Grateful Dead 02/20/1971
Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| OldNeumanntapr | FLAC / 2 | A+ | View | Soundboard; 7" Two-Track Betty Board Reel w/Dolby A @ 7 & 1/2 ips->PCM 501ES (Beta)->PCM... | ||
| Notes: | Transfer And Mastering: 48 khz DAT Playback On Sony PCM-R500, AES Digital Output->Benchmark DAC1, XLR Analog Output->Grace Lunatec V3 (96 khz) AES Digital Output->AES Digital Input. Professional Mode / Sync->LynxTwo Soundcard (24 Bit / 96 khz WAV->Ozone 3.0->MBIT+ Dithering To 16/44.1 khz WAV->CD WAV 1.9 (Tracking)->FLAC (Level 8) Comments: Reel Flips And Short Segments Of Missing Music (Casey Jones, Bird Song, Lovelight) Were Cross Faded To Stealthy Seamlessness By Sampling The 2-3 Missing Beat(s) From The Same Measure In a Preceding / Following Verse / Chorus. All Audio Editing Was Done On 24 Bit Files (Trade CDs >FLAC (Level 8) Via xACT 2.35) | |||||
| John H | flac / 2 | A+ | A+ | View | soundboard | |
| Notes: | Grateful Dead 02/20/1971 Capitol Theater Port Chester, NY Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. (Trade CDs >FLAC(Level 8) Via xACT 2.35) Comments: Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files. FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering. | |||||
| Joe | FLAC / 0 | View | 85912 | |||
| Joe | FLAC / 0 | View | 116617 | |||
| Michael D. | FLAC / | View | 116617 | |||
| michael kass | cdr / 2 | View | ||||
| CJ | FLAC / 2 | View | 116617 | |||
| MyLibbyDog | CDR / 2 | A+ | A++ | View | ||
| Notes: | Incredible Stereo Multiple Track Soundboard, as good as any live album can be of a "Pigpen" era Dead concert, my only GD band version I like. Ron McKernan is on top of his game here, with "Lovelight", but the rest of the CD has a great set list, too including "Goin Down the Road Feeling Bad" and "Not Fade Away." | |||||
| Rick Martin | Flac / 3 | A | View | 116617 | Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional... | |
| Notes: | Complete SBD>MR(5-30-08) | |||||
| Charles Bandrofcheck | FLAC / 2 | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck | SHN / 2 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >... | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck | FLAC / 2 | View | 116617 | SBD -> Master Reel -> CD | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Marc Dreilinger | FLAC / 2 | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | Archived Box 1 disc 240 | |||||
| Marc Dreilinger | FLAC / 2 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Notes: | Archived Box 1 disc 240 | |||||
| Marty | CDR / 3 | View | ||||
| Notes: | shn | |||||
| Marty | CDR / 3 | View | 111 | |||
| Notes: | shn | |||||
| Brian Donohue | / 0 | View | 116617 | SBD -> Master Reel -> CD | ||
| Notes: | CMiller | |||||
| sean hite | SHN / 0 | View | 111 | |||
| Notes: | (111) Grateful Dead: WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs | |||||
| sean hite | FLAC / 0 | View | 85912 | |||
| Notes: | (85912) Grateful Dead: flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. | |||||
| sean hite | SHN / 0 | View | 6188 | |||
| Notes: | 6188 likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01) | |||||
| sean hite | / 0 | View | 116617 | |||
| Notes: | 116617 flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| sean hite | / 0 | View | 116617 | |||
| Notes: | 116617 flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| SpacedDeadhead | CDR / 3 | View | Bettyboard | |||
| Notes: | E.S.P. show | |||||
| Thomas Lee | shn / 3 | A | View | 111 | ||
| Notes: | The boyz were hung over... | |||||
| Gary | CDR / 3 | View | 111 | |||
| Notes: | SBD>MR>PCM>DAT [Orf] | |||||
| Gary | CDR / 2 | View | 116617 | |||
| Notes: | SBD>MR>CD [116617 Miller] | |||||
| Keith Deshane | / 0 | View | 85912 | |||
| tpace | FLAC / 0 | View | SBD -> Master Reel -> CD | |||
| Larry | / 0 | View | ||||
