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Pearl Jam 02/10/1992

SHOWID 44749

Set I

Wash
Alive
Black
Porch

Set II

 

Set III

 

Comment

Acoustic performance. Most commonly appears on the "No Fucking Messiah" bootleg.

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
Armogi (5/5) CD / 1 View   AUD
Mike Marteny (5/5) cdr / 1 A- View   "No Fucking Messiah" bootleg(M)>FLAC>CDR(1)
Notes: 24:01
BLG (5/0) FLAC / 1 View   Aiwa CM30 > Sony WM-D3 > ana1 > DAT1 > flac
Jack Warner (5/5) FLAC / 0 View   MAC>FLAC
Notes: b/w Feb-11-1992
sean hite (5/0) / 0 View 26943
Notes: 26943 Source: unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ > cdr
afterdinnermint (5/5) CDR / 1 B View  
Notes: Part of ??/??/94. "No Fucking Messiah". A solid audience recording with a little crowd interference, but still awesome.
Damian (5/5) CD / 1 View 26943
Damian (5/5) CD / 1 View  
Notes: LDB Master Series #54 Hello, this is a collection of masters I would like to seed here. I've been taping shows for more than 20 years and have an awful lot of masters. Most of them are in the old cassette format, some others are on MiniDisc and others are on CD. I've taped many shows of many artists over the years, so don't be surprised if you will find many different artists taped! Some shows are already circulating, some others have not circulated through collectors yet. But most of all, enjoy! They all come from my mastertapes! PEARL JAM - PARISIAN NIGHTS Paris, Virgin Megastore 10 February 1992 Acoustic set 1. Wash 2. Alive 3. Black 4. Porch Paris, La Locomotive 11 February 1992 5. Wash 6. Once 7. Even Flow 8. State Of Love And Trust 9. Alive 10.Black 11.Deep 12.Jeremy 13.Why Go 14.Porch 15.Breath 16.I've Got A Feeling / Jamming Jeff Ament - bass Eddie Vedder - vocals, guitar Mike McCready - guitar Stone Gossard - rhythm guitar David Abbruzzese - drums Lineage: Aiwa microphone CM-30a > Sony Professional WM-D3 > Tape > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) Somewhere in the beginning of 1992, I was shocked to hear on the radio some beautiful, powerful music. I had enjoyed Nirvana a few months before, but this band was something better. It was Pearl jam, and I think that the single was either Even Flow or Alive. When I knew they were going to tour small clubs in Europe, I could not resist but go to a couple of gigs. Paris was great fun, although on those days it was freezing! Although the new album had not been released yet, the band was already big in our continent, and import copies of 'Ten' where flooding the european market. Before the (semi) acoustic set at the Virgin Megastore at Champs Elysées, I had to queue for a couple of hours, before being able to be let in. After the show, the band stayed in to sign copies of the single. The Locomotive club (a pretty fashionable discoteque in the Pigalle quartier, where I would see Dream Theater as well the following year) show was absolutely sold out, with loads of people outside asking for spare tickets. I remember I was a bit disappointed (I know, I was wrong but it was 1992 back then!) by the acoustic set because it didn't sound as powerful as it was PJ's music in studio. But the following day's show was great because the band was wild. I was quite astonished when Eddie referred that when he was 15 he said to his parents to 'f**k off' which to me sounded that he had never seen them ever since. I noted that the band was careful to deliver a good performance maybe because france was an important market to the band. Most of us did not know the songs, and for me it was the first time I had listened to the material of the first album. I taped both shows in difficult circumstances, that's why