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Phish 07/12/2014

SHOWID 596218

Set I

Soundcheck: 20 Years Later -> Moby Dick

SET 1: AC/DC Bag > 46 Days, Yarmouth Road, Devotion To a Dream, Free, My Sweet One > Back on the Train, Halfway to the Moon > Sparkle, A Song I Heard the Ocean Sing, The Line, Run Like an Antelope

Set II

Punch You In the Eye > Carini > Ghost > Wingsuit > Rock and Roll > Harry Hood

ENCORE: Tube > Joy, First Tube

Set III


Comment

The ending of BOTT was repeated twice after the song was finished. Trey dedicated Antelope to The Dude of Life, who was there with two of his children who were seeing their first Phish show. Ghost contained teasing of Seven Below by Mike. Hood contained a brief St. Thomas tease.

Sources

SHNID 130624
flac16 44.1kHz Schoeps MK4V (FOB, DFC, PAS, 7ft)>KC5>CMC6>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (EQ, effects)>Adobe Audition CS 5.5 (fades, light compression)>Audacity 2.0.3 (tracking, amplify, balance, dither)>FLAC ( level 8 ); Recorded by acidjack
SHNID 130625
flac16 44.1kHz Busman BSC2 (hyper cardioid, 6' high, 90' from stage, ortf)fob/dfc>Tiny Box>Tascam DR-680 @ 24/48>SD card; SD card>hdd>r8brain (dither/resample to 16/44.1)cdwav>tlh (flac level 6)>foobar2000 (Live Show Tagger)
SHNID 130642
flac16 44.1kHz SPBMC-2 > SPSB-10 > MARANTZ-PMD620; MASTER > AUDACITY > CD WAVE > FLAC LEVEL (8); REC-SEED: LANCE/SAGE
SHNID 130647
flac16 44.1kHz FOB recording, centered, approximately 90 feet from the stage (35 feet from the SBD)Microphones aimed directly at the top of the PA Array; AKG C414xls Hypercardioid > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2; R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ); Recorded, processed and let loose by Mike Kutik
SHNID 130687
flac16 44.1kHz B&K(DPA) 4021s (FOB center ~9' on t-bar w/windscreens) > Sound Devices 722 (v2.67, 24bit/96kHz) > CF card / WAV files CF card / WAV files > Desktop reader / PC / SoundForge 10.0c (trim, fades, resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter and dither 24bit > 16bit using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) > CD Wave Audio Editor 1.98 (tracking) > WAV files; Recorded and mastered by ericv
SHNID 130688
flac24 96kHz B&K(DPA) 4021s (FOB center ~9' on t-bar w/windscreens) > Sound Devices 722 (v2.67, 24bit/96kHz) > CF card / WAV files CF card / WAV files > Desktop reader / PC / SoundForge 10.0c (trim, fades) > CD Wave Audio Editor 1.98 (tracking) > WAV files; Recorded and mastered by ericv
SHNID 130689
flac16 44.1kHz Neumann TLM-170 (hypercardoids, center, FOB about 1/3 of the distance between the soundboard and the stage) -> Sound Devices 722(@24/96); FLAC File processing in SoundForge 11 (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; major clap & whistle scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8.1; Recorded, mastered, tracked, tagged, and posted by Scott Bernstein
SHNID 168648
flac1648 Oktava MK-012 (fob/dfc/cardioids/din) > stereo xlr > Busman mod. PMD-660 (@16bit/48kHz) Lineage: WAV > PC > Audacity > CDWav > FLAC Recorded, transferred and seeded by Brad Foster