Oregon 04/07/1980
Set I
Oregonean Improvisational Beginnings
Willow
Longing So Long.
Moon and Mind
At The Hawk's Well.
The Juggler's Etude
Willow
Longing So Long.
Moon and Mind
At The Hawk's Well.
The Juggler's Etude
Set II
Vessel
Cloud Dance
Deer Path
Improvisational Prelude to 'Witchi-Tai-To
Witchi-Tai-To
Cloud Dance
Deer Path
Improvisational Prelude to 'Witchi-Tai-To
Witchi-Tai-To
Set III
Comment
Ralph Towner Guitar, Piano, Trumpet
Glenn Moore Double Bass, Violin, Piano
Paul McCandless Woodwinds, Flute, Piccolo, Oboe, Bass Clarinet
Collin Walcott Percussion, Sitar, Tabla
Glenn Moore Double Bass, Violin, Piano
Paul McCandless Woodwinds, Flute, Piccolo, Oboe, Bass Clarinet
Collin Walcott Percussion, Sitar, Tabla
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Alan M. | flac / 0 | A | View | sbd | ||
| Notes: | Ralph Towner (g, p), Paul McCandless (reeds), Colin Walcott (tabla, sitar, perc), Glen Moore (b) | |||||
| PsyKies | FLAC / | View | SBD -- Robert Collins Master Recording | |||
| Jack Warner | FLAC2496 / 0 | View | MSC>FLAC | |||
| Notes: | Ralph Towner g,p,t Glenn Moore b,vn,p Paul McCandless winds,f,picc,ob,bcl Collin Walcott perc,sitar,tabla | |||||
| cotaper | flac / 2 | A | View | |||
| Notes: | 150 minutes | |||||
| kuronotenshi | CD-R / 2 | A+ | A | View | CD | |
| Notes: | AUD Master. | |||||
| Steve K | FLAC / 2 | A | View | Aud | ||
| Notes: | 24-bit | |||||
| Daniel | / | View | Date April 7, 1980 Location: Golden Bear, Huntington Beach, California, USA Seats:... | |||
| Notes: | This is a previously uncirculated master recording of Oregon at a small night club in Huntington Beach, California. Shortly after this concert was recorded, copies were given to many of my friends. Since then, this recording has been out of circulation. The sound is amazing; and the music is classic avant-garde Oregon. I decided to bring this out of my collection because I was curious what it sounded like after all of these years. As I rediscovered, the sound quality is so good, and the music is so delicate at times, that I decided that this recording should only be heard in 96Khz, 24-bit sampling rate. I can definitely say, that this concert will not disappoint Oregon fans. The recording is flawless, and the material is great. On this recording there is: * No FM Broadcast * No compression * No bogus hum * No songs interrupted by bad tape turns * No drop outs * No tape hiss * And 60 db of dynamic range! | |||||
| Arnold Eibel | FLAC / 0 | View | ||||
| john zicconi | FLAC / 0 | View | SBD -- Robert Collins Master Recording | |||
| john s | cd / 2 | View | ||||
| Ryan Wepler | CDR / 2 | A | View | AUD | ||
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