the quality is not 'top of the class', although quite enjoyable. During the 'in-store' show, members of the Pearl Jam crew were circulating to check out tapers. Quite a few were caught and their equipment confiscated (we were far from the recent 'taper friendly' policy). So I had to hide quite a bit my microphone. At the Locomotive I was sitting on the balcony, but the only place I could find was close to the guy in charge of lightning, who I thought would be a danger for me...infact I found out at the end of the show that he was a french guy working for a lighting company who could not care less if tapers were around. he even asked me for a copy of the tape at the end of the show! The good thing is that audience does not intersphere at all with the music. So here it is folks, a jump back in the mists of time. Now Pearl Jam is a worldwide act (I greatly enjoyed them back in September this year in Milano) but back then was a bunch of young american folks trying to break the stagnant music scene. I wish I was their manager in those days! :-) A week after I saw them in my hometown, in the 'infamous' Sorpasso club in Milano. But this is another story I will maybe tell you in the future... ldb
Matt (5/0) cd-r / 1 View   marantz? mic > wm d3-M > cass > DAT
rain_king (5/4.3) FLAC / 1 View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Notes: AA03
Stefan (5/5) CD / 1 View  
Adam (5/4.6) flac / 1 View 26943
Brad (5/5) FLAC / 1 B+ View   Marantz EM8? > Sony WM-D3 > ANA1 > DAT-M 44.1 khz > FLAC
mewsick75 (5/5) FLAC / 1 View 21336 SV035: unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit >...
mewsick75 (5/5) FLAC / 1 View 26943 Marantz EM8? -> Sony WM-D3
Notes: Generation: ANA(1) -> DAT(M) 44.1 khz -> FLAC Transfer: DA-20 -> Monster Coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC
PJ-VT (5/0) FLAC / 1 View 26943
Harry (5/3.6) / 1 A- View  
Bryan (5/0) / 1 View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Notes: filler on disc 2 of 3/2/92. cover
Joao (5/0) / 0 View  
phil kelly (5/4) CDR / 1 B+ View  
Tonia Davis (5/0) SHN / 1 View   marantz? mic > wm d3-M > cass > DAT(NOT from Bootleg CD!)
Tonia Davis (5/0) flac / 1 View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Notes: Some minor imperfections have been edited and the vocals given a little lift.
Tonia Davis (5/0) flac / 1 View   Marantz EM8? -> Sony WM-D3
Notes: Generation: ANA(1) -> DAT(M) 44.1 khz -> FLAC Transfer: DA-20 -> Monster Coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC
Joanna (5/0) CD / 1 View  
Notes: 2/8/91 & 2/10/92 on 1 cd
Bruce Wilkins (5/0) / 1 View  
Drew M. (5/5) CDR / 1 A- View  
Charlie M. (5/5) CD-R / 1 B+ View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Michael Morrissey (5/0) SHN / 1 View 26943 marantz? mic > wm d3-M > cass > DAT
Notes: acoustic in-store
Jason Lyons (5/0) shn / 1 View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Notes: AA3
Shakes (5/1) FLAC / 1 View   AUD: unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit >...
Tom Phillips (5/0) / 0 View 26943 Marantz EM8? > Sony WM-D3 > ANA(1) > DAT(M) 44.1 khz > FLAC
Josh (5/5) CDR / 1 View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Rob Sierzega (5/0) SHN / 1 View   Marantz (?) Mic > Sony WM-D3 (M) > Cass (?) > DAT > ? > SHN
Notes: Not sourced from Bootleg
Darren (5/0) cd / 1 View  
Newtster (5/5) 1 / 1 View  
Notes: unkown microphone > unkown recorder > dEQ > CD-R
Shamsur Rahman (5/5) audio / 1 View   unknown mics>Sony WM-D6>Boot CD 'No Fuckin' Messiah
Rob Wall (5/0) / 0 View  
Andrew Davies (4/4.4) CDR / 1 View  
Paulo Lagoá (4/0) FLAC / 1 View 21336
eclect (4/4.4) FLAC / 0 B View   Source: Aiwa CM30 -> Sony WM-D3 Generation: ANA(1) -> DAT(1) 44.1khz Transfer: DA-20 -> Monster...
