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Phish archive radio 12/30/1999

SHOWID 54484

Set I

Disc 1:

12/31/91 Buried Alive>Possum; 11/19/92 Llama; 12/31/95 Drowned>Lizards; Radio Chat; 12/6/91 Shaggy Dog; 11/8/91 Mike's Song>I am Hydrogen>Weekapaug Groove; Radio Chat; 9/22/99 Doc Scotland Song; Radio Chat

Disc 2:

4/16/92 Forbin>Icculus>Famous Mockingbird; 10/1/89 Reba; Radio Chat; 2/17/97 Soul Shakedown Party; Radio Chat; 10/31/96 Crosseyed and Painless; Outro with Pistol Stamen

Set II

 

Set III

 

Comment

day one of two of BC radio broadcast

Sources

SHNID 955
FOB Neumann U89i (7' Split Omni's)> Apogee AD-1000; up 1/23 with problems in d4,5- discs replaced immediately; see Rattie's shn archiving tips for 12/30,31 Neumanns
SHNID 956
B&K 4011, 6-7 foot split aimed at each stack> Lunatec V2> Apogee A/D 500, position just to the left of the Earthworks; Conversion: DA302> ZA2> CD; taped? (or by Ron?) and mastered by S. Fry; note discs tracked to best preserve jams
SHNID 957
Earthworks SR-77 > Lunatec V2 > GP ADC-20 > DA-P1 & M1 (concurrent), from "best spot in tapers section," front row, stage left corner of tapers; DAT > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2; missing only post-Taste crowd noise; taped and mastered by M. Vernal
SHNID 958
AKG 480/ck63> dmic-20> PCM-M1 (D. Pecoraro's rig); DAT>CDR: PCM-M1> Prodif Plus> Soundforge> Shorten; via J. Lober
SHNID 959
FOB Schoeps mk4v > kc5 > CMC6 > Lunatec V2 > Apogee AD1000 @48kHz; DA-P1 > Audio Magic Presto II > Soundforge XP 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Eric McRoberts; Note: "SBEfixed" ffp provided 03/09/05
SHNID 965
AKG480 (Omni), 12' split -> Lunatec V2 -> ADC-20 -> DA-P1 -> digi patch DA-P1, stage left TS; DAT -> SHN: DA-P1 -> 128bit Yamaha Sound Card -> Cool Edit Pro 1.2; via D. McDowell; notes: track breaks not on sectors, but at 0dB spots, ~5 min missing of the start of the tick-tocking, very beginning of Albuquerque spliced in from another source; with 12/31, full shn set is 15 discs
SHNID 35050
(FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Tascam DA-P1 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, patch) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
SHNID 91649
Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony D100 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (48 to 44.1 kHz) > Samplitude SE v9.1.1 (fades, tracking, edits) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel
SHNID 106674
(FOB) Schoeps MK4V > KC5 actives > CMC6 > Lunatec V2 > Apogee AD1000 @ 48khz; Sony D8 > Firewire Audiophile > Samplitude 24/96 (downsampled on highest setting) > CD Wave > FLAC; Taped by John Schmidt; Transferred by Jeff Patton
SHNID 138123
flac16 44.1kHz Neumann U89(FOB/Omni/Split 7’) > Apogee AD1000; Sony 59ES > Optical > Audacity 44.1 (MacMini)
SHNID 138528
flac16 44.1khz Neumann U89i(FOB/Omni/Split 12’/80’Back/65”Up/PAS approx. 30degrees) > Apogee AD1000 @ 44.1k > Tascam DA-P1 jmitchell Transfer: DAT/c > Sony pcm-r500 > Korg mr2000s Process/Seed: DiGiHoArDeRs: 6/6/17 wav > Audacity > xACT (FLAC/TAG) 16/441 DATs Provided by: Charlie Miller & Arielle Phares
SHNID 151471
flac16/48khz Taper / Transfer: Ron Dalton Info: B&K 4011 --> Lunatec V-2 --> Apogee A/D500e --> Tascam DA-P1 @48K Right Side Taping Section / Front Row - 10' Split Microphones Transfer: Tascam DA-20 MK II --> Fostex FR-2LE (Oade Mod) Processed: wav > Audacity > xACT(FLAC/TAG); DiGiHoArDeRs: 1/18/2021
SHNID 154331
flac16/44 Source: sets 1 & 2: Schoeps mk4|kc5|cmc6 > Lunatec V2 > Apogee ad1000 (16/44.1) > DA-P1 set 3: Schoeps mk21|kc5|cmc6 > Lunatec V2 > Apogee ad1000 (16/44.1) > DA-P1 Location: FOB - mics in Kangol Conversion 02-13-2021: Master DAT Tascam DA-20mkII (16/44.1) > Marantz PMD570 (PCM Stereo) > Audacity > FLAC
SHNID 174244
flac1644 &K 4011 + FOB Schoeps MK4(1&2); FOB Schoeps MK21(3); DiGiHoArDeRs Audience Matrix: 12/27/2024