The Who 08/18/1979
Set I
Substitute,I Can't Explain, Baba o'riley,
The punk & the Godfather,Behind Blue Eyes,
Boris The Spyder,Sister Disco,Drowned,Music Must Change,Magic Bus,Pinball Wizard,See mee Feel me
The punk & the Godfather,Behind Blue Eyes,
Boris The Spyder,Sister Disco,Drowned,Music Must Change,Magic Bus,Pinball Wizard,See mee Feel me
Set II
Trick of the Light, 5:15, Long Live Rock,Who Are You,My Generation,Dreaming From The Waist, Won't Get Fooled Again,Summertime Blues,The Real Me
Set III
Comment
aka the who and freinds roar in
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Slick2007 | FLAC / 2 | B+ | View | |||
| wes meyette | / | View | ||||
| wes meyette | / | View | ||||
| Jack Warner | FLAC / 0 | View | MAC>FLAC | |||
| john | CD-2 / 2 | A | View | |||
| Notes: | aka the who and friends roar in | |||||
| Steve K | FLAC / 2 | B+ | View | Aud | ||
| zowie | cd / 2 | a- | View | Single Point stereo mic > ITT Studio 720 portable stereo cassette deck (Dolby B Off) > TDK-SA 90... | ||
| TTDaddy | FLAC / 2 | View | AUD | |||
| Notes: | Equipment Used to record the show: Single Point Stereo Microphone and ITT Studio 720 Portable Stereo Cassette Deck with no dolby noise reduction and two TDK-SA 90 Cassettes. The transfer was made from the Master cassette tapes using the following equipment: Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback - Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs.- Transfer made at 48KHz 16bit resolution to wav files which I combined using Adobe Audition. The wav file was trimmed at the start and end and normalized using Adobe Audtion I noticed that the speed of the recording was slow so I also corrected this then re-sampled down to 44.1Khz - The 44.1kHz source was split into individual wav files and saved in FLAC format with no SBE's. (TRT 2:01:19) | |||||
| RM's Giant Live Music Archive | FLAC / 0 | View | Steven Carr's source (FF193) | |||
| Notes: | Equipment Used to record the show: - Single Point Stereo Microphone and ITT Studio 720 Portable Stereo Cassette Deck with no dolby noise reduction and two TDK-SA 90 Cassettes. The transfer was made from the Master cassette tapes using the following equipment: - Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback. Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs. Transfer made at 48KHz 16bit resolution to wav files which I combined using Adobe Audition. The wav file was trimmed at the start and end and normalised using Adobe Audtion I noticed that the speed of the recording was slow so I also corrected this then re-sampled down to 44.1Khz. The 44.1kHz source was split into individual wav files and saved in FLAC format with no SBE's. Additional Notes (Sept. 2009) This recording ran fast so this version is a speed/pitch corrected version. All tracks were joined together into 1 giant .wav file and adjusted -0.54 semitones(-3.071%) then retracked again using cdwave editor and flaced afterwards. | |||||
| Boedi-taper | CDR / 2 | A | A- | View | Audience Recording | |
| Matthew | CD / 2 | View | ||||
| Matthew | DVD / 1 | View | ||||
| mike | Flac / 2 | View | ||||
| Notes: | Single Point Stereo Microphone and ITT Studio 720 Portable Stereo Cassette Deck with no dolby noise reduction and two TDK-SA 90 Cassettes. The transfer was made from the Master cassette tapes using the following equipment: - Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback. Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs. Transfer made at 48KHz 16bit resolution to wav files which I combined using Adobe Audition. The wav file was trimmed at the start and end and normalised using Adobe Audtion I noticed that the speed of the recording was slow so I also corrected this then re-sampled down to 44.1Khz. The 44.1kHz source was split into individual wav files and saved in FLAC format with no SBE's. | |||||
| mike | Flac / 2 | View | ||||
| Notes: | Equipment Used to record the show: - Single Point Stereo Microphone and ITT Studio 720 Portable Stereo Cassette Deck with no dolby noise reduction and two TDK-SA 90 Cassettes. The transfer was made from the Master cassette tapes using the following equipment: - Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback. Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs. Transfer made at 48KHz 16bit resolution to wav files which I combined using Adobe Audition. The wav file was trimmed at the start and end and normalised using Adobe Audtion I noticed that the speed of the recording was slow so I also corrected this then re-sampled down to 44.1Khz. The 44.1kHz source was split into individual wav files and saved in FLAC format with no SBE's. | |||||
| Stuart Ferguson | CDR / 0 | View | Audience | |||
| Notes: | DVD 2532; lineage: The complete show in very good sound quality from the original master cassette tapes. Taper: Steven Carr. Single Point Stereo Microphone and ITT Studio 720 Portable Stereo Cassette Deck with no dolby noise reduction and two TDK-SA 90 Cassettes. The transfer was made from the Master cassette tapes using the following equipment: - Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback. Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs. Transfer made at 48KHz 16bit resolution to wav files which I combined using Adobe Audition. The wav file was trimmed at the start and end and normalised using Adobe Audtion I noticed that the speed of the recording was slow so I also corrected this then re-sampled down to 44.1Khz. The 44.1kHz source was split into individual wav files and saved in FLAC format with no SBE's. Additional Notes(Sept. 2009) This recording ran fast so this version is a speed/pitch corrected version. All tracks were joined together into 1 giant .wav file and adjusted -0.54 semitones(-3.071%) then retracked again using cdwave editor and flaced afterwards. Runtime after speed correction 121:18 | |||||
| lavicky | FLAC / 2 | View | ||||
| Notes: | placed on DVD The WHO & Friends Roar In! and on DVD Hard Rock Calling | |||||
| Maria Reine | CD-R / 2 | View | ||||
| Notes: | (Total time = 121:18). Speed corrected version. Audience recording > Single Point stereo mic > ITT Studio 720 portable stereo cassette deck (Dolby B Off) > TDK-SA 90 cassette tape masters > Nakamichi ZX-7 cassette deck > Audiophile 2496 soundcard > WAV > Adobe Audition > FLAC. Taped by Steven Carr. FLAC[max1000e] | |||||
| cedremsoundlabs | / 1 | View | ||||
| Mathias | FLAC / 1 | View | ||||
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