Jason Fischer (4/0) CD / 1 View 21336
ercdmb1 (4/5) FLAC / 1 View 21336 155 MB
Notes: MARNATZ MIC
Jason (4/0) cdr / 1 View  
gerper (4/0) MP3 / 1 View  
J Bimler (4/5) / 0 View  
Damien Stednitz (4/4.9) CD / 0 B B- View   Audience
Raulie (4/5) CDR / 1 View 26943 unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Notes: Filler on SV035 (3/2/92).
Bob E. Sanchez (4/0) CDR / 1 B+ View  
Bob E. Sanchez (4/0) CDR / 1 View  
Notes: filler of 90892 show
Trisha (4/0) / 0 View  
Ryan (3/0) CDR/FLAC / 1 A A View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Notes: Pearl Jam Audio Archive #3
Steve (3/5) cdr / 1 View  
Notes: on 2nd disc of 6/29/98 show
Josee (3/5) / 1 View  
scott (3/0) FLAC / 1 View 26943 Marantz EM8? -> Sony WM-D3
scott (3/0) FLAC / 1 View   Aiwa microphone CM-30a > Sony Professional WM-D3
emanon (3/4.8) CD / 1 View 26943
Andrew Butler (3/0) SHN / 1 View 21336 Marantz?
Chris Fraher (3/5) CD-R / 1 View   Audience Taper > Cassette > CD-R
Notes: same disc as Vedder ??/??/88 & PJ 4/16/94
CHISOX75 (3/4.8) CD / 1 View  
Nick (3/0) FLAC / 1 A- View   Marantz EM8? -> Sony WM-D3
SJ (3/0) / 0 View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Notes: Acoustic performance
Sikamikanico (3/0) FLAC / 1 A- View   unkn. Marantz mic > Sony WM-D3 > ANA(1) > DAT(M) > CD-R > dEdit > dEQ > CD-R
Notes: Short acoustic perfomance, filler of SV035 - "Den Haag"
Chris (3/0) FLAC / 1 View  
Kevin Gorman (3/0) CDR / 1 View 26943
spacedvest (3/5) CDR / 1 8.4 View   source 1: Marantz EM8? -> Sony WM-D3 -> ANA(1) -> DAT -> CDR -> dEdit -> dEQ...
Notes: Filler on 3/2/92.
spacedvest (3/5) CDR / 1 8.8 View 26943 source 2: Marantz EM8? -> Sony WM-D3 / Generation: ANA(1) -> DAT(M) 44.1 khz -> FLAC /...
Notes: Best source...much better sound than source 1. Filler on 9-8-92.
Chris (3/0) FLAC / 1 B- View 26943 unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
BugTomek (3/5) FLAC / 1 A- View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Daniel S. Gottlieb (3/0) CD-R / 1 A+ View   unknown microphones > unknown recorder
G. Reilly (3/0) analog / 1 A View   Bootleg CD:
Wes C. Addle (3/0) Audio / 1 View  
Tom (2/0) / 1 View   Source: Marantz EM8? -> Sony WM-D3, Generation: ANA(1) -> DAT(M) 44.1 khz -> FLAC,...
JacobH (2/0) / 0 View  
saxon747 (2/5) CD / 1 View  
chris hather (2/5) FLAC / 1 View 26943 Sony WM-D3
chris hather (2/5) FLAC / 1 View   Sony Professional WM-D3
Notes: Somewhere in the beginning of 1992, I was shocked to hear on the radio some beautiful, powerful music. I had enjoyed Nirvana a few months before, but this band was something better. It was Pearl jam, and I think that the single was either Even Flow or Alive. When I knew they were going to tour small clubs in Europe, I could not resist but go to a couple of gigs. Paris was great fun, although on those days it was freezing! Although the new album had not been released yet, the band was already big in our continent, and import copies of 'Ten' where flooding the european market. Before the (semi) acoustic set at the Virgin Megastore at Champs Elysées, I had to queue for a couple of hours, before being able to be let in. After the show, the band stayed in to sign copies of the single. The Locomotive club (a pretty fashionable discoteque in the Pigalle quartier, where I would see Dream Theater as well the following year) show was absolutely sold out, with loads of people outside asking for spare tickets. I remember I was a bit disappointed (I know, I was wrong but it was 1992 back then!) by the acoustic set because it didn't sound as powerful as it was PJ's music in studio. But the following day's show was great because the band was