Dave Matthews & Tim Reynolds 05/30/2017
Set I
Bartender
Old Dirt Hill
When The World Ends
Crush
Samurai Cop
Warehouse
The Space Between
What Would You Say
Bismarck
Save Me
Grey Street
A Tangled Web We Weave
Virginia In The Rain
Don't Drink The Water
So Damn Lucky
Black And Blue Bird
Jimi Thing
Healing Notion
Corn Bread
You And Me
#41
Fool To Think
Two Step
E1: Granny
Dancing Nancies
E2: Satellite
Ants Marching
Old Dirt Hill
When The World Ends
Crush
Samurai Cop
Warehouse
The Space Between
What Would You Say
Bismarck
Save Me
Grey Street
A Tangled Web We Weave
Virginia In The Rain
Don't Drink The Water
So Damn Lucky
Black And Blue Bird
Jimi Thing
Healing Notion
Corn Bread
You And Me
#41
Fool To Think
Two Step
E1: Granny
Dancing Nancies
E2: Satellite
Ants Marching
Set II
Set III
Comment
Sources
SHNID
138432
Taper: Eric Wallace
Source: Avantone CK-1 (cards, A-B) > XLR > Edirol UA-5 (digimod) > digital coax > Tascam DR-100mkii (24/48 recording)
Location: ORCH 1, Row J, Seat 10 @ 7-8'
Source: Avantone CK-1 (cards, A-B) > XLR > Edirol UA-5 (digimod) > digital coax > Tascam DR-100mkii (24/48 recording)
Location: ORCH 1, Row J, Seat 10 @ 7-8'
SHNID
138433
FLAC24 Taper: Eric Wallace
Source: Avantone CK-1 (cards, A-B) > XLR > Edirol UA-5 (digimod) > digital coax > Tascam DR-100mkii (24/48 recording)
Location: ORCH 1, Row J, Seat 10 @ 7-8'
Source: Avantone CK-1 (cards, A-B) > XLR > Edirol UA-5 (digimod) > digital coax > Tascam DR-100mkii (24/48 recording)
Location: ORCH 1, Row J, Seat 10 @ 7-8'
SHNID
138548
Taper: Christopher Jones
Source: DPA d:dicate 4011ER (Handmatched MMC4011 Cardioid and MMP-ER Preamplifier) > Mogami Gold Neglex Studio Quad XLR Interconnect > Sound Devices 722 Hard Disk Recorder (@ 24-bit / 96 kHz)
Location: Orchestra 1, Row J seats 9 and 10. Microphones elevated 3 meters, A-B.
Source: DPA d:dicate 4011ER (Handmatched MMC4011 Cardioid and MMP-ER Preamplifier) > Mogami Gold Neglex Studio Quad XLR Interconnect > Sound Devices 722 Hard Disk Recorder (@ 24-bit / 96 kHz)
Location: Orchestra 1, Row J seats 9 and 10. Microphones elevated 3 meters, A-B.
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