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Grateful Dead 10/10/1970

SHOWID 622

Set I

Truckin', Deep Elem Blues, Hard To Handle, Sugar Magnolia, Candyman, Cryptical Envelopement-> Drums-> The Other One-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away

Set II

Casey Jones, Cold Rain & Snow, Me & My Uncle, Good Lovin'-> Drums-> Good Lovin', Minglewood Blues, Cumberland Blues, Uncle John's Band

Set III


Comment

Other artist(s): NRPS

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
Rick Martin (5/5) Flac / 2 A- View 144636 Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) >...
Notes: Most
Joe (5/5) FLAC / View 144636
CJ (5/4.7) FLAC / 2 View 7590
sean hite (5/0) SHN / 0 View 7590
Notes: 7590 AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes
Keith Deshane (5/0) / 0 View 7590
Born Cross Eyed (5/5) FLAC / 1 View 7590
Notes: Aud - Hanno
Ifthir (5/0) .shn / 0 View 7590
santino (5/0) / 0 View 7590
Brandon Johnston (5/4.9) SHN / 1 View 7590 Aud, from low (< 5th) generation tape
Jeff Mitchell (5/0) / 0 View 7590
Jon Pavuk (5/4.3) SHN / 1 A B- View 7590 AUD, from low (< 5th) generation tape
Notes: DVDw/ GD 10/10/70, 10/11/70, 10/23/70, 10/24/70, 10/31/70 Early and Late, 11/5/70, 11/9/70, 11/10/70
Greg Drummond (5/0) cd / 2 View 7590 AUD, from low (< 5th) generation tape
Notes: tuning Truckin' tuning Deep Elem Blues tuning Hard To Handle tuning Sugar Magnolia tuning Candyman tuning tuning Cryptical Envelopment > Drums > The Other One > Not Fade Away incl. GDTRFB jam Casey Jones false start Casey Jones tuning Cold Rain & Snow tuning Me & My Uncle //
Jordan Jacobs (5/3) SHN/2 / 0 View   AUD
Notes: from low (< 5th) generation tape
thrak (5/5) shn / 2 View 7590 AUD, from low (< 5th) generation tape
wrs2lig (5/0) / 0 View 7590
Brent Easton (5/4.9) CDR / 2 A A View 7590 SBD
neal r (5/4) / 2 View 7590
Notes: 481
Alan (Slydell) (5/5) SHN / 1 View 7590 AUD, from low (< 5th) generation tape
Steve Blanchard (5/5) SHN / 2 View 7590 AUD, from low (< 5th) generation tape
Steve Swartz (5/0) / 0 View 7590
BILL SCARNATI (5/4) / 2 View  
RamblinBear (5/0) DVD / 1 View 7590 AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's...
Notes: .7590.
Jeff Schlingbaum (5/5) CDR / 2 A- View 7590 AUD
Rudolf E. Zielinski (5/5) CDR / 2 A- View   AUD
barry bryson (5/4.3) CD / 2 View  
hanno (5/5) / 0 View 7590
Jeff Riney (5/5) cdr / 1 View 7590
Notes: AUD;low gen same disc as 8/30/70
CTDEADHEAD (5/5) SHN / 1 View 7590
Notes: AUD
John Coulter (5/4) CDR / 2 View   AUD
ALAN J FINK (5/0) / 0 View 7590
John Law (5/0) SHN / 0 View 7590
Notes: BOOK 5 - DVD0086
Furious George (5/4.9) SHN/DVD / 2 View 7590 AUD, from low (< 5th) generation tape
Notes: AUD, from low (< 5th) generation tape
Aaron (5/4.8) SHN / 1 View 7590
Lazlo (5/5) CDR / 1 B View   sbd
Brad Foster (4/4.9) FLAC / 1 View   AUD, from low (< 5th) generation tape
shakedown80 (4/4) / 0 View 7590
TuneTree (4/0) SHN CD-R / 0 View  
Matt Stevenson (4/5) / 0 View 7590
mike west (4/5) SHN / 1 View 7590
Notes: AUD
mike west (4/5) SHN / 2 View 7590
Notes: AUD
Chuck Gannon (4/5) SHN / 1 View 7590 AUD, from low (< 5th) generation tape
Michael (3/0) FLAC / 1 View 144636
zowie (3/5) cd / 2 a/b View 144636 aud
Richard Warren (3/5) shn / 1 View 7590
Notes: 7590
joe m (3/5) FLAC / 1 View 144636
J (3/0) / 0 View 7590
Pierluigi Tomaselli (3/5) cd / 2 View  
Ken Berry (3/5) SHN / 1 View 7590
Jeepster (3/0) cdr / 2 View  
Notes: AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes
Jason Smoliak (3/5) Shn / 1 View 7590 AUD, from low (< 5th) generation tape
Barry Smith (3/5) CDR / 2 View  
Notes: I only live a few miles from this venue.
Dionysos (3/0) SHN / 2 View 7590 See Link SHN
Jeremy Workman (3/5) cd / 2 View 7590
Notes: have shns (1)
