Phish 08/02/2023
Set I
Possum, Guyute, Axilla (Part II) > Energy -> Meatstick -> It's Ice > Blaze On
Set II
Cavern[1] > Carini > Piper > The Well > The Howling > Taste > About to Run, Chalk Dust Torture
Set III
ENCORE: Frankenstein[2], Slave to the Traffic Light[3]
Comment
[1] Slow, funky version.
[2] Page on keytar.
[3] Lyrics changed to "see the best city."
Page and Trey teased Frankenstein in It's Ice. Cavern was played in a slower, funkier manner than usual. Trey quoted The Well in The Howling. Frankenstein was played for the first time since December 7, 2019 (120 shows) and featured Page on keytar. Slave's lyrics were changed to "see the greatest city."
[2] Page on keytar.
[3] Lyrics changed to "see the best city."
Page and Trey teased Frankenstein in It's Ice. Cavern was played in a slower, funkier manner than usual. Trey quoted The Well in The Howling. Frankenstein was played for the first time since December 7, 2019 (120 shows) and featured Page on keytar. Slave's lyrics were changed to "see the greatest city."
Sources
SHNID
165333
flac2448 Source: Schoeps mk41v (DINa)> schoeps kc5> m222> nt222dc> sonosax sx-r4+
Location: OTS sec 2 row 1 seat 3 7ft
Transfer: SD> Samplitude 11.5> CD WAVE> Trader's Little Helper> Foobar
Taped, tracked, seeded by Adam Downs (BigPermTaper)
SHNID
165334
flac2496 location: ots, dfc; on stand approx. 7'
source: neumann u89i (hypers, DINa) -> millennia hv-32p -> sd mixpre 10ii;
recorded @ 192 kHz, 32 bit (float); seeded @ 96 kHz 24 bit
transfer: mixpre 10ii -> usb-c -> alienware x-14
edits: channels summed & balanced, fades added, normalized, resampled, dithered, fladc'd & track split in
magix sound forge 16.1.1; flac files tagged using foobar2000
taped by: team no drama
SHNID
165336
flac16 44.1kHz Schoeps mk4 (30cm/60 degrees)> nbob kcy> naiant 48v PFA> Sound Devices Mixpre6 (channels 3&4 mic in @ 24bit, 96 kHz); DFC, Section 2, row 6, seat 11 ~10 feet high; Sound Devices Mixpre6> MacBook Pro > XLD (track splits); Taped and transferred by wforwumbo
SHNID
165337
flac16 44.1kHz Schoeps mk21 (30cm/60 degrees)> Schoeps KC5> Schoeps CMC5> E.A.A. PSP-2> Sound Devices Mixpre6 (channels 5&6 aux in @ 24bit, 96 kHz); DFC, Section 2, row 6, seat 11 ~10 feet high; Sound Devices Mixpre6> MacBook Pro > XLD (track splits); Taped and transferred by wforwumbo
SHNID
165338
flac24 48kHz Schoeps mk4v (DIN)> schoeps kcy> vst62iu> sonosax sx-r4+ ; OTS sec 2 row 1 seat 22 7ft; SD> Samplitude 11.5> CD WAVE> Trader's Little Helper> Foobar; Taped, tracked, seeded by Adam Downs
SHNID
165342
flac24 48kHz Schoeps mk22 (nos)> schoeps kcy> vst62iu> sonosax sx-r4+ ; OTS sec 2 row 1 seat 22 7ft; SD> Samplitude 11.5> CD WAVE> Trader's Little Helper> Foobar; Taped, tracked, seeded by Adam Downs
SHNID
165344
flac24 48kHz AKG 480 CK63 ULS (DIN 9ft high/ Sec2, Row6, seat 7.5) > Zoom F8 24bit/48KhZ; Protools 11 (Edit/Mix/Master) > CDwave > Flac 24bit/48KHZRecording and Transfer by Matt Vallo
SHNID
165345
flac24 96kHz mk41v>cmc1>gakcables>Sound Devices 744
sec 2 row 1 roc stand at 8’ PAS 24bit/96khz; Reaper(fades,tracking,normalize,fab filter pro L2)>XAct(FLAC 8,ffp,tagging); Recorded by Duncan Oldham; Transferred and seeded by Andy Murray
SHNID
165354
flac2448 Source: AKG 480 CK63 ULS (DIN 9ft high/ Sec2, Row6, seat 7.5) > Zoom F8 24bit/48KhZ
Transfer: Protools 11 (Edit/Mix/Master) > CDwave > Flac 24bit/48KHZ
Recording and Transfer by Matt Vallo
SHNID
165373
flac16 48kHz OMT8 AUD MTX (24/48)
Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII
Channel 3|4: JVC M510 w/ Superdirectional caps, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII
Channel 5|6: Samson CO2 (supercard), X-Y PAS -> Marantz PMD 620 (Oade Warm Mod) -> Tascam DR-680MKII
Channels 7|8: Audio Technica 3031, split 3'-> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII ; OTS, Sec. 2, Row 1, Seat 3, 8' up; SDHC> WAV> Audacity (balance channels)-> Reaper (Acustica Gold5, Pink4, Cream2; TDR Nova) -> CDWave (tracking)-> (Reaper) 24/48->16/48-> Flac16-> mp3tag (tagging); Recorded by David Perez
