Trey Anastasio 02/24/2001
Set I
Battle Axe*, Nothing But an 'E' Thing**, It Makes No Difference, Burlap Sack and Pumps, Acting the Devil, At the Gazebo, Noodle Rave Daddio (?)***, Tops Off, Mozambique, Signed Sealed Delivered I'm Yours****
Set II
Push On Till the Day > Tube Top Wobble, Windora Bug+, Gotta Jibboo^, Mellow Mood, Sunday Morning^^, Sand; Encore: Waves^^^, Driver, Strange Design^^^^, Drifting
Set III
Comment
* - a special instrumental arrangement of Bob Marley's "Small Axe," arranged by The Upsetters.
** - Trey dedicated this to his dad
*** - not certain; may be something else
**** - first time played (Stevie Wonder cover)
+ - no horns; Tony says, "Is that your hair or a rug?"; long and ambient Trey keyboard solo in the middle
^ - 23-24 minutes!
^^ - Trey altered the chorus with each pass, to "Dave Grippo's going to do it to you" and Dave took a solo, then "Jennifer's going to do it to you" then she took a solo, then "Tony's going to do it to you" then Tony took a solo, then "maybe we'll have to get the crew to do it you" then a closing bit
^^^ - acoustic as in Boston, then the band left stage for the next two songs; Trey tuned guitar for a long time, mentioning that Leo Kottke and Jimi Hendrix were the best tuners ever
^^^^ - Trey told story of how this was originally written on acoustic guitar but hand't been played that way since... although he played it acoustic in Asheville on his last solo tour, and at the Clifford Ball in the acoustic set
** - Trey dedicated this to his dad
*** - not certain; may be something else
**** - first time played (Stevie Wonder cover)
+ - no horns; Tony says, "Is that your hair or a rug?"; long and ambient Trey keyboard solo in the middle
^ - 23-24 minutes!
^^ - Trey altered the chorus with each pass, to "Dave Grippo's going to do it to you" and Dave took a solo, then "Jennifer's going to do it to you" then she took a solo, then "Tony's going to do it to you" then Tony took a solo, then "maybe we'll have to get the crew to do it you" then a closing bit
^^^ - acoustic as in Boston, then the band left stage for the next two songs; Trey tuned guitar for a long time, mentioning that Leo Kottke and Jimi Hendrix were the best tuners ever
^^^^ - Trey told story of how this was originally written on acoustic guitar but hand't been played that way since... although he played it acoustic in Asheville on his last solo tour, and at the Clifford Ball in the acoustic set
Sources
SHNID
3362
Schoeps cmc6/mk4 (1st row TS) > GP Dmic 20 > Sony D8 > HHB professional CD recorder (model unknown) > EAC > SHN; Taped by Ted Blake; EAC and SHN conversion by Damon Manetta; Uploaded by Nick Brown
SHNID
3722
FOB B+K 4022 > Lunatec V2 > AD2K+ @48kHz (mics in hat); Sony 59ES > Audio Magic Presto II > ZA2 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Recorded by Ron Dalton w/ John Schmidt's 4022s and AD2K; Transfer and encoding by Eric McRoberts
SHNID
80629
Nak cm300/ck61>DA-P1; D8 > Harmon/Kardon CD2 > CDR > EAC > SHN; Transferred by Todd Podell
SHNID
105740
Schoeps cmc6/mk4v > Lunatec V2 > Apogee AD1000 > Sony D8; Technics SV 260A > WAV > CDWAV > SHN; Taped by John Schmidt; Transferred by Linda Webster
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