was able to kick back and get along with them. Even though he knew these people, he was a very modest man. So now, it is time to honor him by sharing some of the many recordings he made while on the road. All are perfect (or near perfect) soundboard recordings made from the master cassettes or master dat tapes. Unfortunately, I am not able to identify the original equipment these tapes were made on, however I can say that for the transferring process, the cassette tapes were played back on a Nakamichi CR-7A, and the dat tapes on a Sony PCM-R500. They were all burnt onto cdr using a HHB CDR-850. Please enjoy these tasty gems! Mexminute (fellow DIME member). If you decide to download this show, won't you please consider posting a comment on the show's board? It only takes a moment, and believe me, it takes A LOT longer to prepare/upload a show for others to enjoy than it does to download and run. And won't you please consider thanking Mexminute for sharing this mighty fine show with us? Generously shared by Mexminute and uploaded on DIME by TheCommish November 2008
Tom Langdon (2/5) / 0 View  
Erick (2/3) FLAC/CDR / 2 View  
Notes: SBD
Uncle J (2/5) flac / 1 View  
Notes: sbd - SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend > FLAC Editing notes: * Re-tracked show (combined WAV files in Nero, then re-split with CD Wave) * There was a small gap/glitch at the 1:15 mark of Track 101 (which lasted roughly 1/5 of a second); removed the gap with Nero's wave editor. "Fixed" version of Track 101 is not perfect, but much better than it was. * There was a rough transition between Tracks 106-107 so approximiately 5 seconds of applause were deleted, resulting in a smoother transition between tracks. * There was also a rough transition between Tracks 202-203 so approximately 2 seconds of applause were deleted, which results in a smoother transition between tracks. About "The RS Archives": The RS Archive consists of a selection of live recordings made by a great individual who passed away in 2005. RS worked in the music industry in many capacities….a music fan….a musician….a sound engineer. He was considered one of the best behind the mixing board. I was honored to have known him for practically 35 years. There was no one like him….he was a wonderful human being. Everybody loved him. He was a level-headed guy who knew what sounded good and what didn't. He could conceive and design sound systems from scratch in his head to meet the artist’s needs. Whatever they wanted, he could do. For years, he mixed music at the annual Grammy Awards and the American Music Awards television show. RS worked closely for years with Daryl Hall and John Oates, Juice Newton, Anita Baker, Mariah Carey, Tears for Fears, Crack the Sky, Kid Creole and the Coconuts, Aretha Franklin, Pink Floyd, Whitney Houston, Bette Midler, Ann Murray, Michael Bolton, Kenny G, Tony Bennett, Johnny Cash, Eric Clapton, John Fogerty, Bonnie Raitt, Frank Sinatra, John Hiatt, Little Feat, Little Village, and Waylon Jennings…..to name a few. He had a huge reputation in the business, and that's why he was chosen to work with such budding clients as Mariah Carey. With the major stars, he was one of the preferred engineers they choose to work with. A particular client of RS who had a reputation for firing sound engineers with great regularity was Anita Baker, whom he won over not only with his technical abilities and personality, but with his refusal to put up with her criticism. He quit a few times but always came back because she loved the way he mixed her music. He could coddle difficult and temperamental celebrities, and they respected his work. He was able to kick back and get along with them. Even though he knew these people, he was a very modest man. So now, it is time to honor him by sharing some of the many recordings he made while on the road. All are perfect (or near perfect) soundboard recordings made from the master cassettes or master dat tapes. Unfortunately, I am not able to identify the original equipment these tapes were made on, however I can say that for the transferring process, the cassette tapes were played back on a Nakamichi CR-7A, and the dat tapes on a Sony PCM-R500. They were all burnt onto cdr using a HHB CDR-850. Please enjoy these tasty gems! Mexminute (fellow DIME member). If you decide to download this show, won't you please consider posting a comment on the show's board? It only takes a moment, and believe me, it takes A LOT longer to prepare/upload a show for others to enjoy than it does to download and run. And won't you please consider thanking Mexminute for sharing this mighty fine show with us? Generously shared by Mexminute and uploaded on DIME by TheCommish November 2008
itooktoomuch (2/0) FLAC / 2 View   SBD > C(M) > C(2) > CDR > EAC > wav > NERO > flac
Private Stock (2/5) / 2 View  
Notes: A mediocre AUD recording of a mediocre performance of this band as they neared a breakup that would last until Hell froze over.
Ryan Wepler (2/5) CDR / 2 View   Aud
Keith Smith (2/0) CDR / 2 A- View   SBD.
Vincent (2/5) CDR/FLAC / 1 View   SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend >...
Notes: Editing notes: * Re-tracked show (combined WAV files in Nero, then re-split with CD Wave) * There was a small gap/glitch at the 1:15 mark of Track 101 (which lasted roughly 1/5 of a second); removed the gap with Nero's wave editor. "Fixed" version of Track 101 is not perfect, but much better than it was. * There was a rough transition between Tracks 106-107 so approximiately 5 seconds of applause were deleted, resulting in a smoother transition between tracks. * There was also a rough transition between Tracks 202-203 so approximately 2 seconds of applause were deleted, which results in a smoother transition between tracks.
AAA Audio (2/4.7) flac / 1 View  
Danjiri (2/5) CDR / 2 View  
blewsman (2/5) flac / 1 View  
Notes: rock dvd 007
John Peters (1/0) FLAC / 1 View   SBD: 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend > FLAC
Mike Kelly (1/4.3) CDR / 2 View   soundboard
kevin boland (1/4.8) CDR / 2 View  
David (1/5) CDR / 2 A View   SBD
Boedi-taper (1/4.8) CDR / 2 A A View   Soundboard Recording
Carter (1/5) CDR / 2 View  
Craig S (1/0) CDR / 2 View  
buc2220 (1/5) CDR / 2 A A- View   SBD
Stuart Ferguson (1/4.7) CDR / 2 View   Soundboard
Notes: DVD 1944; lineage: SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend > FLAC
Hanf (1/5) Flac / 0 View  
Notes: SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend > FLAC
phil (1/5) CD-R / 2 View   SBD > 2nd gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend >...
Notes: Another stellar recording from "The RS Arvhives" (a Mexminute/TheCommish production)
Warren (1/5) CD / 2 A View  
Notes: soundboard recording
Death Glider (1/0) CD-R / 2 View   Soundboard recording. Recording process & lineage info are unclear. A recording from "The RS...
Notes: FLAC/sg1500b
Sean Gleason (1/4.6) CDR / 2 View  
stringman67 (1/5) CDR / 2 A View  
Notes: SBD (41.47/43.04)
Tommy Danscuk (1/5) flac / 1 View   Sbd > Cass
LossLess Legs (1/0) CDR / 2 View   SBD
Notes: 2/26/2009 - wharfratpat
Nori Kelley (1/0) CDR / 2 A+ A+ View   SBD
Bob Cowden (1/0) CDR / 2 B+ B+ View  
Notes: I have this show listed as taking place at the LA Forum.