SHNID
165406
flac1648 AKG483s (OTS/DFC/28cm@70°/~10') > MP10ii Ch3/4 (24/48)
SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag
recorded, processed, tagged, and posted by djphrayz
SHNID
165407
flac1648 AT4031s (OTS/DFC/37cm@60°/~10') > MP10ii Ch5/6 (24/48)
SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag
recorded, processed, tagged, and posted by djphrayz
SHNID
165408
flac1648 DPA4061s (OTS row 7/DFC/AB100/~10.5') > MP10ii Ch1/2 (24/48)
SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag
recorded, processed, tagged, and posted by djphrayz
SHNID
165409
flac1648 DPA4061s (OTS row 7/DFC/AB100/~10.5') > MP10ii Ch1/2 (24/48)
mk21+mk8 (OTS/DFC/MS/~10') > MP10ii Ch7/8 (24/48)
SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag
recorded, processed, tagged, and posted by djphrayz
SHNID
165410
flac1648 mk21+mk8 (OTS/DFC/MS/~10') > MP10ii Ch7/8 (24/48)
SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag
recorded, processed, tagged, and posted by djphrayz
SHNID
165448
flac24 48kHz AKG 460b/a60/CK8> Gaks> SD mixpre6 (24/48); 8"spread 10'high/PAS/DFC Upper Tier Second Row of OTS 2-7-12; recorded by Chase London Smith
SHNID
165462
flac16 48kHz AKG C460B/CK61 > Sound Devices 744T (24bit/96k) > Samplitude Pro X6 Suite > FLAC/16; Recorded by Charlie Miller
SHNID
165463
flac24 96kHz AKG C460B/CK61 > Sound Devices 744T (24bit/96k) > Samplitude Pro X6 Suite > FLAC/24; Recorded by Charlie Miller
SHNID
165487
flac2496 schoeps mk4v (PAS @ 20cm) > KCY > VMS5u > MixPre3ii @ 32float/96kHz
location: section 2, row 6, seat 9 Mic Stand @ 7 ft
transfer: sd card > MacBook Pro > Audacity (fades, track, normalize, .wav) >xACT (.flac)
Taped by: Jim Charna email: runme69@gmail.com
edit/upload: Sean S email: sfsimpson26@yahoo.com
SHNID
165490
flac2448 (OTS/left side of camera booth/Row 1 - Seats 1-3/9'high)
AKG 480/CK69 (PAS) -> Naiant Littlebox + AKG 480/CK63 (PAS) -> Naiant Littlebox -> Zoom F6 @ 32/48
Sound Forge 17.0 Pro (Normalize, Mix, CoreFX EQ, CoreFX Compressor, Dither, Fades) > CD Wave > FLAC (level 8) 24/48 FLAC
Notes: (3db LF bump 80Khz Set 1 & 55Khz Set 2) (1.5db HF boost on both sets)
Taped by: Cam Keough
Transfer: Brian Lee
SHNID
165515
flac2496 location: ots, dfc; on stand approx. 7'
source: schoeps cmc122L (nos) -> ak2Lsu -> k5s -> aksu2u -> aeta psp3 -> sd mixpre 10ii;
recorded @ 192 kHz, 32 bit (float); seeded @ 96 kHz 24 bit
transfer: mixpre 10ii -> usb-c -> alienware x-14
edits: channels summed & balanced, fades added, normalized, resampled, dithered, fladc'd & track split in
magix sound forge 16.1.1; flac files tagged using foobar2000
taped by: team no drama
SHNID
165516
flac2496 location: ots, dfc; on stand approx. 7'
source: schoeps cmc141vL (DINa) -> ak2Lsu -> k5s -> aksu2ta3 -> sonosax sx-m2d2 -> sd mixpre 10ii;
recorded @ 192 kHz, 32 bit (float); seeded @ 96 kHz 24 bit
transfer: mixpre 10ii -> usb-c -> alienware x-14
edits: channels summed & balanced, fades added, normalized, resampled, dithered, fladc'd & track split in
magix sound forge 16.1.1; flac files tagged using foobar2000
taped by: team no drama
SHNID
168082
flac1648 Remaster of 165373
Source: OMT8 AUD MTX (24/48)
Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII
Channel 3|4: JVC M510 w/ Superdirectional caps, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII
Channel 5|6: Samson CO2 (supercard), X-Y PAS -> Marantz PMD 620 (Oade Warm Mod) -> Tascam DR-680MKII
Channels 7|8: Audio Technica 3031, split 3'-> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII
Location: OTS, Sec. 2, Row 1, Seat 3, 8' up
Transfer: SDHC> WAV> Audacity (balance channels)-> Reaper (Acustica Gold, Purple, Sand; TDR Nova) -> CDWave (tracking)-> (Reaper) 24/48->16/48-> Flac16-> mp3tag (tagging)
Recorded by David Perez
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