R.E.M. 09/05/1999
Set I
Lotus
What's The Frequency Kenneth?
So Fast So Numb
Pilgrimage
Suspicion
Daysleeper
Crush With Eyeliner
The Apologist
Half A World Away
Sweetness Follows
The Great Beyond
The One I Love
Country Feedback
At My Most Beautiful
Finest Worksong
Losing My Religion
Man On The Moon
Walk Unafraid, Hope
Why Not Smile
The Wake-Up Bomb
Tongue
Cuyahoga
It's The End Of The World As We Know..
What's The Frequency Kenneth?
So Fast So Numb
Pilgrimage
Suspicion
Daysleeper
Crush With Eyeliner
The Apologist
Half A World Away
Sweetness Follows
The Great Beyond
The One I Love
Country Feedback
At My Most Beautiful
Finest Worksong
Losing My Religion
Man On The Moon
Walk Unafraid, Hope
Why Not Smile
The Wake-Up Bomb
Tongue
Cuyahoga
It's The End Of The World As We Know..
Set II
Set III
Comment
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| David LeMond | CDR / 2 | A | View | sdbd | ||
| LordFlapjack | FLAC / 2 | A+ | A+ | View | DAT deck plugged into back of In House VCR video system > ?? > CDR > FLAC | |
| Notes: | Awesome show! | |||||
| Tulum | FLAC / 24 | View | Received from a trade and it was labeled as "Soundboard" | |||
| Notes: | Another cool R.E.M. show from my remaster collection. This one is labelled as a soundboard in the original info file but my belief is that itÕs actually an IEM recording (MichaelÕs in fact). There are a few clues in there about that, namely the way the vocal level is very high in the mix during the initial few songs of the set. At other times the vocals then meld into the mix, usually during songs where IÕve noted that Stipe takes out his IEMÕs and uses the stage monitors more exclusively. Like my first remaster of the Irvine 99 show, IÕve implemented various binaural panning techniques, impulse response technology along with some corrective EQ to provide what I believe to be a nice upgrade. The listening experience should now feel a lot more immersive and those listening on headphones should experience an almost surround sound feel. For anyone else listening on a different format you will hopefully experience a more spacious sounding mix. Soundboard/IEM mixes often sound very flat and very Ôup-frontÕ with no real depth of field when it comes to the sound. this remaster series hopes to rectify that. | |||||
| Mike Marteny | cdr / 2 | A | View | SBD>DAT(M)>CDR(1) | ||
| Notes: | D1 68:00 D2 55:23 | |||||
| BLG | FLAC / 1 | View | DAT deck plugged into back of In House VCR video system > ?? > CDR > FLAC | |||
| gwendibbley | Digital / | View | ||||
| adorup | FLAC / 0 | View | ||||
| PeaceTrader | CDR / 2 | View | ||||
| Jeff S | cd-r / 2 | A | View | ALD | ||
| Andrzej | FLAC / 0 | B | View | |||
| Dave | CDR / 2 | View | ||||
| Seb | CDR / 2 | A | View | |||
| chrisrap1 | cdr / 2 | A-/ | View | n/a | ||
| Notes: | Lotus What's the Frequency Kenneth? So Fast So Numb Pilgrimage Suspicion Daysleeper Crush With Eyeliner The Apologist Half A World Away Sweetness Follows The Great Beyond The One I Love Country Feedback At My Most Beautiful Finest Worksong Losing My Religion Man on the Moon Walk Unafraid Hope Why Not Smile The Wake-Up Bomb Tongue Cuyahoga It's the End of the World As We Know.. | |||||
| Billster | CDR / 2 | B+ | View | |||
| Notes: | Flawless. Audio is overdriven. Still quite listenable, though. | |||||
| Matthijs | CDR / 2 | View | ||||
| Matt | AUD / 2 | View | ||||
| Notes: | soundboard | |||||
| Will Link | AUD / 2 | B+ | B | View | ||
| remfan43615 | CD-R / 2 | View | ||||
| Steve K | FLAC / 2 | A | View | |||
| RJHuf | CDR / 2 | A | A+ | View | ||
| Notes: | Great sound. | |||||
| Brian | AUD / 2 | View | ||||
| Josh Gibney | CDR / 2 | View | SoundboardCDR | |||
| zowie | cd / 2 | a | View | sdb | ||
| ItsAllOneSong | / 0 | View | ||||
| Manny | CDR / 2 | A | B | View | SBD | |
| Notes: | DAO | |||||
| David Meirowsky | AUD / 2 | A | A | View | ||
| Alexey Andreychuk | cd-r / 2 | A | View | sbd | ||
| ed | / 2 | View | ||||
| Josh Cooperman | CDR / 2 | A+ | View | |||
| Jerry Cannon | cdr / 2 | A+ | View | DSBD | ||
| gary bellitts | cdr / 2 | A | View | sbd | ||
| Brent Owen | CD-R / 2 | A+ | A- | View | ||
| Daniel Smith | aud / 2 | View | ||||
| Stacey | CDR / 2 | A | View | |||
| mike | CDR / 3 | A | B | View | CDR | |
| Wes C. Addle | Audio / 2 | View | ||||
| Notes: | Sdbd | |||||
| Zach Crawford | / 2 | View | ||||
| luke | CDR / 2 | View | ||||
| Mel | CDR / 2 | View | SBD | |||
| dan hewitt | cdr / 2 | 9 | View | sbd>dig>cdr | ||
| Jam | CD-R / 2 | A | A | View | SBD | |
| Dan S | / 0 | A | A | View | ||
| Notes: | Not my favorite era but a good show nonetheless. It's also a little tinny | |||||
| Rick Hoover | CDR / 2 | A | View | SBD | ||
| mike | CDR / 2 | B+ | B+ | View | CDR | |
| MIKE CUTTONE | CDR / 2 | A+ | B+ | View | CDR | |
| Notes: | DAO | |||||
| Maria Reine | CD-R / 2 | View | ||||
| Notes: | Soundboard recording. Recording process & lineage info are unclear. FLAC[sg1000c] | |||||
| Dawn | CDR / 2 | View | ||||
| Notes: | thanks kelly :) | |||||
| Chip Z | CDR / 2 | View | ||||
| moedbt | CDR / 2 | View | ||||
| beefcanoe | CD-R / 2 | View | SBD | |||
| ojo | cdr / 2 | View | sbd | |||
| Howard Woods | cdr / 2 | View | ||||
| Mike | CDR / 1 | View | ||||
| Selman Snow | Cdr / 2 | View | ||||
| Brian | / 0 | View | sbd.unknown.flac | |||
| -SoG- | Flac / 1 | A+ | View | Source: CDR->EAC V0.95 beta 3->.wav->Flac Frontend level 8->Flacs | ||
| Notes: | Soundboard Recording | |||||
| Leon | cd-r / 2 | View | ||||
| Daniel Mello | / 0 | View | ||||
| Mike Kopenhaver | CDR / 2 | View | ||||
| Notes: | DSBD | |||||
| Sabine | CD-R / 2 | A- | View | |||
| Bjorn Peter Larson | audio / 2 | A- | B+ | View | sbd>dat>cdr | |
| Notes: | Recording levels WAAAAY too high. Lotsa clipping. | |||||
| Lanes | CDR / 2 | A | View | SBD | ||
| Brian & Stacy | CDR / 2 | View | ||||
| Andrew Quinn | cd-r / 2 | View | ||||
| Rick Cumings | CDR / 2 | A | View | SBD | ||
| LEQ | CDR / 2 | A | A+ | View | SBD | |
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