Phish 07/06/2016
Set I
Grind, Cars Trucks Buses > Blaze On, Yarmouth Road, Kill Devil Falls, The Sloth, Billy Breathes, My Friend, My Friend, Heavy Things, 555, Things People Do, The Line, Stash
Set II
First Tube > Tweezer > Guyute, Mike's Song > Tide Turns > Devotion To a Dream, Wingsuit > Bittersweet Motel > Fluffhead > Weekapaug Groove
Encore: Contact > Tweezer Reprise
Notes: Bittersweet Motel was last played on July 4, 2012 (146 shows).
Encore: Contact > Tweezer Reprise
Notes: Bittersweet Motel was last played on July 4, 2012 (146 shows).
Set III
Comment
Sources
SHNID
136358
flac16 Telefunken ELA M 260/AKG ck8 Shotguns (PAS) > Zoom F8(24/48)
Wave > > MacBook Pro > Sound Forge 2.5(Normalize,Fade,Track) > xAct(Tagging) > Flac; Recorded and Mastered by by Ted Gakidis
SHNID
136359
flac16 44.1kHz FOB, DFC 40’ from the Stage 6’ high; Schoeps mk22 (22cm/110*)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24/48; SC Card> Macbook Pro> Sound Studio (fades and tracking)> iZotope (SRC & Dither)> xAct (Tagging and Flaccing)
SHNID
136360
flac24 48kHz FOB, DFC 40’ from the Stage 6’ high; Schoeps mk22 (22cm/110*)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24/48; SC Card> Macbook Pro> Sound Studio (fades and tracking)> xAct (Tagging and Flaccing)
SHNID
136361
flac16 44.1kHz FOB, DFC 40’ from the Stage 6’ high; Schoeps mk3 (NOS)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24/48; SC Card> Macbook Pro> Sound Studio (fades and tracking)> iZotope (SRC & Dither)> xAct (Tagging and Flaccing)
SHNID
136362
flac24 48kHz FOB, DFC 40’ from the Stage 6’ high; Schoeps mk3 (NOS)> Nabob KCY> Naiant PFA> Busman Mod Tascam DR-70d @ 24/48; SC Card> Macbook Pro> Sound Studio (fades and tracking)> xAct (Tagging and Flaccing)
SHNID
136369
flac16 44.1kHz mics were NOS FOB dfc 40’ from stage; Schoeps mk22>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge; Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
SHNID
136370
flac24 96kHz mics were NOS FOB dfc 40’ from stage; Schoeps mk22>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
SHNID
136371
flac16 44.1kHz mics were DIN FOB dfc 40’ from stage; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
SHNID
136372
flac24 96kHz mics were DIN FOB dfc 40’ from stage; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Imac>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
SHNID
136671
flac16 44.1kHz Sennheiser K6RD/ME66>Wendt X3>R05 @24-44.1 PAS 9' Converted to 16-44.1, no other edits; directly behind SBD (formerly known as the official taper section); Recorded by Greg Nash
SHNID
136672
flac16 44.1kHz Chopped Sennheiser ME64>Custom K6 Box>Audient Mico>
SPDIF>DR100MKII @24-44.1 20cm 90deg. 9' Converted to 16-44.1, no other edits; directly behind SBD (formerly known as the official taper section); Recorded by Greg Nash
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