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Grateful Dead 04/06/1971

SHOWID 688

Set I

Bertha, Beat It On Down The Line, It Hurts Me Too, Me And Bobby McGee, Dire Wolf, Oh Boy, Hog For You Baby, Playing In The Band, Midnight Hour, Mama Tried, Cumberland Blues, Casey Jones

Set II

Greatest Story Ever Told > Johnny B. Goode, Loser, Good Lovin' > Drums > Good Lovin', Sugar Magnolia, Not Fade Away > Going Down The Road Feelin' Bad > Not Fade Away > Truckin'

E: Big Boss Man, China Cat Sunflower >I Know You Rider

Set III

 

Comment

'Dance Marathon' - Other artist(s): NRPS

Sources

SHNID 118
SBD; via M. Lai
SHNID 18735
7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens
SHNID 96299
flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros.
SHNID 100040
flac16; source: aud of unknown origin; lineage: mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/6/09
SHNID 109026
flac24; Unknown lineage soundboard reels > Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC by Matt Smith Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8
SHNID 152611
flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
SHNID 154656
Source: Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k)
Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1
Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16
SHNID 170449
flac1648 Analog Audience Source: Unknown mic/deck/generation Medium Stock Brands: Maxell UDXLII 90 (70 uS EQ) Dolby On Analog Sound Preservation: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) AUD Source Taped By: Unknown Tape provided by Doug Lamarre Transfer By: Matt Vernon Mastering by: Andrew F
SHNID 170450
flac2496 Analog Audience Source: Unknown mic/deck/generation Medium Stock Brands: Maxell UDXLII 90 (70 uS EQ) Dolby On Analog Sound Preservation: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) AUD Source Taped By: Unknown Tape provided by Doug Lamarre Transfer By: Matt Vernon Mastering by: Andrew F