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Phil Lesh & Friends 04/17/1999

SHOWID 3551

Set I

Dark Star
It's Up To You
Days Between
Dark Star
My Favorite Things
Mississippi Half-Step Uptown Toodleloo *
Bird Song *

Set II

Terrapin Station
Down With Disease
Dark Star
Friend Of The Devil
Casey Jones
Morning Dew
Goin' Down The Road Feeling Bad *
And We Bid You Goodnight *

Encore:
Donor Rap
Box Of Rain

Set III

 

Comment

Phil Lesh - Electric Bass, Vocals
Trey Anastasio - Electric Guitar, Vocals
Steve Kimock - Electric Guitar
Page McConnell - Keyboards
John Molo - Drums
Donna Jean Godchaux - Vocals *

Sources

SHNID 1481
Recorded by Daniel Estrin
FOB, DFC Neumann U89 (cardiod setting)-> Apogee AD-1000 @ 44.1kHz -> P1
Transfer by Jay Reitz
DA-20 -> Turtle Beach Fiji w/ Digi I/O -> wav2cdr
SHNID 1482
source:Schoeps CMC64->Apogee AD-1000->DA-P1->HHB Professional CD Recorder->Harddrive->wav->shn
SHNID 6415
Patched soundboard by by Syd Schwartz ("e-jade" source)sydster@ix.netcom.com using the FOB/DFC:ortf bar; Schoeps mk4 (clamped to drinkrail) aud source taped by R. Clay
SHNID 6416
Patched soundboard by "tomthumb@well" using the schoeps fob mk4v source
SHNID 10170
SBD > DAT > CD
SHNID 18373
Source: SBD
SHNID 25297
SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller
SHNID 27762
DTS-Audio-CD 5.1 Mix via Dan (sans filler) Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Neumann U89 (cardiod setting) > Apogee AD-1000 @ 44.1 > P1 > My DAT > M-Audio 24/96 > Wave
SHNID 27763
SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan (sans Phish filler) Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Neumann U89 (cardiod setting) > Apogee AD-1000 @ 44.1 > P1 > My DAT > M-Audio 24/96 > Wave
SHNID 100181
source: Schoeps cmc6/mk41 > Lunatec V2 > Apogee AD-1000 > Sony PCM-M1 (@ 48 kHz) taped from right behind drink rail, all cables were Audio Magic Excaliber transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb 2.0 > pc > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8) recorded by Dave Flaschner transferred by Jason Sobel
SHNID 125423
Source: MG M300's > V2 > ADC-20 > D7 Transfer: D8 > Behringer UCA202 > Audacity (@48 Hz) > WAV > FLAC Taper: Unknown Transferred From DAT by Bill Graves
SHNID 136902
Source:Uknown Aud Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 > CD Wave > Flac Taper:Unknown Conversion:Patrick Price
SHNID 137082
flac16; Matrix 2 Source Mix - SBD (shnid=25297) SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller + AUD (shnid=136902) Source:Schoeps CMC-6 / MK-4 > Apogee AD-1000 (48.0) Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 (44.1) > CD Wave > Flac Taper:Unknown Conversion:Patrick Price - matrix mixing by Kevin Tobin
SHNID 137083
DTS-Audio-CD 5.1 Mix; SBD (shnid=25297) SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller + AUD (shnid=136902) Source:Schoeps CMC-6 / MK-4 > Apogee AD-1000 (48.0) Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 (44.1) > CD Wave > Flac Taper:Unknown Conversion:Patrick Price - dts mixing by Kevin Tobin
SHNID 137085
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25297) SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller + AUD (shnid=136902) Source:Schoeps CMC-6 / MK-4 > Apogee AD-1000 (48.0) Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 (44.1) > CD Wave > Flac Taper:Unknown Conversion:Patrick Price - mixing by Kevin Tobin
SHNID 152204
Flac1644
MG M300s (XY, 6 ft. stand, 8th row balcony center) > Tascam DA-P1 > DAT (44.1k) Transfer (1): DAT Master > Mac (Peak) > CD-Rs [Apr 1999] Transfer (2): CD-Rs > Mac Pro (XLD/xACT) > FLACs (level 8) [April 2021] Recording and mastering by Michael Zelner
SHNID 170230
AIFF Files
The taper was working as an usher and had inverted headphones as a microphone held in place by a wristband.
So, possibly not good for casual listening but great stuff for historians and completists.
With work these recordings can be quite presentable.