Garcia 10/31/1992
Set I
How Sweet It Is (To Be Loved By You)
Stop That Train
The Maker
You Never Can Tell
Night They Drove Old Dixie Down
Lay Down Sally
Deal
Stop That Train
The Maker
You Never Can Tell
Night They Drove Old Dixie Down
Lay Down Sally
Deal
Set II
Shining Star
And It Stoned Me
Ain't No Bread In The Breadbox
Wonderful World
Tore Up Over You
Waiting For A Miracle
My Sisters And Brothers
Tangled Up In Blue
Encore:
Werewolves Of London
And It Stoned Me
Ain't No Bread In The Breadbox
Wonderful World
Tore Up Over You
Waiting For A Miracle
My Sisters And Brothers
Tangled Up In Blue
Encore:
Werewolves Of London
Set III
Comment
Jerry Garcia Band; Vince and The Affordables opened. setlist courtesy thejerrysite.com
Sources
SHNID
4351
Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin
SHNID
13230
Jerry Garcia Band: MSC > DAT > CD > SHN
SHNID
14310
Jerry Garcia Band: SBD > CM? > DAT > ? > DAT > CDR (see comments), bears uncertain relationship to existing sbd-sourced .shn set from this show.
SHNID
76460
Jerry Garcia Band: set II: FOB Schoeps CMC54 DAUD > DAT(x) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (both 44.1 and 48k versions) > tracking (CD Wave) > level 8 FLAC encoding (TLH). Lossless Legs "GEMS" project, via Todd Evans (DAT > WAV) and keysareme (tracking and FLAC encoding).
SHNID
83474
Jerry Garcia Band: Keith Litzenberger's Sennheiser MD421s (T-bar hand-held at chest height FOB) > Sony TCD-D3 (Maxell R-120DM DAT masters) > Sony TCD-D10PROII playback > Edirol R-4 > Wavelab 5.0 (Fades & Sample Rate Conversion) > FLAC
SHNID
97988
Jerry Garcia Band: set II: unknown taper, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.
SHNID
102196
Jerry Garcia Band: flac1644; complete show from same source as shnid 97988. Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.
SHNID
107738
flac16; Matrix 2 Source Mix - SBD (shn id 13230) MSC > DAT > CD > SHN + AUD (shn id 102196) Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota - matrix mixing by Kevin Tobin
SHNID
107741
DTS-Audio-CD 5.1 Mix; SBD (shn id 14310) SBD>CM?>DAT>?>DAT>CDR + AUD (shn id 102196) Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota - dts mixing by Kevin Tobin
SHNID
132279
JGB; flac1644; Jim Dupree's audience tape
SHNID
141463
JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).
SHNID
142802
JGB; flac1648; John Ammons, Rob Darroch FOB Recording: Schoeps MK4 capsules (modified, in hat) > Reutelhuber Power Source > DAT 48k (Panasonic SV255). Transfer from DAT clone of the Darroch Master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave. Edited & Mastered by Joe Noel. Wave > Audacity > 16/48
SHNID
168079
Source: FOB Sonic Studios DSM6-P's > D6 (20th row center, Dolby C) by Jason Brodsky
Transfer: MC (Denon HD-M/100 + Sony Metal Select 90) > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496
Master: Wavelab 11 (tracking, patches and speed correction to match SHNID 102196; levels, fades, resample, Lin dither) > FLAC 1644
Transfer: MC (Denon HD-M/100 + Sony Metal Select 90) > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496
Master: Wavelab 11 (tracking, patches and speed correction to match SHNID 102196; levels, fades, resample, Lin dither) > FLAC 1644
SHNID
168080
Source: FOB Sonic Studios DSM6-P's > D6 (20th row center, Dolby C) by Jason Brodsky
Transfer: MC (Denon HD-M/100 + Sony Metal Select 90) > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496
Master: Wavelab 11 (tracking, patches and speed correction to match SHNID 102196; levels, fades) > FLAC 2496
Transfer: MC (Denon HD-M/100 + Sony Metal Select 90) > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496
Master: Wavelab 11 (tracking, patches and speed correction to match SHNID 102196; levels, fades) > FLAC 2496
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