Loading...

Bruce Springsteen & the E Street Band 03/29/2023

SHOWID 721941

Set I

No Surrender
Ghosts
Prove It All Night
Letter To You
The Promised Land
Out in the Street
Candy's Room
Kitty's Back
Nightshift
Darkness On The Edge Of Town
The E Street Shuffle
Johnny 99
Last Man Standing
Backstreets
Because the Night
She's the One
Wrecking Ball
The Rising
Badlands

Set II

 

Set III

 

Comment

Show Notes
Bruce Springsteen - Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan - Piano, keyboards; Nils Lofgren - Electric and acoustic guitars, banjo, lap steel, backing vocal; Garry Tallent - Bass; Stevie Van Zandt - Electric and acoustic guitars, backing vocal; Max Weinberg - Drums; Jake Clemons - Tenor saxophone, percussion, backing vocal; Charlie Giordano - Organ, keyboards, accordion; Soozie Tyrell - Violin, acoustic guitar, percussion, Anthony Almonte - Percussion, backing vocal; Ada Dyer - Backing vocal; Curtis King - Backing vocal; Lisa Lowell - Backing vocal; Michelle Moore - Backing vocal; Barry Danielian - Trumpet; Ed Manion - Baritone and tenor saxophone; Ozzie Melendez - Trombone; Curt Ramm - Trumpet

Recorded by John Cooper

Mixed by Jon Altschiller; additional engineering by Danielle Warman, Nic Coolidge, Allison Leah and Alex Bonyata

Mix Advisor: Rob Lebret

Post Production by Brad Serling and Arya Jha

Art Design by Michelle Holme

Cover Photo by Rob DeMartin

Tour Director: George Travis

Manager: Jon Landau

HD files are 24 bit / 96 kHz; DSD Files are DSD64



26-song set

Tour debut of “Darkness on the Edge of Town”

Four songs from 2020’s Letter To You: “Ghosts,” “Letter To You,” “Last Man Standing” and “I’ll See You In My Dreams”

“Last Man Standing” features a new arrangement

“I’ll See You In My Dreams” is performed solo acoustic to end the show

One song from 2022’s Only the Strong Survive: “Nightshift” (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores)

Concert stalwarts like “Because The Night,” “Dancing in the Dark,” and “Tenth Avenue Freeze-Out” are performed in tighter, shorter versions