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The Doors 04/10/1970

SHOWID 45278

Set I

Break On Through, When The Music's Over, Roadhouse Blues, The Spy, Alabama Song, Back Door Man, Five To One, Build Me A Woman, You Make Me Real, People Get Ready, Mystery Train > Away In India > Cross Roads, Light My Fire > Fever > Summertime > St. James Infirmary > Graveyard Poem, Been Down So Long

Set II

 

Set III

 

Comment

Late set. Power is cut during "Been Down So Long".

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
wes meyette (5/0) / View  
OldNeumanntapr (5/5) FLAC / 2 A View   Audience Reel
Notes: Trade CDs >FLAC (Level 8) Via xACT 2.47 (Late Show) Recorded on a 1968 RCA portable reel to reel model YLS 15B at 3 3/4 ips, using an external microphone. Original 3" reels were transferred to a Mac DAW using a Wollensak T-1500 reel to reel recorder (approx. 45 yrs old). The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove hum & grunge below 75 Hz (-18 db/octive).
George Rue (5/5) CD / 2 A+ View   Soundboard
Notes: 106:39 min
Ron A (5/4.5) Flac / 1 B+ View  
David Bennett (5/5) cd / 2 A A View  
Gary K (5/5) cdr / 2 A A View  
hazel1183 (5/5) cdr / 2 View  
cotaper (5/5) flac / 2 B View  
Notes: 101 minutes
sean hite (5/0) / 0 View  
Notes: Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn
Mary Bloom (5/4.9) cdr / 2 View   AUD
karl banach (5/4.9) cdr / 2 A+ A View  
shadow121603 (5/0) Flac / 2 View   Evening Show. Live In Boston
Notes: Evening Show. Live In Boston
Darryl Hinko (5/5) FLAC / 2 View  
Notes: Official SBD Release
NOT FOR TRADE
stephen (5/4.8) SHN / 1 AUD View  
Clay Hart (5/4.9) CD / 2 A+ View  
Oleg (5/5) CDR / 2 View  
barry bryson 2 (5/0) cdr / 1 View  
LFC (5/5) cd-r / 2 View  
Ryan (5/5) shn/cdr / 2 View   AUD > MR > DAW > SDII > WAV > shn
TheMamba (5/0) SHN / 0 View   MR > DAW > SDII > WAV > shn
Chris M. (4/4) CDR / 2 View  
mojo7 (4/5) / 0 View  
Notes: official not for trade
eclect (4/4.4) FLAC / 0 View   Source: audience recording > WAV >SHN (checked with EAC)
eclect (4/4.4) FLAC / 0 View   Lineage: audience > 1st gen. > CDR > SHN > TTD > FLAC (level 8)
David (4/5) cdr / 2 B View  
Ron (4/5) CDR / 2 B- View   Analog master; audience source
Notes: Late show
LEE SPATZ (4/0) CD/FLAC / 2 A A View   SBD>
dcbullet (4/5) Flac / 0 View  
tomtaper4 (3/3.5) CDR/FLAC / 2 View  
Notes: SBD
Donna Martin (3/5) CD / 2 View  
Notes: Late Show
Wave Milor (3/5) CDR / 2 b- View  
Dave Lemen (3/0) / 0 View  
Notes: dvd 183 dvd 253
Boisedeadhead (3/0) / 0 View  
Barry Smith (3/5) CDR / 2 View  
Charles (3/0) aud / 2 View  
sshart (3/0) shn / 1 View   AUD > MR
Notes: The Doors 4/10/1970 (late show) Boston Arena, Boston, MA Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn (see Notes) Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 5/29/2005 Disc 1 [55:31] 1. Intro 2. Break On Through 3. When The Music's Over 4. Roadhouse Blues 5. The Spy -> 6. Alabama Song -> 7. Back Door Man -> 8. Five To One 9. Build Me A Woman 10. You Make Me Real 11. Fade Out Disc 2 [45:28] 1. Fade In 2. People Get Ready -> 3. // Mystery Train-> 4. Away In India-> 5. Cross Roads 6. Band Intros 7. Light My Fire-> 8. Fever-> 9. Summertime-> 10. St. James Infirmary-> 11. Graveyard Poem -> 12. Light My Fire 13. Been Down So Long -> 14. ??? -> power cut off 15. After The Cutoff Notes: Joe Maloney's first stealth concert recording. (Actually, back then security did not stop him from entering w/recording equipment, so I really can't call it "stealth"). Disc 1 ends with a tracked fadeout & disc 2 begins with a tracked fade in: to join the music tracks of both discs, remove d01t11 & d02t01 