Furthur 02/23/2013
Set I
Music Never Stopped>
Standin' on Shaky Ground >
Music Never Stopped
Althea
Looks Like Rain
Just a Little Light
West L.A. Fadeaway
Peaceful Valley>
Touch of Grey
Standin' on Shaky Ground >
Music Never Stopped
Althea
Looks Like Rain
Just a Little Light
West L.A. Fadeaway
Peaceful Valley>
Touch of Grey
Set II
Help on the Way>
Slipknot>
Cassidy>
Mountains of the Moon>
Let it Grow>
Slipknot>
Standing on the Moon>
I Know You Rider
Uncle John's Band>
Slipknot>
Franklin's Tower
Donor Rap
One More Saturday Night
Slipknot>
Cassidy>
Mountains of the Moon>
Let it Grow>
Slipknot>
Standing on the Moon>
I Know You Rider
Uncle John's Band>
Slipknot>
Franklin's Tower
Donor Rap
One More Saturday Night
Set III
Comment
Sources
SHNID
124245
Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>
Sound Devices 722 (24/48)
OTS/DRFC/KFC/ZFC/AARP 90' From Stage, 8' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man
OTS/DRFC/KFC/ZFC/AARP 90' From Stage, 8' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man
SHNID
127642
Source: Milab vm44 link -> Lavry AD11(24/48) -> Tascam DR-680
Location: back of board, dfc, 10' high
Transfeer: sdhc -> AudioGate (16/44) -> Cd Wave -> FLAC
SHNID
127644
FOBH Schoeps MK-41 17 cm @ 90* 40' Center > Schoeps KCy Active >
Schoeps VMS 5u > Kind Kables Big Green Fatty Cables > Korg Mr-1000 @ 1 bit 2.8Mhz.; Transfer Info: Korg Mr-1000 Usb > Windows XP > Audio Gate, Bit depth & Sample rate conversion, >
CD wave > Flac.
SHNID
127651
2 Source Matrix:
DPA 4027| DPA 4060
Source 1: DPA 4027 -> V3 -> Tascam DR680
Souce 2: DPA 4060 (3 foot omni spread)
Naiant Big Box -> Tascam DR680
Location: Mics to right of SBD in OTS
~9.5 feet high on mic stands.
Transfer: Tascam DR680 (24/96) wav ->
USB cable -> PC
Editing: Wavelab plugins -> Flac(16)
SHNID
127654
Source (AUD): AKG CK63-ULS > Naiant AKG Active w/ PFA (NOSish, OTS behind SBD, center, 14' up) > Tascam DR-680
Master format: 44.1 kHz, 16 bit, stereo (.WAV)
Digital transfer: SDHC card (USB reader) > PC
Digital editing: CuBase SX (WAVES L1 and Q10, pre and post set fades)
Tracking & processing for distribution: CD Wave Editor > Trader's Little Helper > FLAC > AudioShell tag editor
SHNID
128277
Source: Schoeps MK4>Din>KC5>CMC6>analog>788T (HPF 0) 24/48
matrixed with
ccm41LG>NOla dina>analog>788T (HPF 0) 24/48
Taperssection, Left front of soundboard, 10' High
dsp: 788t > wavelab5 > cdwave > wavelab5 > flac(7)
SHNID
128278
Source: Shure m81>Tascam DR-100mkII(24/96)
Transfer: Tascam DR-100mkII>Audacity>TLH(flac16)
SHNID
139832
Source: Josephson c42mp (DIN, OTS behind SBD, 13' up) > Busman T-mod Edirol R-4 + Avenson STO-2 (single mic 2' in front of mono monitor at back right corner of SBD) > Busman T-mod Edirol R-4 @ 24/48
Transfer: R-4 > PC > SoundForge 10.0 > wavbreaker 0.10 > flac @ 16/44.1
Recorded and mastered by Bob Fager
SHNID
139833
busman bsc2 (cardioid)fob/dfc>fostex fr2le (tranparent mod)>cf>hdd>r8brain (dither/resample)cdwav>tlh (flac level 6)
SHNID
146198
flac16/44.1khz Soundboard
SHNID
152741
Flac1644
Source: Milab vm44 link -> Lavry AD11(24/48) -> Tascam DR-680 + Nak 701's -> Naiant TinyBox -> Tascam DR-680 (24/48)
Location: back of board, dfc, 10' high Milab's, split Nak 701's in each repeater
Transfeer: sdhc -> Audacity Mix (16/44) -> Cd Wave -> FLAC
Source: Milab vm44 link -> Lavry AD11(24/48) -> Tascam DR-680 + Nak 701's -> Naiant TinyBox -> Tascam DR-680 (24/48)
Location: back of board, dfc, 10' high Milab's, split Nak 701's in each repeater
Transfeer: sdhc -> Audacity Mix (16/44) -> Cd Wave -> FLAC
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