Funky Meters 04/18/2015
Set I
Here Comes The Meter Man ->
Keep On Marching ->
Love Slip Up On Ya ->
Soul Island ->
Seven Desires ->
Groovy Lady ->
Them Changes ->
Don't You Lie to Me ->
You've Got To Change (You've Got To Reform)
Cissy Pickup -> Cissy Strut ->
Cardova ->
Ode To Billie Joe ->
Drums ->
Ain't No Use
Right Place, Wrong Time
Keep On Marching ->
Love Slip Up On Ya ->
Soul Island ->
Seven Desires ->
Groovy Lady ->
Them Changes ->
Don't You Lie to Me ->
You've Got To Change (You've Got To Reform)
Cissy Pickup -> Cissy Strut ->
Cardova ->
Ode To Billie Joe ->
Drums ->
Ain't No Use
Right Place, Wrong Time
Set II
Set III
Comment
George Porter Jr. - bass, vocals
Art Neville - organ, vocals
Brian Stoltz - guitar, vocals
Terrence Houston - drums
Art Neville - organ, vocals
Brian Stoltz - guitar, vocals
Terrence Houston - drums
Sources
SHNID
170085
Source 1: Schoeps cmc622xt (On Stage, Split 15') -> Neve Portico 5012 -> Sound Devices 788T -> WAV (@24/96);
Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 788T (via XLR, @24/96);
Transfer: WAVs -> SoundForge Pro 11.0 (Time Align) -> Vegas Pro 13.0 (mix/render) -> SoundForge Pro 11.0 (normalize, fades, 96->44.1 iZotope 64-Bit SRC w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither w/ Ultra/High settings) -> CDWav -> FLAC
Recorded, mixed, mastered, tracked and encoded by Eric McRoberts 04/19/2015 - On Stage mics by Eric McRoberts - FOH mix by Justin Ripley - Thanks to Peter Costello
Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 788T (via XLR, @24/96);
Transfer: WAVs -> SoundForge Pro 11.0 (Time Align) -> Vegas Pro 13.0 (mix/render) -> SoundForge Pro 11.0 (normalize, fades, 96->44.1 iZotope 64-Bit SRC w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither w/ Ultra/High settings) -> CDWav -> FLAC
Recorded, mixed, mastered, tracked and encoded by Eric McRoberts 04/19/2015 - On Stage mics by Eric McRoberts - FOH mix by Justin Ripley - Thanks to Peter Costello
SHNID
170086
Neumann TLM-170(hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings, clap scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8.7
SHNID
170150
Neumann TLM-170(hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (clap scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8.7
SHNID
170151
Source 1: Schoeps cmc622xt (On Stage, Split 15') -> Neve Portico 5012 -> Sound Devices 788T -> WAV (@24/96);
Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 788T (via XLR, @24/96);
Transfer: WAVs -> SoundForge Pro 11.0 (Time Align) -> Vegas Pro 13.0 (mix/render) -> SoundForge Pro 11.0 (normalize, fades) -> CDWav -> FLAC
Recorded, mixed, mastered, tracked and encoded by Eric McRoberts 04/19/2015 - On Stage mics by Eric McRoberts - FOH mix by Justin Ripley - Thanks to Peter Costello
Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 788T (via XLR, @24/96);
Transfer: WAVs -> SoundForge Pro 11.0 (Time Align) -> Vegas Pro 13.0 (mix/render) -> SoundForge Pro 11.0 (normalize, fades) -> CDWav -> FLAC
Recorded, mixed, mastered, tracked and encoded by Eric McRoberts 04/19/2015 - On Stage mics by Eric McRoberts - FOH mix by Justin Ripley - Thanks to Peter Costello
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