Grateful Dead 12/29/1988
Set I
Hell In A Bucket >
Sugaree
New Minglewood Blues
Friend Of The Devil
Queen Jane Approximately
To Lay Me Down >
Let It Grow
Sugaree
New Minglewood Blues
Friend Of The Devil
Queen Jane Approximately
To Lay Me Down >
Let It Grow
Set II
Playing In The Band >
Crazy Fingers >
Samson & Delilah >
Playing In The Band >
Eyes Of The World >
Drums >
Space >
The Other One >
Stella Blue >
Throwing Stones >
Not Fade Away
Encore:
The Mighty Quinn (Quinn The Eskimo)
Crazy Fingers >
Samson & Delilah >
Playing In The Band >
Eyes Of The World >
Drums >
Space >
The Other One >
Stella Blue >
Throwing Stones >
Not Fade Away
Encore:
The Mighty Quinn (Quinn The Eskimo)
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
6313
sbd> dats> wav> shn; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed
SHNID
7347
Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN; via Glenn Gillis; Tony Gardner
SHNID
98925
flac16; 2 Nak 100's w/ CP-4 Guns > Sony D5 > MAC > Nak dr-1 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
SHNID
137692
flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Critical Listening Assistance and Track, FLAC, Pack by Norm
SHNID
140701
flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
SHNID
141659
flac16; Source Info: Ted Mattes' (with an assist to Jeff Travitz) Master (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 with Apogee filters; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam SS-CDR2000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
SHNID
152285
flac24/96 Recording Info:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
SHNID
152582
flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 -This is 152285 24 -> 16 @ 44.1
SHNID
168691
flac1644 OTS; AKG D-190E Dynamic Cardioids (ORTF) >Sony WM-D6C >(patch) >Sony WM-D6C [MX90]
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Recorded, Transferred, Audacity Post Production, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr
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