TLEO (3/0) shnf / 0 View   aud
Marc Deardorff (2/5) shn / 1 View 7590
Notes: AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes
Marc Deardorff (2/5) flac16/48 / View 144636 flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell...
Canyon (2/5) mp3 / 0 View  
Notes: hd1
RM's Giant Live Music Archive (2/5) FLAC16 / 0 View 144636 (RM029)
My Home (2/0) Shn / 0 View 7590 AUD, from low ( Hanno's notes
My Home (2/0) Flac 16/48 / 0 View 144636 flac16/48kHz ; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell...
OBIE (2/5) SHN / 2 View 7590
OBIE (2/5) FLAC / 2 View 144636
pat (2/0) aud / 2 View   AUD, from low (< 5th) generation tape
Marshall (2/5) shn / 1 View  
Michael McMullan (2/5) CDR/SHN / 2 A- View 7590 Aud
Scott (2/0) CDR(DAO) / 2 View  
Luke Bailey (2/0) SHN / 2 View 7590 AUD, from low (< 5th) generation tape
Notes: AUD, from low (< 5th) generation tape
Dean Thole (2/0) SHN / 1 View 7590
William Ferdinandsen (2/5) CDR / 2 View  
muddy (2/0) shn / 1 View   aud
Michael Goff (2/5) cd / 2 View 7590
kevin boland (1/4.8) Flac / 2 View  
Geoff MacNaughton (1/5) 1 / 2 C+ View 7590
Boedi-taper (1/4.8) CDR / 2 A B+ View   AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute;
cbass (1/5) / 0 View 7590
cbass (1/5) FLAC / 0 View 144636
quimbo (1/5) FLAC / 0 View 144636
Phil (1/5) FLAC - HD / 1 View   Audience Taper: Ken and Judy Lee...
Notes: Audience Recorded by Ken and Judy Lee Ken posted a review of this show at archive.org This is another of the Ken & Judy Lee recordings. Ken likes to tell folks he rented the Grateful Dead for Judy’s 22nd Birthday, which is pretty much what happened. We had known them since the summer of ’67 first as fans and then during our various roles in and around the music scene. So when we got our hands on some student council dollars at good old Queens College. One thing leads to another and there we were with another sold out show with a huge crowd outside. The recording was made from the projection booth, which account for the somewhat distant sound. Never one of my faves because of this. It was a challenge in this one level theater. At least there was little audience noise. During the show there were pitched battles when people would pop an exit door and a flood of people would surge into an already overpacked house. Security had there hands full with that sitch. So from stalling the backstage elevator mid floor with Jerry, Bob, Phil and some fans with some floral offerings. After a while we returned to earth and the show began. Like a Cheech & Chong movie. Those were some great times. Afterwards, back to our place for another all nighter. We were living over a bar then and could crank it way up anytime we wanted. Loaves of bread and pounds of mixin’s made sure no one was hungry for long. It’s funny how this show was one I ignored in favor of the Capitol Theatre tapes with their clarity. Now in retrospect, I can remember my old lady from so long ago, smiling and dancing, 21 years old. Gotta give it some stars, just for the memories. Usual setup - Sony TC124s with Sony F95 mikes placed in black foam blocks to isolate sound. No extension cables, they stayed at the Cap for years. Just laid the mics in about a 60 degree spread. Used to spend a lot of time in those booths here and there around North America. I used to always tour the theaters, from top to bottomm - interesting buildings. And so it is that all our shows & all them pix can now shed just a little light into our outlandish youth, oh the places we’ve seen. When Ken refers to distant sound you have to remember he was listening to a multigen copy being streamed from archive.org, this on the other hand sounds right in your face. During the banter after Truckin' Phil says “Everybody’s having fun, I mean that’s