The Beatles ??/??/1966
Set I
Across The Universe
For No One
I Am The Walrus
For No One
Here, There, And Everywhere
Sexie Sadie
Brian Epstein Blues
Sexy Sadie
Lady Madonna
Happiness Is A Warm Gun
I'm So Tired (Take 1)
I'm So Tired (Take 2)
I'm So Tired (Take 3)
I'm So Tired (Take 4)
I'm So Tired (Take 5)
For No One
I Am The Walrus
For No One
Here, There, And Everywhere
Sexie Sadie
Brian Epstein Blues
Sexy Sadie
Lady Madonna
Happiness Is A Warm Gun
I'm So Tired (Take 1)
I'm So Tired (Take 2)
I'm So Tired (Take 3)
I'm So Tired (Take 4)
I'm So Tired (Take 5)
Set II
Set III
Comment
Control Room Monitor Mixes
Unsurpassed Outtakes
Unsurpassed Outtakes
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| NonPartisan2 | CD / 1 | A | View | SB | ||
| Corey | Shn / 1 | View | Studio -> ? -> CD (Liberated Bootleg-Control Room Monitor Mixes-Yellow Dog) -> EAC -> SHN | |||
| Private Stock | / 1 | Vg | View | |||
| Notes: | I'm sure my recording doesn't belong here, but in this quagmire of studio recordings, who could tell? This is a collection of promo and mono/alternate mixes and other 'stuff' from various studio sessions. Oh, the humanity! | |||||
| BiscuitJoe | CDR / 1 | View | ||||
| Jay | Cd-R / 1 | A | A | View | ||
| Brian C | CDR / 1 | A | A+ | View | studio | |
| Notes: | Control Room Monitor Mixes/Unsurpassed Outtakes; http://www.fortunecity.com/tinpan/abba/553/controlmonitormixes.html | |||||
| Janaja | CD / 1 | A | View | |||
| Mike | CDR / 1 | A | View | sbd | ||
| Chris Couse | cdr / 1 | A | View | |||
| Notes: | The Alternate Revolver - Walrus Records, March 1998 The Alternate Revolver is a collection of different takes and versions of songs recorded in 1966 for the album Revolver. Features many mono mixes and a few tracks lifted from Antholgy. 1. Taxman take 11, recorded on April 21, 1966 (taken from Anthology) 2. Eleanor Rigby mono mix, recorded on April 29, 1966 3. I'm Only Sleeping Capitol stereo version, with different backwards guitars 4. Love You To mono mix, recorded on April 13, 1966 5. Here, There, And Everywhere take 7, with an overdub of take 13, recorded on June 16, 1966 (taken from Real Love single) 6. Yellow Submarine remix, with different sounds and a spoken intro by Ringo, recorded on May 26 and June 1, 1966 (taken from Real Love single) 7. She Said She Said mono mix, recorded on June 21, 1966 8. Good Day Sunshine mono mix, recorded on June 9, 1966 9. And Your Bird Can Sing take 2, recorded on April 20, 1966 (taken from Anthology) 10. For No One take 10, recorded on May 16, 1966 (taken from Monitor Mixes (bootleg)) 11. Doctor Robert mono mix, recorded on April 19, 1966 12. I Want To Tell You mono mix, recorded on June 3, 1966 13. Got To Get You Into My Life take 5, recorded on April 7, 1966 (taken from Anthology) 14. Tomorrow Never Knows alternate mix (taken from Unsurpassed Masters Vol. 4 (bootleg)) 15. And Your Bird Can Sing mono mix of take 10, recorded on April 26, 1966 16. I'm Only Sleeping take 1, recorded on April 29, 1966 (taken from Anthology) 17. Eleanor Rigby take 14, strings only, recorded on April 28, 1966 (taken from Anthology) 18. For No One take 14, recorded on May 19, 1966 (taken from Monitor Mixes (bootleg) 19. She Said She Said demo, recorded in March, 1966 (taken from Revolution (bootleg) 20. Taxman mono mix of take 12, with a louder lead guitar, recorded on April 21, 1966 21. Tomorrow Never Knows take 1, recorded on April 6, 1966 (taken from Anthology) 22. I'm Only Sleeping rehearsal, recorded on April 29, 1966 (taken from Anthology) 23. Got To Get You Into My Life mono mix of take 9, recorded on May 18, 1966 24. Here, There And Everywhere take 13 and 14, recorded on June 16, 1966 (taken from Monitor Mixes (bootleg) 25. I'm Only Sleeping mono mix, with extra backwards guitar during the third verse, recorded on May 6, 1966 26. Tomorrow Never Knows mono mix, fewer of the various tape loops are present and they fade completely in and out of the track, recorded on April 27, 1966 | |||||
| Clayton A. | CDR / 1 | A+ | View | |||
| Notes: | Control Room Monitor Mixes/ Unsurpassed Outtakes | |||||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 2 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 2 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 2 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 2 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 1 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Dan | CDR / 0 | View | STUDIO | |||
| Danny Whittom | CDR / 1 | A+ | View | |||
| Notes: | " Revolver/Magical Mystery Tour", Mobile Fidelity Sound Labs Versions. | |||||
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