Phish 07/02/2016
Set I
Soundcheck: Funky Bitch, How Many People Are You, Miss You, Tide Turns
Set 1: Crowd Control, 555 > Seven Below > Back on the Train, Army of One, Divided Sky, Martian Monster[1] > Rift, Water in the Sky, 46 Days, Walls of the Cave
Set 1: Crowd Control, 555 > Seven Below > Back on the Train, Army of One, Divided Sky, Martian Monster[1] > Rift, Water in the Sky, 46 Days, Walls of the Cave
Set II
No Men In No Man's Land > Fuego > Light -> Golden Age > Taste, The Horse > Silent in the Morning > Julius, A Day in the Life
Encore: Bouncing Around the Room, Run Like an Antelope
Encore: Bouncing Around the Room, Run Like an Antelope
Set III
Comment
[1] Trey on Marimba Lumina.
Notes: This show was webcast via Live Phish. Trey quoted Sleeping Monkey during BOTT. Martian Monster featured Trey on Marimba Lumina. Light featured NMINML quotes. Following Antelope, Trey picked up a shirt that read "They Attack!" prompting a The Birds quote before the band left the stage.
Notes: This show was webcast via Live Phish. Trey quoted Sleeping Monkey during BOTT. Martian Monster featured Trey on Marimba Lumina. Light featured NMINML quotes. Following Antelope, Trey picked up a shirt that read "They Attack!" prompting a The Birds quote before the band left the stage.
Sources
SHNID
136277
flac16 44.1kHz Chopped Sennheiser ME64>Custom K6 Box>Audient Mico>
SPDIF>DR100MKII @24-44.1 7' 20cm 90deg. Converted to 16-44.1 no other edits; Mid balcony roc clamped to I-beam; Recorded by Greg Nash
SHNID
136328
flac16 44.1kHz mics were DIN setup in the OTS; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
SHNID
136329
flac24 96kHz mics were DIN setup in the OTS; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
SHNID
136673
flac16 44.1kHz mics were NOS setup in the OTS; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
SHNID
136674
flac24 96kHz mics were NOS setup in the OTS; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
SHNID
136675
flac16 44.1kHz mics were NOS setup in the OTS; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
SHNID
136676
flac24 96kHz mics were NOS setup in the OTS; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
SHNID
136758
flac16 44.1kHz; (Lawn/Center) Neumann KMR821 (PAS)> AETA PSP-3 + Neumann U89i (Omni, split 4 ft) > Zoom F8 (24/48) on a SDHC Card; Processing > SDHC Card > Mac Mini > Audacity > Fission (flac 16/44.1); Taped and Transferred by Ed Guidry
SHNID
168737
flac2448 MDAUD:
microphones: ch 1/2: AKG ck22 split 3'|AKG ck8(shotgun); ch 3/4 CenterFWD 0'|AKGck61 naiant PFA Center rear 180' >
recorder: Tascam DR680(24/48) >SD
Location: DFC lawn ~ 175' from stage
Transfer: SD WIN7 > Audacity level adjustment > CD Wav editor > TLH (flacs)
Recorded: Kyle Holbrook & Michael Deary
Processed: Kyle Holbrook & Michael Deary
Transferred: Kyle Holbrook
SHNID
171413
flac2448 2 AKG c451EBck8 mics> Sony D5 (as preamp)> Sony M10 24/48.
Location: DFC Lawn halfway up the hill on a 7’ stand mics pointed at the stacks.
Lineage: Sony M10 24/48> Sony Sound Forge Studio 10.0 for all tracking, editing, fades and conversion to HD FLAC.
Taped, Mastered and Uploaded by Mark Van Blunk
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