what it’s all about man” Notes: – Azimuth and phase adjustments – John’s original transfer was made back in 1986 and by that time the tapes were already showing signs of Sticky Shed syndrome. This accounts for a lot of small dropouts that I have now repaired – I took out a little background noise and also removed some 60Hz hum. – The missing section of Set II was caused by a tape flip. Judy normally took care of the flips but on this night is was down to Ken and he was very late getting back to the tape deck. – The last 11:48 of Set II have never circulated before. Thanks to Ken and Judy for this recording. Thanks to John-Jay for the transfer. Thanks to Joe B. Jones for his advice on pitch correction. edited and mastered SIRMick January 2019 By Tim O'Shea On 10 October 2021 For as many shows in New York that the Grateful Dead have played, it’s almost amazing that there are only three of them that took place in Queens. Today marks the anniversary of the third and final one. The Grateful Dead treated a ravenous crowd at Colden Auditorium on the campus of Queens College to a show featuring songs from, perhaps, two of their most iconic albums of all time. In just a few weeks, the band would release American Beauty, taking them to an entire new level of national popularity. And with Workingman’s Dead still fresh from earlier in the year, this shows falls in a time period where the band is simply rife with creativity as they continue to from their own unique version of country-folk blended with West Coast psychedelia. It begins with some extended tuning, during which guitarist Bob Weir tells the crowd that “Marmaduke stayed home,” a reference to their friend from New Riders Of The Purple Sage – a band that often tagged along with the Dead for New York City shows. Weir chides that, “This is the economy package.” Elements of Truckin' and Deep Elem Blues can be heard in the pre show fine-tuning and that’s exactly how the show begins. Weir leads the band on vocals for the Dead’s brand new hit Truckin’, a song only months old at the time. Then, after some lighting and monitor directions, Jerry Garcia takes over for a modern take on a traditional blues tune, Deep Elem Blues. Weir throws in some well placed harmonies at song’s end before the Dead hand the proverbial baton off to Pigpen for a typically rousing cover of Otis Redding’s Hard To Handle. Pig’s bluesy vocal efforts bookend a winding, exploratory jam spearheaded by Garcia on guitar. This opening sequence of Grateful Dead music has the Colden Auditorium crowd clamoring for more. The band responds in kind with Sugar Magnolia, another eventual classic still very much in its early stages. This is the ninth one ever performed. Garcia has the wah-effect in full gear for this one as the band rips into another brief, explosive jam after Weir deftly navigates the lyrics. The Candyman that follows may slow the tempo down a bit, but still serves as a first set highlight anyway with a sublime and harrowing Garcia guitar solo placed between more delicate vocal harmonies. This clears the way for a dynamic closing sequence to the opening set, starting with Cryptical Envelopment, which gets an instant vote of approval from the crowd. At its conclusion, a Drums immediately emerges, shining the spotlight on drummers Bill Kreutzmann and Mickey Hart who take the rapt audience on a percussive ride, in the first set no less. This immediately segues into the explosive opening of The Other One, with all of Colden Auditorium now clapping along in time earnestly. It winds up producing perhaps the best jam of the evening, a searing, psychedelic journey that varies in intensity before rounding back into form. The opening set then closes with another rousing cover, this