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Phish 12/29/2017

SHOWID 659507

Set I

Cavern > Blaze On, 555, I Always Wanted It This Way > Martian Monster, Heavy Things, Destiny Unbound, Ocelot, Walls of the Cave

Set II

Sand > Chalk Dust Torture[1] > Ghost > Backwards Down the Number Line > Simple > Split Open and Melt
E: Julius

Set III


Comment

[1] Unfinished

Sources

SHNID 140399
flac24 48 Audio-Technica AT4031s (OTS, Row 8, Seat 11, ~15' PAS) > GAK Cables > Tascam Zoom H6 (@24/48). mastered in Adobe Audition CS6 > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag and Tag & Rename. recorded, mastered, tracked, tagged, and seeded by djphrayz
SHNID 140400
flac16 44.1khz Audio-Technica AT4031s (OTS, Row 8, Seat 11, ~15' PAS) > GAK Cables > Tascam Zoom H6 (@24/48). mastered in Adobe Audition CS6 > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag and Tag & Rename. recorded, mastered, tracked, tagged, and seeded by djphrayz.
SHNID 140403
flac16 44.1khz Location: OTS/ DFC (Section 2, Row 6, Seat 10). Source: Schoeps mk41v (~70° @ 21cm)>kc5>cmc6>Sonosax SX-R4(24bit/96khz). Transfer: Sonosax SX-R4>USB-C>MacBook Pro>Pro Tools 12(normalizing)>Audacity(tracking, fades)>Sony Soundforge. Convrt(resample(izotope,highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging). Recorded and Transferred by Andy Murray.
SHNID 140404
flac24 48khz Location: OTS/ DFC (Section 2, Row 6, Seat 10). Source: Schoeps mk41v (~70° @ 21cm)>kc5>cmc6>Sonosax SX-R4 (24bit/96khz) Transfer: Sonosax SX-R4>USB-C>MacBook Pro>Pro Tools. 12(normalizing)>Audacity(tracking, fades)>XAct(FLAC 8,ffp). Recorded and Transferred by Andy Murray.
SHNID 140479
flac24 96khz Field: AKG C414xls card/hyper(OTS - mics 1 foot left of center pointed at PA array, 12.5 feet high) > Edirol R4Pro ( Oade preamp mod ) @ 24/96. Recorded by: Mike Kutik. DSP: wav > Audacity > xACT(FLAC/TAG) 24/96. DiGiHoArDeRs
SHNID 140497
flac24 48khz Microtech Gefell m300 xy DFC behind SBD>Sound Devices Mixpre6 (24bit/48 kHz). Clamped to Andy Murray. Recorded by TaperJeff
SHNID 140507
flac16 44.1khz Location: OTS/ DFC (Section 2, Row 6, Seat 10). Source: Schoeps mk22 (60° @ 31cm)>nbob actives>Naiant PFAs>Sonosax SX-R4(24bit/96khz) Transfer: Sonosax SX-R4>USB-C>MacBook Pro>Pro Tools 12(normalizing)>Audacity(tracking, fades)>Sony Soundforge Convrt(resample(izotope,highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging). Recorded and Transferred by Andy Murray.
SHNID 140508
flac24 96khz Location: OTS/ DFC (Section 2, Row 6, Seat 10). Source: Schoeps mk22 (60° @ 31cm)>nbob actives>Naiant PFAs>Sonosax SX-R4(24bit/96khz) Transfer: Sonosax SX-R4>USB-C>MacBook Pro>Pro Tools 12(normalizing)>Audacity(tracking, fades)>XAct(FLAC 8,ffp). Recorded and Transferred by Andy Murray.
SHNID 140550
flac24 96khz Recording Info: Schoeps CMC6/MK4 > Lunatec V2 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 Suite > FLAC/24. Section 2 Row 1 Seat 20 with the mic stand 9 feet high. Recorded and Mastered By Charlie Miller.
SHNID 140551
flac24 96khz Recording Info: AKG C460b/CK8 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 Suite > FLAC/24. Section 2 Row 1 Seat 20 with the mic stand 9 feet high. Recorded and Mastered By Charlie Miller.
SHNID 140709
flac16 44.1kHz Schoeps CCM4 > Sound Devices 702; .wav > Samplitude Pro X3 [Build 35] (normalize, iZotope Ozone MBit+ dither & resample) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); OTS, 10' on stand; Recorded by Duncan Oldham
SHNID 140710
flac24 96kHz Schoeps CCM4 > Sound Devices 702; .wav > Samplitude Pro X3 [Build 35] > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); OTS, 10' on stand; Recorded by Duncan Oldham
SHNID 140811
flac16 44.1khz DPA 4023 -> Sonosax SX-M32 (24/48) -> Edirol R44 Location: OTS, Row 6, Seat 12, DIN, 8' high. Transfer: wav -> audacity (16/44) - Cd Wave -> Flac. Recorded by John Lynch.
SHNID 141988
flac16 48kHz Source: Neumann U89 > Sound Devices MixPre-6; .wav > Samplitude Pro X3 [Build 35] > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger); Front left corner of lighting booth; Recorded by Walt Ferguson