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Rolling Stones 10/18/1989

SHOWID 25676

Set I

Continental Drift, Start Me Up, Bitch, Sad Sad Sad, Undercover Of The Night, Harlem Shuffle, Tumbling Dice, Miss You, Ruby Tuesday, Play With Fire, Rock And A Hard Place, Mixed Emotions, Honky Tonk Woman, Midnight Rambler, You Can't Always Get What You Want, Little Red Rooster, Happy, Paint It Black, 2000 Light Years From Home, Sympathy For The Devil, Gimme Shelter, It's Only Rock'n Roll (But I Like It), Brown Sugar, (I Can't Get No) Satisfaction, Encore:, Jumpin' Jack Flash

Set II


Set III


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Bootlegs: Love You Live In Los Angeles

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
OldNeumanntapr (5/5) FLAC / A View   FOB; AKG 451E's w/CK-1 Cardioid Capsules >Nakamichi 550 Cass
Notes: (Recorded By Mike Millard) JEMS 2023 Transfer: Mike Millard Master Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 10 > MBIT+ resample to 16/44.1 > xACT 2.50 > FLAC ****************************************************************** FLAC Tags Via xACT 2.53 By OldNeumanntapr ****************************************************************** Rolling Stones, Memorial Coliseum, Los Angeles, CA, October 18, 1989 While we often mention Genesis, Yes, The Who and Led Zeppelin as Mike "The Mike" Millard's favorite bands, but make no mistake, he was a HUGE Rolling Stones fan. In terms of his personal rock 'n' roll Mount Rushmore, the Stones are one of the four names on it. The band's return to US stages in 1989 after an eight-year absence represents the peak of Millard's post-hiatus taping activities, with Mike recording all four shows at the Coliseum in LA, plus two more at Oakland Coliseum. Four of those six recordings have been released in the Lost and Found series: Los Angeles October 21 (Vol. 173) and 22 (Vol. 40); Oakland November 4 (Vol. 108) and 5 (Vol. 142). Now we turn to the first of those six gigs, October 18, 1989, opening night of a four-show stand at the enormous Memorial Coliseum in LA, shows made all the bigger by the inclusion of then white-hot Guns 'N Roses as the opening act (yes, Mike taped the GNR sets, but because they are on DIME's NAB list, their release will come down the road on another platform). Two things struck me in working on this show. One is just how ambitious the setlist is, mixing relatively recent material like "Harlem Shuffle," "Mixed Emotions," "Rock And A Hard Place" and "Undercover Of The Night" with rarer picks "Play With Fire," "Little Red Rooster" and "2000 Light Years From Home." All the classics are still there too, not to mention deeper cuts like "Bitch," "Ruby Tuesday" and "Paint It Black." Overall, an excellent and generous set. The second thing is how good Millard's recoding is in a massive venue. As we've said before, he was devoutly anti stadium concerts, but he wasn't about to miss the Stones, who were only playing stadiums. Finding a sweet spot to record in an 80,000 seat room isn't easy but leave it Millard to figure it out. All his '89 recordings are good but this one is excellent, full bodied and clear. Samples provided. ### JEMS is proud to partner with Rob, Jim R, Ed F, Barry G and many others to release Millard's historic recordings and to help set the record straight about the man himself. We canít thank Rob enough for reconnecting with Jim and putting his trust in our Millard reissue campaign. He kept Mikeís precious tapes under wraps for two decades, but once Rob learned of our methods and stewardship, he agreed to contribute the Millard DATs and cassettes to the program. Our releases would not be nearly as compelling without Jimís memories, photos and other background contributions. As many of you have noted, the stories offer an entertaining complement to Mikeís incredible audio documents. Thank yous this week go to Rob S for the excellent transfer; Professor Goody for dialing in the pitch and mjk5510 for handling post production and artwork. The march to Vol. 200 continues next week with another one of Mike's favorites. Finally, cheers to the late, great Mike the MICrophone. His work never ceases to impress. May he rest in peace. BK for JEMS
wes meyette (5/0) / View  
Shearing (5/5) FLAC / 2 A- View   The Lost and Found Mike the MICrophone Tapes Volume 197 | AKG 451E Microphones (CK-1 cardioid...
Slick2007 (5/5) FLAC / 2 B+ View   CD-R to WAVE to FLAC with dBpowerAMP Music Converter
John H (5/5) Flac / 2 8 8 View   audience
Notes: Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 197 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2023 Transfer: Mike Millard Master Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 10 > MBIT+ resample to 16/44.1 > xACT 2.50 > FLAC
michael kass (5/5) / 2 View  
BLG (5/0) FLAC / 1 View   AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder > anaM > flac
Jack Warner (5/5) FLAC / 0 View   MAC>FLAC
cotaper (5/5) flac / 2 B+ View  
Notes: 132 minutes
PeaceTrader (5/3) CDR / 2 View  
SpiralLightofVenus (1/5) FLAC / 0 AUD View  
Notes: AUD TB19
bluibootleg (1/0) FLAC / 2 View   Soundboard
Selman Snow (0/0) Flac / 2 View  
mats666(Int.) (0/0) FLAC / View  
Notes: (MR) Millard
-SoG- (0/5) Flac / 2 B+ View   Source: CD-R to WAVE to FLAC with dBpowerAMP Music Converter
Notes: Audience Recording
Redlands23 (0/5) DVD+R / 2 View  
Notes: Pro Shot DVD ..Eric Clapton guests on "Little Red Rooster"