| Douglas Tunstall | / 2 | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. | |||||
| Born Cross Eyed | FLAC / 1 | View | 116617 | |||
| Notes: | SBD | |||||
| Born Cross Eyed | FLAC / 1 | View | 85912 | |||
| Notes: | SBD - Cantor | |||||
| aloha mrj | / 0 | View | 116617 | |||
| Notes: | hd 5 | |||||
| Scott Schnepf | CDR / 2 | View | ||||
| slowhand_6 | CDR / 3 | A+ | A+ | View | ||
| Blair Waldron | / 0 | View | 85912 | |||
| Blair Waldron | / 0 | View | 116617 | |||
| Ifthir | .flac / 0 | View | 116617 | |||
| Ryan Boone | shn / 2 | View | 6188 | |||
| Notes: | Source: WBOTB | |||||
| joebeacon | cdr / 2 | View | ||||
| Notes: | * | |||||
| Darryl Hinko | FLAC / 2 | View | 116617 | |||
| Notes: | SBD -> Master Reel -> CD
I also have: SHNid=85912 and SHNid=111 |
|||||
| santino | / 0 | View | 85912 | |||
| Michael Mersand | / 0 | View | 85912 | |||
| Michael Mersand | / 0 | View | 116617 | |||
| Alex Messick | / 0 | View | 116617 | |||
| Notes: | SBD | |||||
| Brandon Johnston | SHN / 2 | View | 111 | Sbd > 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Jeff Mitchell | / 2 | View | 85912 | |||
| Notes: | shn & flac, 2 | |||||
| Jeff Mitchell | / 0 | View | 111 | |||
| Jeff Mitchell | / 0 | View | 6188 | |||
| Jeff Mitchell | / 0 | View | 116617 | |||
| Waz | SHN / 3 | A | A | View | 111 | WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog... |
| Notes: | (111) WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs. | |||||
| Jon Pavuk | SHN / 2 | A | A+ | View | 111 | S:7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out... |
| Jon Pavuk | FLAC / 2 | A | A+ | View | 85912 | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog... |
| Notes: | Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. | |||||
| Jon Pavuk | FLAC / 2 | A | A+ | View | 116617 | SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 ->... |
| mirkman | / 0 | View | ||||
| Notes: | sbd | |||||
| gramfan | cdr / 3 | View | ||||
| trailmix | / 0 | View | 85912 | |||
| Jordan Jacobs | CD/2 / 0 | View | SBD | |||
| Notes: | MSR (betty)>PCM>DAT>CD *cantor-crouch-dieber version see notes for more info | |||||
| Clay Hart | CD / 3 | A+ | A+ | View | ||
| thrak | DAT / 1 | View | Betty-Board > ??? > DAT | |||
| Notes: | likely same source as shnid: (109, 110, 111, 6187, 6188) but without CDR & EAC steps. | |||||
| thrak | shn / 3 | View | 111 | WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog... | ||
| thrak | flac / 2 | View | 85912 | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES... | ||
| thrak | shn / 2 | View | 6188 | likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp... | ||
| Harm | CD / 2 | View | ||||
| ritchiem4812 | / 0 | View | 111 | |||
| Notes: | 2007 June DVD 16 | |||||
| wrs2lig | / 0 | View | 85912 | |||
| Brent Easton | CDR / 3 | A | A | View | 85912 | SBD |
| David Geisler | / 0 | View | 85912 | |||
| neal r | / 2 | View | 85912 | |||
| Notes: | Flac Archive #97 | |||||
| neal r | / 3 | View | 111 | |||
| Notes: | 224 | |||||
| Alan (Slydell) | SHN / 2 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Steve Blanchard | SHN / 3 | View | 111 | WBOTB; 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Notes: | WBOTB | |||||
| Willtd | FLAC / 2 | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Steve Swartz | / 0 | View | 85912 | |||
| Steve Swartz | / 0 | View | 111 | |||
| Stretch | / 0 | View | 111 | 7 | ||
| Stretch | / 0 | View | 85912 | |||
| adam | cdr / 3 | a | a- | View | 111 | archive.org |
| Notes: | sbd | |||||
| John R | / 2 | A | View | SBD | ||
| Notes: | For details see my webpage at http://www.Jambands1.homestead.com/Jambands.html | |||||
| libarchiver | / 0 | View | 85912 | |||
| Morgan Nelson | SHN/CDR / 3 | A- | A | View | 111 | WBOTB |
| Jason Westerfeld | shn / 2 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips | ||
