Phish 12/31/1995
Set I
Punch You In The Eye, The Sloth, Reba, The Squirming Coil, Maze, Colonel Forbin's Ascent > Fly Famous Mockingbird > Shine* > Fly Famous Mockingbird, Sparkle, Chalk Dust Torture
Set II
Drowned, The Lizards, Axilla (Part II), Runaway Jim, Strange Design, Hello My Baby**, Mike's Song***
Set III
Gamehendge Time Phactory > Auld Lang Syne# > Weekapaug Groove## > Sea And Sand, You Enjoy Myself, Sanity, Frankenstein
E: Johnny B. Goode
E: Johnny B. Goode
Comment
* - Included narration about "The Recipe for Time"; Tom Marshall sings lyrics to this cover by Collective Soul; First time played
** - A capella
*** - Ended with only Trey left on stage creating a series of delay loops to end the set
# - Phish dressed as scientists playing with synthesizers while lights flashed and Va de Graff generators zapped; Fishman (dressed as Father Time) is raised up in a bed and reborn as Baby New Year
## - With Auld Lang Syne tease
** - A capella
*** - Ended with only Trey left on stage creating a series of delay loops to end the set
# - Phish dressed as scientists playing with synthesizers while lights flashed and Va de Graff generators zapped; Fishman (dressed as Father Time) is raised up in a bed and reborn as Baby New Year
## - With Auld Lang Syne tease
Sources
SHNID
631
Schoeps CMC6/mk41 > Oade Deluxe > Tascam DA-P1; Tascam DA-20mkII > Phillips CDR870; Plextor 12/20 > Windows PCM > CoolEdit 96 > CDR-Win > Yamaha CDR100; DAT>CDR Transfer by D. Collins and J. Coleman
SHNID
2146
AKG 460 Cards > 10ft XLR's > Power Supply > 3ft XLR's > Technics SV 260A > DAT (13' pole, Front Row, Center); Technics SV 260A > COAX > WAV > CDWav > SHN; Taped and Transferred by Linda Webster
SHNID
4523
Nakamichi 300 shotguns > DAT; DAT > Excalliber II > Tascam CDR-W5000 > EAC > WAV > mkwACT > SHN; Transfer by Scott Harris
SHNID
6825
FOB Schoeps mk4 (ORTF) > kc5 > CMC5 > Sonosax SX-M2 > Sony D10 Pro II @48kHz; Patch Source (see info file): Schoeps CMC6/mk41 (103deg/10in) > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > SHN; Patch Transfer: Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 > mkwACT 0.97 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Eliot Byron and Craig Hillwig; Patch transferred by Craig Hillwig; Transferred by Jim Raras; Dankseed
SHNID
7101
B+K 4021 > DA-P1 (front TS); Tascam DA-20mkII > Apogee SPDIF > Audiophile 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Seth Breidbart; Transferred by Jason Musante
SHNID
9552
Schoeps CMC6/mk41 > Lunatec V2 > Tascam DA-P1; Sony D8 > ZA2 > Sound Forge XP > CDWav > WAV > mkwACT > SHN
SHNID
24707
Schoeps CMC6/mk41 > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > Cool Edit Pro (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and transferred by Craig Hillwig (NOTE: both 44.1 kHz and 48 kHz seeds available)
SHNID
111286
Nuemann KM-184s > ??? > Sony TCD-D7 (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Transferred by Terry Watts
SHNID
126840
flac16, 44kHz, 103deg/10in, OTS 3rd row center; Schoeps CMC6/MK41 > Oade Deluxe > Tascam DA-P1 (48 khz); DAT master > Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 (16/48); Taped and Transferred by Craig Hillwig
Processing (raw file): Sound Studio 3.6 (fades, normalize peak, +gain, track) >
Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.23 (align on sector boundaries, encode, tag, fingerprint) > flac16 (level 8 ); Processed by Lenny Stubbe
SHNID
126841
flac16, 48kHz; 103deg/10in, OTS 3rd row center; Schoeps CMC6/MK41 > Oade Deluxe > Tascam DA-P1 (48 khz); DAT master > Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 (16/48); Taped and Transferred by Craig Hillwig; Processing (raw file): Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.23 (encode, tag, fingerprint) > flac16 (level 8 ); Processed by Lenny Stubbe
SHNID
135925
flac16, 44.1 kHz; AKG se300b/ck91 > Tascam DA-P1 > Sony D5; master cassettes > Nakamichi DR-1 > Sound Devices 722 (24 bit / 48 kHz) > .WAV > Reaper v5.18 (splices, fixes) > SoX v14.4.2 (speed adjustments, resample to 44.1 kHz, dither to 16 bit) > flac16 (level 8) > xACT 2.37 > .WAV > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.38 > flac16 (level 8); Taped by Jared Hooper; patch taped by Dave Lisuch; transferred by Lenny Stubbe & Jason Sobel
SHNID
147374
flac16/44.1khz Source:2-AKG C460's W/CK-61 Cardiod ( 10" Apart ORTF ) Stand 8ft >
Symetrix SX-202 Pre-Amp> Sony D-10 Pro II DAT
DAT Transfer: Sony PCM-2700>SP/DIF>Philips CD-R 830 December 1998
CD Transfer: CD Opital Drive>Traders Little Helper FLAC Encoding
Location: Section 10 Row E Seat 12 Taper: Terry Sullivan
SHNID
149901
flac16/48khz Source: AKG 460B/CK61 > DAT @ 16/48
Transfer: DAT > Sony PCM R300 > Tascam 680 > Audacity > xACT
DiGiHoArDeRs: 5/8/2020
Dave Flaschner DAT Collection
SHNID
151346
flac16/44 Source: Nakamichi CM300/CP-4 (Shotguns) > SBM-1 > Sony D7 Master; Taper: dssman & Team Nakamichi
Transfer: Master CDs > DAE; Let Loose 12/27/2020 via PT
SHNID
175379
flac2448 2 AKG 460ck8 mics> Sony D5 Analog Master on 2 Maxell MXS 100 cassettes x 3.
Location: OTS on a 8 foot stand pointed at the stacks patched out of John Isham.
Lineage: Master Analog Cassette playback on Sony D5> Sony M10 24/48> Sony Sound Forge Studio 10.0 for all tracking, editing, fades, eq and conversion to HD FLAC.
Taped, Mastered and Uploaded by Mark Van Blunk
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