Dave Matthews Band 11/08/2021
Set I
Best Of What’s Around
So Right
Where Are You Going
Can’t Stop
Funny The Way It Is
Dive In
When The World Ends
Lying In The Hands Of God
She
Crush
Proudest Monkey
Satellite
Jimi Thing
Madman’s Eyes
Grey Street
Everyday
Stay (Wasting Time)
E: Some Devil
Warehouse
So Right
Where Are You Going
Can’t Stop
Funny The Way It Is
Dive In
When The World Ends
Lying In The Hands Of God
She
Crush
Proudest Monkey
Satellite
Jimi Thing
Madman’s Eyes
Grey Street
Everyday
Stay (Wasting Time)
E: Some Devil
Warehouse
Set II
Set III
Comment
Sources
SHNID
177461
Source: Beyerdynamic MC930 (Cardioids) > Lunatec V3 (Digital out)> Tascam DR-100mkII (@24/48 LPCM)
Transfer: DR-100mkII> PC
Conversion: 24/48kHz wav->Sound Forge Pro 10 > iZotope 64-Bit SRC & iZotope MBIT+ for resample and dither to 16/44.1 kHz, No normalization, Fade in fade out applied, Waves L3 Ultramaximizer applied->CD Wave Editor->Flac (level 8)> Foobar 2000 for tagging
Transfer: DR-100mkII> PC
Conversion: 24/48kHz wav->Sound Forge Pro 10 > iZotope 64-Bit SRC & iZotope MBIT+ for resample and dither to 16/44.1 kHz, No normalization, Fade in fade out applied, Waves L3 Ultramaximizer applied->CD Wave Editor->Flac (level 8)> Foobar 2000 for tagging
SHNID
177462
FLAC 24/48
Source: Beyerdynamic MC930 (Cardioids) > Lunatec V3 (Digital out)> Tascam DR-100mkII (@24/48 LPCM)
Transfer: DR-100mkII> PC
Conversion: 24/48kHz wav->Sound Forge Pro 10, No normalization, Fade in fade out applied, Waves L3 Ultramaximizer applied->CDWave Editor->Flac (level 8)> Foobar 2000 for tagging
Source: Beyerdynamic MC930 (Cardioids) > Lunatec V3 (Digital out)> Tascam DR-100mkII (@24/48 LPCM)
Transfer: DR-100mkII> PC
Conversion: 24/48kHz wav->Sound Forge Pro 10, No normalization, Fade in fade out applied, Waves L3 Ultramaximizer applied->CDWave Editor->Flac (level 8)> Foobar 2000 for tagging
SHNID
177463
Source: akg/ck61 (cardioids)> nBob actives> Edirol UA5 (digimod)> Sony PCM-10, Analog input (@ 24/96kHz)
Transfer: PCM-10> USB> PC
Conversion: 24/96kHz wav->Sound Forge Pro 10> iZotope 64-Bit SRC & iZotope MBIT+ for resample and dither to 24/48kHz> 16/44.1 kHz, No Normalization, Fade in fade out applied-> Waves L3 Ultramaximizer applied-> CD Wave Editor->Flac (level 8)> Foobar 2000 for tagging
Transfer: PCM-10> USB> PC
Conversion: 24/96kHz wav->Sound Forge Pro 10> iZotope 64-Bit SRC & iZotope MBIT+ for resample and dither to 24/48kHz> 16/44.1 kHz, No Normalization, Fade in fade out applied-> Waves L3 Ultramaximizer applied-> CD Wave Editor->Flac (level 8)> Foobar 2000 for tagging
SHNID
177482
FLAC 24/48>
Source: akg/ck61 (cardioids)> nBob actives> > Edirol UA5 (digimod) > Sony PCM-10, Analog input (@ 24/96kHz)
Transfer: PCM-10> USB> PC
Conversion: 24/96kHz wav->Sound Forge Pro 10> iZotope 64-Bit SRC & iZotope MBIT+ for resample and dither to 24/48kHz> 16/44.1 kHz, No Normalization, Fade in fade out applied-> Waves L3 Ultramaximizer applied-> CD Wave Editor->Flac (level 8)> Foobar 2000 for tagging
Source: akg/ck61 (cardioids)> nBob actives> > Edirol UA5 (digimod) > Sony PCM-10, Analog input (@ 24/96kHz)
Transfer: PCM-10> USB> PC
Conversion: 24/96kHz wav->Sound Forge Pro 10> iZotope 64-Bit SRC & iZotope MBIT+ for resample and dither to 24/48kHz> 16/44.1 kHz, No Normalization, Fade in fade out applied-> Waves L3 Ultramaximizer applied-> CD Wave Editor->Flac (level 8)> Foobar 2000 for tagging
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