| Jason Westerfeld | flac / 2 | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| niccolo mugnaioni | cdr / 2 | View | sbd>c>dat>cdr | |||
| Notes: | disc1/set1:casey jones(4:41),me and my uncle(3:23),hard to handle(7:57),bertha(5:44),playing in the band(5:10),bird song(7:02),big boss man(5:06),cryptical envelopment>drums>the other one>wharf rat(23:57),sugar magnolia(5:52). disc2/set2:truckin'(7:56),loser(6:32),next time you see me(3:32),greatest story ever told(4:11)>johnny b.goode(3:34),ripple(4:31),not fade away>goin' down the road feeling bad>jam>not fade away(14:33)>turn on your lovelight(24:30). | |||||
| niccolo mugnaioni | cdr / 2 | View | sbd>c>dat>cdr | |||
| Wes Idell | SHN on DVD / 3 | B+ | View | 111 | ||
| j | / 0 | View | 111 | |||
| BILL SCARNATI | CDR / 3 | A | View | |||
| RamblinBear | DVD / 1 | View | 85912 | flac16; Source: 7 | ||
| Notes: | .85912. | |||||
| Jeff Schlingbaum | CDR / 3 | A- | View | SBD | ||
| Notes: | Betty Board | |||||
| Jim Bennett | SHN / 2 | View | 111 | |||
| Garrett in Ohio | CDA / 3 | View | ||||
| John | / 2 | View | ||||
| Notes: | book 1 | |||||
| qiuniu | / 0 | View | 111 | |||
| Notes: | Grateful Dead February 20, 1971 Port Chester, NY Source: WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R Disc One set I 1. Casey Jones 2. Me And My Uncle 3. Hard To Handle 4. Bertha 5. Playing In The Band 6. Bird Song 7. Big Boss Man 8. Cryptical Envelopment > Drums > The Other One 9. Wharf Rat Disc Two 1. Sugar Magnolia set II 2. Truckin' 3. Loser 4. Next Time You See Me 5. Greatest Story Ever Told > 6. Johnny B. Goode 7. Ripple Disc Three 1. Not Fade Away > 2. Goin' Down The Road Feelin' Bad > 3. Not Fade Away > 4. Turn On Your Lovelight This is What Became Of The Bettys Source. I cleaned up the interference in the form of an annoying whine in the same manner as I did other Port Chester shows (2/18,2/21,2/23,2/24). However, I used two different programs to do so. For disks 1 and 2, I used Diamond Cut Audio Restorations Tools Notch Filter, with a filter width of 0.03 to 0.04 octaves, centered on ~8000 Hz, or wherever the whine happened to be. I used Sound Forge Noise Reduction Plugin, centering on the whine, for disc 3. Why two different programs? I began work on this show about a month ago. I recently purchased the DCART program after hearing it being widely regarded as one of the best (affordable) programs out there for cleaning up audio. Let your ears judge which is best if you can tell the difference. I found the DCART notch filter to be the better tool for the job, while the SFNR plugin is flexible enough to be used as a notch filter. I also realized long after I was into cleaning this show up that others have done so before me on this particular show. I'd be interested in any feedback as to how my show compares to other efforts! I used the narrowest filters I could without going bonkers. In some sections of the show the whine wandered quickly, forcing me to use lots of different filters over a small portion of the show. Leigh Orf <orf@mailbag.com> For furthur info on my processing & related noise issues see http://orf.cx | |||||
| Rich Pucci | CDR (shn) / 2 | View | ||||
| Rudolf E. Zielinski | CDR / 3 | A+ | View | SBD | ||
| davyp | shn / 2 | View | 111 | WBOTB, 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog... | ||
| KYHub | SHN / 2 | A | A | View | 111 | |
| Notes: | HD1 | |||||
| Joe Rizzo | CD / 3 | A | A | View | ||
| Notes: | 2 SHN | |||||
| garret | Flac / 26 | A+ | A++ | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... |
| Notes: | Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. Comments: Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files. FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering. | |||||
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