Grateful Dead Compilations 10/??/1980
Set I
October 4, 1980, acoustic set:
Deep Elem
The Race Is On
It Must Have Been The Roses
Monkey And The Engineer
Rosalie McFall
Dark Hollow
To Lay Me Down
Oh Babe It Ain't No Lie
Ripple
October 6, 1980, acoustic set:
Dire Wolf
Cassidy
Jack-A-Roe
Monkey And The Engineer
I've Been All Around This World
Heaven Help The Fool
China Doll
On The Road Again
Bird Song
Ripple
October 9, 1980, acoustic set:
Dire Wolf
Dark Hollow
I've Been All Around This World
Cassidy
China Doll
On The Road Again
Bird Song
The Race Is On
Oh Babe It Ain't No Lie
Ripple
Deep Elem
The Race Is On
It Must Have Been The Roses
Monkey And The Engineer
Rosalie McFall
Dark Hollow
To Lay Me Down
Oh Babe It Ain't No Lie
Ripple
October 6, 1980, acoustic set:
Dire Wolf
Cassidy
Jack-A-Roe
Monkey And The Engineer
I've Been All Around This World
Heaven Help The Fool
China Doll
On The Road Again
Bird Song
Ripple
October 9, 1980, acoustic set:
Dire Wolf
Dark Hollow
I've Been All Around This World
Cassidy
China Doll
On The Road Again
Bird Song
The Race Is On
Oh Babe It Ain't No Lie
Ripple
Set II
October 4, 1980, early electric set:
Alabama Getaway
Greatest Story Ever Told
Candyman
Mama Tried
Mexicali Blues
October 6, 1980, early electric set:
China Cat Sunflower
I Know You Rider
Minglewood Blues
Alabama Getaway
Greatest Story Ever Told
Candyman
Mama Tried
Mexicali Blues
October 6, 1980, early electric set:
China Cat Sunflower
I Know You Rider
Minglewood Blues
Set III
Comment
Selections from October Fourth, Sixth and Ninth, 1980
San Francisco, California
Warfield Theatre
First electric SBD source for 10/6 in digital circulation
San Francisco, California
Warfield Theatre
First electric SBD source for 10/6 in digital circulation
Sources
SHNID
135936
flac16 Soundboard > Cass > PCM Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800 -> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 Additional lineage: Tracked with Audacity-> flac level 8 and checksums with TLH-> tags with Mp3tag
SHNID
144287
flac16; Source: SBD Healy's mix-down reels > Cassette, via Richie & Rip; Transfer: MA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018
SHNID
150795
flac24; Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller
SHNID
151442
flac16; Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller, 150795 24 -> 16 @ 44.1
SHNID
157519
Flac16
SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV
Reel to cassette transfer on 1981-02-06
Lineage: WAV > FLAC [7]
Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig)
Original Cassette Master > DAT Transfer: Jim Blackwood
Mastering: Jim Blackwood, Mastering assistance: Jamie Waddell
SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV
Reel to cassette transfer on 1981-02-06
Lineage: WAV > FLAC [7]
Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig)
Original Cassette Master > DAT Transfer: Jim Blackwood
Mastering: Jim Blackwood, Mastering assistance: Jamie Waddell
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