wild. I was quite astonished when Eddie referred that when he was 15 he said to his parents to 'f**k off' which to me sounded that he had never seen them ever since. I noted that the band was careful to deliver a good performance maybe because france was an important market to the band. Most of us did not know the songs, and for me it was the first time I had listened to the material of the first album. I taped both shows in difficult circumstances, that's why the quality is not 'top of the class', although quite enjoyable. During the 'in-store' show, members of the Pearl Jam crew were circulating to check out tapers. Quite a few were caught and their equipment confiscated (we were far from the recent 'taper friendly' policy). So I had to hide quite a bit my microphone. At the Locomotive I was sitting on the balcony, but the only place I could find was close to the guy in charge of lightning, who I thought would be a danger for me...infact I found out at the end of the show that he was a french guy working for a lighting company who could not care less if tapers were around. he even asked me for a copy of the tape at the end of the show! The good thing is that audience does not intersphere at all with the music. So here it is folks, a jump back in the mists of time. Now Pearl Jam is a worldwide act (I greatly enjoyed them back in September this year in Milano) but back then was a bunch of young american folks trying to break the stagnant music scene. I wish I was their manager in those days! :-) A week after I saw them in my hometown, in the 'infamous' Sorpasso club in Milano. But this is another story I will maybe tell you in the future...
TrAvELAr (2/0) CD / 1 View 26943 unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Jamie (2/0) CDR / 1 View 21336
Notes: On Disk 2 of 3-2-1992
Scott Brown (2/5) flac / 1 View 26943
Eddie Vedder (2/0) FLAC / 1 View  
Tim (2/0) SHN / 0 View 26943
Notes: AA3
Trent Williams (2/5) flac / 1 B- View 21336 see link shn
Notes: filler on 1992/03/02
Luke V. (2/5) CDR / 1 View   UNK Marantz Mic > Sony WM-D3
James Ireland (2/0) FLAC / 1 View   unknown Marantz microphone > Sony WM-D3 > analog-1 > DAT > CDR > dEdit > dEQ...
Notes: Included as filler on SV035 (03-02-1992).
James Ireland (2/0) FLAC / 1 View 26943 Marantz EM8? -> Sony WM-D3 -> ANA(1) -> DAT(M) 44.1 khz -> FLAC
Notes: Included as filler on 1992-09-08.
Kevin (2/0) CDR / 1 View 26943
thegabber (2/0) CD / 1 View 26943
(PJ Audio) Chris H (2/0) FLAC / 0 View   unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ...
Notes: Audio Archives Disc 3
Ryan Hansen (2/5) CDR / 1 A- View   unknown Marantz microphones > Sony WM-D3
Camden Bucey (2/0) shn / 1 A- View   marantz? mic > wm d3-M > cass > DAT | not from bootleg
mcasey (2/2) / 0 View  
David Mease (2/5) Shn / 1 View   marantz? mic > wm d3-M > cass > DAT(NOT from Bootleg CD!)
Lontan (2/5) flac / 1 B View   SV035: unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit >...
Notes: SV035 - "DEN HAAG"
Matt (2/0) CDR / 1 A A View  
Raul Jimenez Haro (2/0) / 0 View  
quimbo (1/5) FLAC / 0 View  
Preston Klingler (1/4.9) MP3 / 1 A+ View   SBD > Sony WM-D6 > ANA > MP3
Notes: Short and sweet.
buc2220 (1/5) CDR / 1 View   AUD
Stuart Ferguson (1/4.7) CDR / 1 View 26943 Audience
Notes: lineage: Marantz EM8? -> Sony WM-D3 / Generation: ANA(1) -> DAT(M) 44.1 khz -> FLAC / Transfer: DA-20 -> Monster Coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC [155mb]; - also is filler on 9/8/92
Stuart Ferguson (1/4.7) CDR / 1 View   Audience
Notes: DVD 1447; lineage: Aiwa CM30 -> Sony WM-D3 Generation: ANA(1) -> DAT(1) 44.1khz Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> WavePad -> xACT -> SHNtool -> FLAC