Paul McCartney 07/16/2013
Set I
Eight Days A Week
Junior's Farm
All My Loving
Listen To What The Man Said
Let Me Roll It > Foxy Lady tease
Paperback Writer
My Valentine
Nineteen Hundred & Eighty-Five
The Long & Winding Road
Maybe I'm Amazed
I've Just Seen A Face
We Can Work It Out
Another Day
And I Love Her
Blackbird
Here Today
Your Mother Should Know
Lady Madonna
All Together Now
Lovely Rita
Mrs. Vandebilt
Eleanor Rigby
Being For The Benefit Of Mr. Kite
Something
Ob-La-Di, Ob-La-Da
Band On The Run
Back In The USSR
Let It Be
Live & Let Die
Hey Jude > encore break
Day Tripper
Hi Hi Hi
Get Back
Yesterday
Helter Skelter
Golden Slumbers > Carry That Weight > The End
Junior's Farm
All My Loving
Listen To What The Man Said
Let Me Roll It > Foxy Lady tease
Paperback Writer
My Valentine
Nineteen Hundred & Eighty-Five
The Long & Winding Road
Maybe I'm Amazed
I've Just Seen A Face
We Can Work It Out
Another Day
And I Love Her
Blackbird
Here Today
Your Mother Should Know
Lady Madonna
All Together Now
Lovely Rita
Mrs. Vandebilt
Eleanor Rigby
Being For The Benefit Of Mr. Kite
Something
Ob-La-Di, Ob-La-Da
Band On The Run
Back In The USSR
Let It Be
Live & Let Die
Hey Jude > encore break
Day Tripper
Hi Hi Hi
Get Back
Yesterday
Helter Skelter
Golden Slumbers > Carry That Weight > The End
Set II
Set III
Comment
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John H | flac / 2 | a- | a- | View | audience | |
| Notes: | Edirol R09H -> AUDACITY -> Amplify -> DIME | |||||
| Slick2007 | FLAC / 3 | A- | View | |||
| Steve K | FLAC / 3 | A | View | Aud | ||
| RM's Giant Live Music Archive | FLAC / 0 | View | EJochen's source (Z316) | |||
| Notes: | Edirol R09H -> AUDACITY -> Amplify -> DIME | |||||
| RM's Giant Live Music Archive | FLAC / 0 | View | Roy Martin's source 16-bit/44.1kHz version (Z272) | |||
| Notes: | Captured as a 24-bit/96kHz WAV using a set of Core Sound Stealthy Cardioid mics plugged into a Zoom H2n recorder. Once transferred to the hard drive, Cool Edit Pro 2.0 used to convert sample type to CD-friendly 16-bit/44.1kHz.... plus misc. fades... slight EQ to make it a little brighter.... Mastered to fit nicely on three audio CDs. CD Wave Editor used to chop the large WAV file. Trader's Little Helper used to correct SBEs ('-fixed' removed from the filenames), then encode to FLAC (Level 8). | |||||
| RM's Giant Live Music Archive | FLAC / 0 | View | Roy Martin's source, 24-bit/96kHz version (Z272) | |||
| Notes: | These are the raw, unedited 96kHz files. | |||||
| buc2220 | CDR / 3 | View | AUD | |||
| Stuart Ferguson | CDR / 3 | View | Audience | |||
| Notes: | DVD 3326; lineage: | |||||
| Stuart Ferguson | CDR / 3 | View | Audience master recording by Roy Martin | |||
| Notes: | DVD 3380; lineage: Recorded by Roy Martin from the audience, main floor, Section M, Row 20 which is about mid-field,Captured as a 24-bit/96kHz WAV using a set of Core Sound Stealthy Cardioid mics plugged into a Zoom H2n recorder. Once transferred to the hard drive, Cool Edit Pro 2.0 used to convert sample type to CD-friendly 16-bit/44.1kHz.... plus misc. fades... slight EQ to make it a little brighter.... Mastered to fit nicely on three audio CDs. CD Wave Editor used to chop the large WAV file. Trader's Little Helper used to correct SBEs ('-fixed' removed from the filenames), then encode to FLAC (Level 8). | |||||
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