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Grateful Dead 02/20/1971

SHOWID 672

Set I

Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia

Set II

Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light

Set III


Comment

E.S.P. show - Other artist(s): NRPS

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
OldNeumanntapr (5/5) FLAC / 2 A+ View   Soundboard; 7" Two-Track Betty Board Reel w/Dolby A @ 7 & 1/2 ips->PCM 501ES (Beta)->PCM...
Notes: Transfer And Mastering: 48 khz DAT Playback On Sony PCM-R500, AES Digital Output->Benchmark DAC1, XLR Analog Output->Grace Lunatec V3 (96 khz) AES Digital Output->AES Digital Input. Professional Mode / Sync->LynxTwo Soundcard (24 Bit / 96 khz WAV->Ozone 3.0->MBIT+ Dithering To 16/44.1 khz WAV->CD WAV 1.9 (Tracking)->FLAC (Level 8) Comments: Reel Flips And Short Segments Of Missing Music (Casey Jones, Bird Song, Lovelight) Were Cross Faded To Stealthy Seamlessness By Sampling The 2-3 Missing Beat(s) From The Same Measure In a Preceding / Following Verse / Chorus. All Audio Editing Was Done On 24 Bit Files (Trade CDs >FLAC (Level 8) Via xACT 2.35)
John H (5/5) flac / 2 A+ A+ View   soundboard
Notes: Grateful Dead 02/20/1971 Capitol Theater Port Chester, NY Source:  7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT  for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8).   Recording, editing and mastering with Wavelab 5.0.  All cables were Mogami Gold 0.3m pro-audio XLR cables.  All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.  Transfer and mastering by Chris L.   Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. (Trade CDs >FLAC(Level 8) Via xACT 2.35) Comments: Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus.   All audio editing was done on 24 bit files. FFT of waveform showed 2 distinct peaks resulting in an annoying whine.  First peak broadly centered around 8100 and a second at roughly 15700 Hz.  These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering.
Joe (5/5) FLAC / 0 View 85912
Joe (5/5) FLAC / 0 View 116617
Michael D. (5/0) FLAC / View 116617
michael kass (5/5) cdr / 2 View  
CJ (5/4.7) FLAC / 2 View 116617
MyLibbyDog (5/4.8) CDR / 2 A+ A++ View  
Notes: Incredible Stereo Multiple Track Soundboard, as good as any live album can be of a "Pigpen" era Dead concert, my only GD band version I like. Ron McKernan is on top of his game here, with "Lovelight", but the rest of the CD has a great set list, too including "Goin Down the Road Feeling Bad" and "Not Fade Away."
Rick Martin (5/5) Flac / 3 A View 116617 Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional...
Notes: Complete SBD>MR(5-30-08)
Charles Bandrofcheck (5/5) FLAC / 2 View 85912 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >...
Notes: See my other show notes for info on trading for this show.
Charles Bandrofcheck (5/5) SHN / 2 View 111 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >...
Notes: See my other show notes for info on trading for this show.
Charles Bandrofcheck (5/5) FLAC / 2 View 116617 SBD -> Master Reel -> CD
Notes: See my other show notes for info on trading for this show.
Marc Dreilinger (5/2.3) FLAC / 2 View 85912 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >...
Notes: Archived Box 1 disc 240
Marc Dreilinger (5/2.3) FLAC / 2 View 111 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz
Notes: Archived Box 1 disc 240
Marty (5/4.9) CDR / 3 View  
Notes: shn
Marty (5/4.9) CDR / 3 View 111
Notes: shn
Brian Donohue (5/5) / 0 View 116617 SBD -> Master Reel -> CD
Notes: CMiller
sean hite (5/0) SHN / 0 View 111
Notes: (111) Grateful Dead: WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
sean hite (5/0) FLAC / 0 View 85912
Notes: (85912) Grateful Dead: flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
sean hite (5/0) SHN / 0 View 6188