track. The two "discs" will splice together. At Joe's request, I left in the crowd reaction to the power cutoff (mostly for Morrison's reacting to the show being stopped). You can leave out d02t15 if you want. The transition from tape 1 to tape 2 (during the intro to Mystery Train) involved a change of tape brands (Scotch 290 -> Sunset 600) & seemed to produce a drop in recording quality. Tape 2 also seems to have many gain changes as part of the recording process. Not bad for a fist attempt at recording live music, especially having to flip tape & thread a 3 in. spool of tape in the middle of a concert crowd. Also included are Toast/Jam printouts for the CDs (so you can use the "Audio starts in Pause" timings to have a track end when the music stops and the subsequent track start when the music begins). Recorded on a 1968 RCA portable reel to reel model YLS 15B at 3 3/4 ips, using an external microphone. Original 3" reels were transferred to a Mac DAW using a Wollensak T-1500 reel to reel recorder (approx. 45 yrs old). The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove hum & grunge below 75 Hz (-18 db/octive). Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. This recording is the one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues.
RM's Giant Live Music Archive (2/5) SHN / 0 View   JOE MALONEY MASTER RECORDING (RS042)
Notes: MR > DAW > SDII > WAV > shn; Recorded on a 1968 RCA portable reel to reel model YLS 15B at 3 3/4 ips, using an external microphone. Original 3" reels were transferred to a Mac DAW using a Wollensak T-1500 reel to reel recorder (approx. 45 yrs old). The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove hum & grunge below 75 Hz (-18 db/octive). Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs.
OBIE (2/5) BMA / 2 View  
Jim Vaughn (2/5) Cdr / 2 B B- View  
Vinicius Alves (2/0) CDR / 2 B+ B+ View   Audience
Jeff (2/0) CDR / 2 View  
dfries (2/0) / 0 View  
muddy (2/0) flac / 0 View  
Dan Anderson (1/4.9) CD-R / 2 View   AUD
Notes: Late Show--Remastered
Kaz (1/5) cdr / 2 View  
John Peters (1/0) MP3 / 1 View   Live in Boston
Notes: Not for Trade
Stuart Ferguson (1/4.7) CDR / 2 View   Audience master recording by Joe Maloney
Notes: DVD 37; lineage: 2nd Show. AUD > MR. Taper: Joe Maloney. MR > DAW > SDII > WAV > shn (see Info). Transfer: Jamie Salerno 5/29/2005
Gold Soundz (1/5) CDR / 2 View   SBD> R2R> CDR
Notes: Late Show
Brian (1/0) cdr / 2 View  
Sean Gleason (1/4.6) CDR / 2 View  
BluesFan (1/5) FLAC / 0 View  
Drumpelstiltzken (1/5) CDR / 2 A B View   unknown aud.
Notes: unknown, late aud., distant
taperBWeed (1/5) / 2 View   AUD > MR Joe Maloney's first stealth concert recording
huntr (1/0) Shn / 2 View  
John DePietro (1/0) CD-R / 2 View  
Jim Vogt (1/5) CD-R / 2 View   audience master clone
Notes: audience master clone
Jim Vogt (1/5) SHN / 1 View   audience master clone
Notes: audience master clone
Calvin (0/0) / 0 View  
Pat (0/4.8) FLAC 16 / 2 View  
snow (0/3) cdr / 1 View  
steve (0/0) flac / 2 View   " Complete Boston Tapes"
howie v (0/0) CDR / 1 A A View  
Natalie (0/0) CD / 2 View  
WBaetz (0/0) SHN / 2 View   AUD > MR > DAW > SDII > WAV > shn
Notes: Show ends with power cutoff by venue staff
TCA (0/0) SHN / 1 W57 View   AUD > MR
daze7 (0/0) / 0 View   Aud>MR>DAW>SDII>WAV>SHN>CDR
Antero (0/5) / 0 View  
chenn123 (0/0) SHN / 2 View  
Tony H (0/0) CD / 2 B- View   AUD
david poudrier (0/0) / 0 View  
jason coble (0/0) CDR / 2 View   Recorded on a 1968 RCA portable reel to reel model YLS 15B at 3 3/4 ips, using an external...
Chris Haddock (0/4) cdr / 2 View  
kimbro (0/0) / 2 B View   AUD
Notes: Complete late show.