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Material 07/11/2007

SHOWID 379683

Set I

intro
unknown
unknown
unknown
Bernie Worrell solo/Cosmic Slop
Mantra
crowd
unknown encore

Set II

 

Set III

 

Comment

Nils Petter Molvaer-trumpet, electronics
Eivend Aarset-guitar
Bernie Worrell-keyboards, vocals
Bill Laswell-bass
Aiyb Dieng-percussion
Guy Licata-drums

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
Grotesque Jason (4/5) cdr flac / 1 a a- View  
Notes: Artist: Bill Laswell's Material Date: 2007 July 11 Location/venue: Warsaw (Poland), Torwar (Warsaw Summer Jazz Days) Personnel: Bill Laswell - bass Nils Petter Molvaer - trumpet, electronics Aiyb Dieng - percussion Bernie Worrell - keyboards Guy Licata - drums Eivind Aarset - electric guitar Note: Hamid Drake was advertised as drummer, but instead, Mr. Licata played. Lineage: AUD (7th row, 11th seat) > SP CMC-4 cardioids > battery box > Sony MZ-RH1 (linear PCM), LINE IN > digital transfer to wav > track splitting by Cdwave, edits by GoldWave > flac (verify, alignment on sector boundaries) Sound: poor (muffled, lacking in details, muddy etc.); read my remarks below and listen to the samples Tracks: 1. Applause, Mariusz Adamiak speaks 2. Unknown 3. Unknown 4. Unknown 5. Keyboard solo / Cosmic slop 6. Mantra 7. Applause 8. Encore: Unknown Total time: 94:21 I suggest splitting after Track 4 if you wish burn this to two CDRs (read my remarks below!). Amendments/corrections to the setlist are welcome. Home-made artwork, as well as scans of relevant pages of the program booklet and ticket are included. Alternative artworks are welcome. Remarks on tracking: With Hi-MD, ~94 min uninterrupted recording is possible in linear PCM format. If a concert (or an uninterrupted part of it) exceeds 80 min, the problem of proper tracking for CDR burning arises. Realising that a growing number of people listens to music on computers directly from files rather than burning them to CDRs, I decided the following regarding my Hi-MD recordings: if a concert (or a part of it) exceeds 80 min, no editing of audio is performed just to allow CDR burning. More precisely, *no fades are introduced* to keep the acoustical integrity of the show. However, I always make tracking to allow a logical splitting to separate CDRs and suggest also a proper splitting position. Covers, if applicable, are also made according to the recommended CDR split. These rules are applicable to the present recording as well. I suggest the use of the excellent burning software Feurio! (www.feurio.de) to easily perform fades during burning. Known problems: none Remarks on sound: The sound of the concert was disappointing as faithfully reproduced in the present recording. What you hear is most probably a synergetic effect of bad acoustics (big sports hall), bad P.A. system, bad engineering and a not really appropriate taping position. Listen to the mp3 samples before downloading! If anyone has an idea how to improve the sound, (s)he is invited for remastering, but please, contact me beforehand for the master! (The edits I performed was shifting the volume balance to the right and removing a big bang of unknown origin.) HEALTH WARNING: The recording has great dynamic range and heavy bass content. Relevant links: en.wikipedia.org/wiki/Bill_Laswell www.molvaer.de www.adamiakjazz.pl www.torwar.pl Recorded, edited and shared on DaD by eref2000. Please share freely, never buy or sell, do not encode to lossy formats, do not alter the sound without the taper's approval. Thanks to Dime user 'chazuke' for helpful discussions. -- "Music belongs to everyone" - Kodály Zoltán, Hungarian composer and music pedagogue (1882-1967)
Casey (3/1) CDR / 2 View   AUD (7th row, 11th seat) > SP CMC-4 cardioids > battery box > Sony MZ-RH1 (linear PCM),...
djwilly (2/5) CDR / 2 View   digital transfer to wav > track splitting by Cdwave, edits by GoldWave > flac (verify,...