Echo & the Bunnymen 04/02/1988
Set I
Never Stop
Rescue
Heaven Up Here
Bombers Bay
All I Want
My Kingdom
Crocodiles
Zimbo
Bedbugs & Ballyhoo *(with Ray Manzarek)
The Killing Moon
The Cutter
All That Jazz
Heads Will Roll
Soul Kitchen *(with Ray Manzarek)
New Direction
Ocean Rain
Lips Like Sugar
Thorn Of Crowns
Do It Clean
People Are Strange *(with Ray Manzarek)
Rescue
Heaven Up Here
Bombers Bay
All I Want
My Kingdom
Crocodiles
Zimbo
Bedbugs & Ballyhoo *(with Ray Manzarek)
The Killing Moon
The Cutter
All That Jazz
Heads Will Roll
Soul Kitchen *(with Ray Manzarek)
New Direction
Ocean Rain
Lips Like Sugar
Thorn Of Crowns
Do It Clean
People Are Strange *(with Ray Manzarek)
Set II
Set III
Comment
Ian McCulloch: lead vocals, guitar
Will Sergeant: guitar
Ray Manzarek: keyboards *
Les Pattinson: bass
Pete De Freitas: drums
Will Sergeant: guitar
Ray Manzarek: keyboards *
Les Pattinson: bass
Pete De Freitas: drums
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Tulum | FLAC / 20 | View | NAK 300's > Sony TC-D5 | |||
| Notes: | -Lips Like Sugar: end slightly cut -Thorn Of Crowns: start cut Welcome to Volume 62 of our master series featuring the master recordings of dime member "tapetyrant". The series will predominately feature captures in the Northeast and Southern California areas. We will touch on multiple genres with a strong focus on Jazz Fusion, New Wave and Rock. Tapetyrant was an active taper in the 1980's and much of the 1990's before, like many of us, hanging up the mics. What he captured during that time is uniformly excellent quality and his master tapes have been safely stored, the first batch are in pristine condition. Some shows may circulate from lower generation copies but most have remained uncirculated until now and have never circulated directly from the masters. Prior to DAT, the heavy lifting was entirely done by a Sony D5 with NAK 300's and taping was serious business, acquiring the best seats possible and working to keep neighbors in check. Volume 62 features an outstanding capture of the first night in Los Angeles, this is recorder 2 of this show and is the top tier quality we've come to expect from TapeTyrant. Thanks as always to Goody for the continued pitch guidance. Continued thanks to "tapetyrant" for doing such a great job capturing these historic shows, for reaching out and entrusting me to present his excellent work for all to enjoy for decades to come. We are indebted to his generosity (tapers don't let those tapes and your hard work get lost to the ages, there are plenty of folks to get in touch with here to help get them out, we're all working to leave no tape behind). | |||||
| Tulum | FLAC / 20 | View | Aiwa Mic > unknown Aiwa Cassette Recorder | |||
| Notes: | Known Faults: -All That Jazz: start cut Welcome to a new Master series from one of dime's newest members "SCIhead". First off, welcome to the party SCIhead (from now on he will be referred to as "Rand-Eye" for the master series). Rand-Eye comes to use via guitars101 (Goody posts most of our shows there so all our series have pretty good presence there). Rand-Eye joined dime in the interest of getting his masters out, made contact and we were off and running. Using a handheld Aiwa deck with an Aiwa mic, the series will be approximately 20 volumes similar to the genres TapeTyrant focused on captured between 1985 to 1990. Many new wave artists with a sprinkling of Rock and Jazz Fusion mixed in captured in the southern California area. There will be a number of shows that will be a second source but also include performances that appear to not circulate at all. As for quality, Rand-Eye says "we're not talking Millard quality here" BUT I will say for a handheld recorder with an external Aiwa mic he got some very good captures. Taping is all about location, location, location and it sounds like in the majority of cases Rand-Eye found his spot and give us a highly listenable capture. Volume 6 features the second Echo & The Bunnymen capture almost two years after Volume 1, again at the Universal Amphitheatre in Los Angeles. It sounds like Rand-Eye was close for the opening night of this two night run, the crowd is certainly engaged in the show and I've spent quite a bit of time cleaning out as much crowd interference as possible. Thanks to Goody for the continued pitch excellence and to Rand-Eye for deciding it's time to leave no tape behind and properly get his masters out for all of us to enjoy. Artwork included... mjk550 and Rand-Eye | |||||
| BLG | FLAC / 1 | View | Nak 300's > Sony TC-D5 > anaM > flac | |||
| Jack Warner | FLAC / 0 | View | MAT>?>C>FLAC | |||
| cotaper | flac / 2 | B+ | View | |||
| Notes: | 92 minutes | |||||
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