Notes: 6188 likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
sean hite (5/0) / 0 View 116617
Notes: 116617 flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
sean hite (5/0) / 0 View 116617
Notes: 116617 flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
SpacedDeadhead (5/4.8) CDR / 3 View   Bettyboard
Notes: E.S.P. show
Thomas Lee (5/0) shn / 3 A View 111
Notes: The boyz were hung over...
Gary (5/4.3) CDR / 3 View 111
Notes: SBD>MR>PCM>DAT [Orf]
Gary (5/4.3) CDR / 2 View 116617
Notes: SBD>MR>CD [116617 Miller]
Keith Deshane (5/0) / 0 View 85912
tpace (5/0) FLAC / 0 View   SBD -> Master Reel -> CD
Larry (5/4) / 0 View  
Douglas Tunstall (5/5) / 2 View 85912 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >...
Notes: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT.
Born Cross Eyed (5/5) FLAC / 1 View 116617
Notes: SBD
Born Cross Eyed (5/5) FLAC / 1 View 85912
Notes: SBD - Cantor
aloha mrj (5/0) / 0 View 116617
Notes: hd 5
Scott Schnepf (5/3.7) CDR / 2 View  
slowhand_6 (5/5) CDR / 3 A+ A+ View  
Blair Waldron (5/0) / 0 View 85912
Blair Waldron (5/0) / 0 View 116617
Ifthir (5/0) .flac / 0 View 116617
Ryan Boone (5/5) shn / 2 View 6188
Notes: Source: WBOTB
joebeacon (5/5) cdr / 2 View  
Notes: *
Darryl Hinko (5/5) FLAC / 2 View 116617
Notes: SBD -> Master Reel -> CD
I also have: SHNid=85912 and SHNid=111
santino (5/0) / 0 View 85912
Michael Mersand (5/0) / 0 View 85912
Michael Mersand (5/0) / 0 View 116617
Alex Messick (5/0) / 0 View 116617
Notes: SBD
Brandon Johnston (5/4.9) SHN / 2 View 111 Sbd > 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz
Jeff Mitchell (5/0) / 2 View 85912
Notes: shn & flac, 2
Jeff Mitchell (5/0) / 0 View 111
Jeff Mitchell (5/0) / 0 View 6188
Jeff Mitchell (5/0) / 0 View 116617
Waz (5/5) SHN / 3 A A View 111 WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog...
Notes: (111) WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs.
Jon Pavuk (5/4.3) SHN / 2 A A+ View 111 S:7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out...
Jon Pavuk (5/4.3) FLAC / 2 A A+ View 85912 Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog...
Notes: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007.
Jon Pavuk (5/4.3) FLAC / 2 A A+ View 116617 SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 ->...
mirkman (5/1) / 0 View  
Notes: sbd
gramfan (5/0) cdr / 3 View  
trailmix (5/5) / 0 View 85912
Jordan Jacobs (5/3) CD/2 / 0 View   SBD
Notes: MSR (betty)>PCM>DAT>CD *cantor-crouch-dieber version see notes for more info
Clay Hart (5/4.9) CD / 3 A+ A+ View  
thrak (5/5) DAT / 1 View   Betty-Board > ??? > DAT
Notes: likely same source as shnid: (109, 110, 111, 6187, 6188) but without CDR & EAC steps.
thrak (5/5) shn / 3 View 111 WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog...
thrak (5/5) flac / 2 View 85912 flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES...
thrak (5/5) shn / 2 View 6188 likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp...
Harm (5/5) CD / 2 View  
ritchiem4812 (5/0) / 0 View 111
Notes: 2007 June DVD 16
wrs2lig (5/0) / 0 View 85912
Brent Easton (5/4.9) CDR / 3 A A View 85912 SBD
David Geisler (5/0) / 0 View 85912
neal r (5/4) / 2 View 85912
Notes: Flac Archive #97
neal r (5/4) / 3 View 111
Notes: 224
Alan (Slydell) (5/5) SHN / 2 View 111 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz
Steve Blanchard (5/5) SHN / 3 View 111 WBOTB; 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz
Notes: WBOTB
Willtd (5/5) FLAC / 2 View 85912 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >...
Steve Swartz (5/0) / 0 View 85912
Steve Swartz (5/0) / 0 View 111
Stretch (5/0) / 0 View 111 7
Stretch (5/0) / 0 View 85912
adam (5/3) cdr / 3 a a- View 111 archive.org
Notes: sbd
John R (5/5) / 2 A View   SBD
Notes: For details see my webpage at http://www.Jambands1.homestead.com/Jambands.html
