Grateful Dead 03/21/1970
Set I
Electric-1: Casey Jones, Dancin' In The Streets, Easy Wind
Set II
Acoustic: Friend Of The Devil, Deep Elem, Don't Ease Me In > Black Peter, Wake Up Little Susie > Uncle John's Band, Katie Mae
Set III
Electric-2:Cosmic Charlie, St. Stephen > Not Fade Away > St. Stephen jam > China Cat Sunflower jam > jam> Not Fade Away, Has Anybody Seen My Gal tuning, Midnight Hour > Turn On Your Lovelight, And We Bid You Goodnight
Comment
Late show. Comments courtesy Deadlists: "The Friend Of The Devil has different lyrics. Wake Up Lil Susie
is in response to an audience request... Catfish was advertised on this bill and may have played an
opening set for the late show."
is in response to an audience request... Catfish was advertised on this bill and may have played an
opening set for the late show."
Sources
SHNID
5315
early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch
SHNID
5316
late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch
SHNID
20184
early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2
SHNID
21779
late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project
SHNID
118670
flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs.
SHNID
124148
flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
SHNID
144383
flac16; Late Show; Recording Information: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs; Playback 2018-12-xx: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helper
SHNID
144604
flac16; Late Show: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; further editing by John Hance and myself; remastered by SIRMick January 2019
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