time Buddy Holly’s Not Fade Away. The jam briefly dips its toe into Goin’ Down The Road Feeling Bad but no lyrics are actually sung before Not Fade Away resumes and caps off a whirlwind ending sequence that would later finds its place closing out second sets instead. The Dead’s second set at Colden Auditorium, after a false start of sorts, resumes with Casey Jones, along with more full-fledged audience participation via clapping. They follow this with a familiar cover of Cold Rain And Snow that gets considerable support from Pigpen on organ and Phil Lesh on bass. Bob Weir then resumes vocal lead for the dark, country western-themed Me And My Uncle. Unfortunately, there’s a significant gap in the recording due to a tape flip issue that cuts out the portion of the second set that follows. And it’s likely another one of the more memorable parts of the show as it features Good Lovin’, sung with natural flair from Pigpen as always, sandwiching yet another Drums sequence that surely went deeper than its first set predecessor. The recording picks up at the tail end of the Cumberland Blues that follows all of this. One last pre-song tuning session finally gives way to Uncle John’s Band, the last song of the evening. It’s fitting selection to end with another cut from their iconic Workingman’s Dead album as they, and the world, prepare themselves for the American Beauty era.
Rick Childs (1/4.9) CDR / 2 A+ B View 7590
Notes: Grateful Dead 10/10/70 Colden Auditorium, Queens College, Queens, NY AUD, from low (< 5th) generation tape CD 1. tuning Truckin' tuning Deep Elem Blues tuning Hard To Handle tuning Sugar Magnolia tuning Candyman tuning CD 2. tuning Cryptical Envelopment > Drums > The Other One > Not Fade Away incl. GDTRFB jam Casey Jones false start Casey Jones tuning Cold Rain & Snow tuning Me & My Uncle // the last song is not noted in Deadlists; it cuts on the tape after 2:10. It seems possible that the rest of the show (Good Lovin', Minglewood, Cumberland, Uncle John's according to DeadBase) is on the master. thanks once again to Uli Teute for the source tape! EQ'ed & mastered SHN'ed by H.B. 01/02 (note - everything above 7 kHz is hiss, so I cut out the high range a little. no "noise reduction" algorithms were applied)
Richard Markley (1/5) SHN / 1 View 7590
Notes: DVD48
Gary Field (1/5) 7590 / 1 View 7590 AUD
Notes: AUD, from low (< 5th) generation tape
Gary Field (1/5) 144636 / 0 View 144636
Notes: flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick
phil (1/5) flac / 0 a View 144636 aud > cassmaster > dat > flac
Hanf (1/5) Shn / 0 View 7590
BudChief (1/5) cdr / 2 View 7590
Matt Vernon (1/4.8) SHN / 2 B B- View 7590
Notes: aud [2007-08-19] 5th gen source via Hanno/Uli - somewhat boomy but listenable. Setlist typical sans the acoustic sets, has NFA paired with the GDTRFB jam for the 1st time? Other than that destined to be a show listened to once by completists.
SpiralLightofVenus (1/5) FLAC / 0 AUD View 7590
Notes: AUD TB4
GratefulBrad (1/5) flac / 0 View 7590
KB Larsen (1/5) shn / 1 View 7590
Notes: Thanks Torbjorn! 2 audio
winterland121072 (1/0) / 0 View 7590
Mike Tausig (1/5) SHN / 2 View 7590
Notes: AUD>?>DAT>WAV>EAC>SHN
Chuck Kiefe (1/5) CD-R / 2 View  
Notes: Master AUD Cass>Cass ?x>Shorten>CD First "Goin' Down the Road Feeling Bad" Partial show - all in circulation
Israel Frankel (1/0) flac cd-r / 2 View 7590
Notes: Missing last 4 songs in show.
Steve Sawyer (1/4.6) SHN / 2 View 7590 AUD
doug smith (1/0) shn / 1 View 7590
Tommy Danscuk (1/5) shn / 1 View 7590 Aud > Cass
Rich Gaul (1/5) CD / 2 View 7590
brett garvey (1/5) SHN / 2 A View 7590 AUD, from low (< 5th) generation tape
Notes: gd1970 12 of 16
Built2Last (1/0) / 2 View 7590
David Backus (1/5) CDR-SHN / 1 View 7590 AUD