libarchiver (5/0) / 0 View 85912
Morgan Nelson (5/0) SHN/CDR / 3 A- A View 111 WBOTB
Jason Westerfeld (5/4.9) shn / 2 View 111 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips
Jason Westerfeld (5/4.9) flac / 2 View 85912 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >...
niccolo mugnaioni (5/5) cdr / 2 View   sbd>c>dat>cdr
Notes: disc1/set1:casey jones(4:41),me and my uncle(3:23),hard to handle(7:57),bertha(5:44),playing in the band(5:10),bird song(7:02),big boss man(5:06),cryptical envelopment>drums>the other one>wharf rat(23:57),sugar magnolia(5:52). disc2/set2:truckin'(7:56),loser(6:32),next time you see me(3:32),greatest story ever told(4:11)>johnny b.goode(3:34),ripple(4:31),not fade away>goin' down the road feeling bad>jam>not fade away(14:33)>turn on your lovelight(24:30).
niccolo mugnaioni (5/5) cdr / 2 View   sbd>c>dat>cdr
Wes Idell (5/0) SHN on DVD / 3 B+ View 111
j (5/0) / 0 View 111
BILL SCARNATI (5/4) CDR / 3 A View  
RamblinBear (5/0) DVD / 1 View 85912 flac16; Source: 7
Notes: .85912.
Jeff Schlingbaum (5/5) CDR / 3 A- View   SBD
Notes: Betty Board
Jim Bennett (5/5) SHN / 2 View 111
Garrett in Ohio (5/5) CDA / 3 View  
John (5/4.3) / 2 View  
Notes: book 1
qiuniu (5/0) / 0 View 111
Notes: Grateful Dead February 20, 1971 Port Chester, NY Source: WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R Disc One set I 1. Casey Jones 2. Me And My Uncle 3. Hard To Handle 4. Bertha 5. Playing In The Band 6. Bird Song 7. Big Boss Man 8. Cryptical Envelopment > Drums > The Other One 9. Wharf Rat Disc Two 1. Sugar Magnolia set II 2. Truckin' 3. Loser 4. Next Time You See Me 5. Greatest Story Ever Told > 6. Johnny B. Goode 7. Ripple Disc Three 1. Not Fade Away > 2. Goin' Down The Road Feelin' Bad > 3. Not Fade Away > 4. Turn On Your Lovelight This is What Became Of The Bettys Source. I cleaned up the interference in the form of an annoying whine in the same manner as I did other Port Chester shows (2/18,2/21,2/23,2/24). However, I used two different programs to do so. For disks 1 and 2, I used Diamond Cut Audio Restorations Tools Notch Filter, with a filter width of 0.03 to 0.04 octaves, centered on ~8000 Hz, or wherever the whine happened to be. I used Sound Forge Noise Reduction Plugin, centering on the whine, for disc 3. Why two different programs? I began work on this show about a month ago. I recently purchased the DCART program after hearing it being widely regarded as one of the best (affordable) programs out there for cleaning up audio. Let your ears judge which is best if you can tell the difference. I found the DCART notch filter to be the better tool for the job, while the SFNR plugin is flexible enough to be used as a notch filter. I also realized long after I was into cleaning this show up that others have done so before me on this particular show. I'd be interested in any feedback as to how my show compares to other efforts! I used the narrowest filters I could without going bonkers. In some sections of the show the whine wandered quickly, forcing me to use lots of different filters over a small portion of the show. Leigh Orf <orf@mailbag.com> For furthur info on my processing & related noise issues see http://orf.cx
Rich Pucci (5/4.7) CDR (shn) / 2 View  
Rudolf E. Zielinski (5/5) CDR / 3 A+ View   SBD
davyp (5/4.3) shn / 2 View 111 WBOTB, 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog...
KYHub (5/5) SHN / 2 A A View 111
Notes: HD1
Joe Rizzo (5/4.8) CD / 3 A A View  
Notes: 2 SHN
garret (5/0) Flac / 26 A+ A++ View 85912 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >...
Notes: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. Comments: Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files. FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering.