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Phish 08/02/2023

SHOWID 722179

Set I

Possum, Guyute, Axilla (Part II) > Energy -> Meatstick -> It's Ice > Blaze On

Set II

Cavern[1] > Carini > Piper > The Well > The Howling > Taste > About to Run, Chalk Dust Torture

Set III

ENCORE: Frankenstein[2], Slave to the Traffic Light[3]

Comment

[1] Slow, funky version.
[2] Page on keytar.
[3] Lyrics changed to "see the best city."

Page and Trey teased Frankenstein in It's Ice. Cavern was played in a slower, funkier manner than usual. Trey quoted The Well in The Howling. Frankenstein was played for the first time since December 7, 2019 (120 shows) and featured Page on keytar. Slave's lyrics were changed to "see the greatest city."

Sources

SHNID 165333
flac2448 Source: Schoeps mk41v (DINa)> schoeps kc5> m222> nt222dc> sonosax sx-r4+ Location: OTS sec 2 row 1 seat 3 7ft Transfer: SD> Samplitude 11.5> CD WAVE> Trader's Little Helper> Foobar Taped, tracked, seeded by Adam Downs (BigPermTaper)
SHNID 165334
flac2496 location: ots, dfc; on stand approx. 7' source: neumann u89i (hypers, DINa) -> millennia hv-32p -> sd mixpre 10ii; recorded @ 192 kHz, 32 bit (float); seeded @ 96 kHz 24 bit transfer: mixpre 10ii -> usb-c -> alienware x-14 edits: channels summed & balanced, fades added, normalized, resampled, dithered, fladc'd & track split in magix sound forge 16.1.1; flac files tagged using foobar2000 taped by: team no drama
SHNID 165336
flac16 44.1kHz Schoeps mk4 (30cm/60 degrees)> nbob kcy> naiant 48v PFA> Sound Devices Mixpre6 (channels 3&4 mic in @ 24bit, 96 kHz); DFC, Section 2, row 6, seat 11 ~10 feet high; Sound Devices Mixpre6> MacBook Pro > XLD (track splits); Taped and transferred by wforwumbo
SHNID 165337
flac16 44.1kHz Schoeps mk21 (30cm/60 degrees)> Schoeps KC5> Schoeps CMC5> E.A.A. PSP-2> Sound Devices Mixpre6 (channels 5&6 aux in @ 24bit, 96 kHz); DFC, Section 2, row 6, seat 11 ~10 feet high; Sound Devices Mixpre6> MacBook Pro > XLD (track splits); Taped and transferred by wforwumbo
SHNID 165338
flac24 48kHz Schoeps mk4v (DIN)> schoeps kcy> vst62iu> sonosax sx-r4+ ; OTS sec 2 row 1 seat 22 7ft; SD> Samplitude 11.5> CD WAVE> Trader's Little Helper> Foobar; Taped, tracked, seeded by Adam Downs
SHNID 165342
flac24 48kHz Schoeps mk22 (nos)> schoeps kcy> vst62iu> sonosax sx-r4+ ; OTS sec 2 row 1 seat 22 7ft; SD> Samplitude 11.5> CD WAVE> Trader's Little Helper> Foobar; Taped, tracked, seeded by Adam Downs
SHNID 165344
flac24 48kHz AKG 480 CK63 ULS (DIN 9ft high/ Sec2, Row6, seat 7.5) > Zoom F8 24bit/48KhZ; Protools 11 (Edit/Mix/Master) > CDwave > Flac 24bit/48KHZRecording and Transfer by Matt Vallo
SHNID 165345
flac24 96kHz mk41v>cmc1>gakcables>Sound Devices 744 sec 2 row 1 roc stand at 8’ PAS 24bit/96khz; Reaper(fades,tracking,normalize,fab filter pro L2)>XAct(FLAC 8,ffp,tagging); Recorded by Duncan Oldham; Transferred and seeded by Andy Murray
SHNID 165354
flac2448 Source: AKG 480 CK63 ULS (DIN 9ft high/ Sec2, Row6, seat 7.5) > Zoom F8 24bit/48KhZ Transfer: Protools 11 (Edit/Mix/Master) > CDwave > Flac 24bit/48KHZ Recording and Transfer by Matt Vallo
SHNID 165373
flac16 48kHz OMT8 AUD MTX (24/48) Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII Channel 3|4: JVC M510 w/ Superdirectional caps, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII Channel 5|6: Samson CO2 (supercard), X-Y PAS -> Marantz PMD 620 (Oade Warm Mod) -> Tascam DR-680MKII Channels 7|8: Audio Technica 3031, split 3'-> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII ; OTS, Sec. 2, Row 1, Seat 3, 8' up; SDHC> WAV> Audacity (balance channels)-> Reaper (Acustica Gold5, Pink4, Cream2; TDR Nova) -> CDWave (tracking)-> (Reaper) 24/48->16/48-> Flac16-> mp3tag (tagging); Recorded by David Perez
SHNID 165406
flac1648 AKG483s (OTS/DFC/28cm@70°/~10') > MP10ii Ch3/4 (24/48) SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag recorded, processed, tagged, and posted by djphrayz
SHNID 165407
flac1648 AT4031s (OTS/DFC/37cm@60°/~10') > MP10ii Ch5/6 (24/48) SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag recorded, processed, tagged, and posted by djphrayz
SHNID 165408
flac1648 DPA4061s (OTS row 7/DFC/AB100/~10.5') > MP10ii Ch1/2 (24/48) SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag recorded, processed, tagged, and posted by djphrayz
SHNID 165409
flac1648 DPA4061s (OTS row 7/DFC/AB100/~10.5') > MP10ii Ch1/2 (24/48) mk21+mk8 (OTS/DFC/MS/~10') > MP10ii Ch7/8 (24/48) SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag recorded, processed, tagged, and posted by djphrayz
SHNID 165410
flac1648 mk21+mk8 (OTS/DFC/MS/~10') > MP10ii Ch7/8 (24/48) SDHC > processed in Reaper > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag recorded, processed, tagged, and posted by djphrayz
SHNID 165448
flac24 48kHz AKG 460b/a60/CK8> Gaks> SD mixpre6 (24/48); 8"spread 10'high/PAS/DFC Upper Tier Second Row of OTS 2-7-12; recorded by Chase London Smith
SHNID 165462
flac16 48kHz AKG C460B/CK61 > Sound Devices 744T (24bit/96k) > Samplitude Pro X6 Suite > FLAC/16; Recorded by Charlie Miller
SHNID 165463
flac24 96kHz AKG C460B/CK61 > Sound Devices 744T (24bit/96k) > Samplitude Pro X6 Suite > FLAC/24; Recorded by Charlie Miller
SHNID 165487
flac2496 schoeps mk4v (PAS @ 20cm) > KCY > VMS5u > MixPre3ii @ 32float/96kHz location: section 2, row 6, seat 9 Mic Stand @ 7 ft transfer: sd card > MacBook Pro > Audacity (fades, track, normalize, .wav) >xACT (.flac) Taped by: Jim Charna email: runme69@gmail.com edit/upload: Sean S email: sfsimpson26@yahoo.com
SHNID 165490
flac2448 (OTS/left side of camera booth/Row 1 - Seats 1-3/9'high) AKG 480/CK69 (PAS) -> Naiant Littlebox + AKG 480/CK63 (PAS) -> Naiant Littlebox -> Zoom F6 @ 32/48 Sound Forge 17.0 Pro (Normalize, Mix, CoreFX EQ, CoreFX Compressor, Dither, Fades) > CD Wave > FLAC (level 8) 24/48 FLAC Notes: (3db LF bump 80Khz Set 1 & 55Khz Set 2) (1.5db HF boost on both sets) Taped by: Cam Keough Transfer: Brian Lee
SHNID 165515
flac2496 location: ots, dfc; on stand approx. 7' source: schoeps cmc122L (nos) -> ak2Lsu -> k5s -> aksu2u -> aeta psp3 -> sd mixpre 10ii; recorded @ 192 kHz, 32 bit (float); seeded @ 96 kHz 24 bit transfer: mixpre 10ii -> usb-c -> alienware x-14 edits: channels summed & balanced, fades added, normalized, resampled, dithered, fladc'd & track split in magix sound forge 16.1.1; flac files tagged using foobar2000 taped by: team no drama
SHNID 165516
flac2496 location: ots, dfc; on stand approx. 7' source: schoeps cmc141vL (DINa) -> ak2Lsu -> k5s -> aksu2ta3 -> sonosax sx-m2d2 -> sd mixpre 10ii; recorded @ 192 kHz, 32 bit (float); seeded @ 96 kHz 24 bit transfer: mixpre 10ii -> usb-c -> alienware x-14 edits: channels summed & balanced, fades added, normalized, resampled, dithered, fladc'd & track split in magix sound forge 16.1.1; flac files tagged using foobar2000 taped by: team no drama
SHNID 168082
flac1648 Remaster of 165373 Source: OMT8 AUD MTX (24/48) Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII Channel 3|4: JVC M510 w/ Superdirectional caps, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII Channel 5|6: Samson CO2 (supercard), X-Y PAS -> Marantz PMD 620 (Oade Warm Mod) -> Tascam DR-680MKII Channels 7|8: Audio Technica 3031, split 3'-> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII Location: OTS, Sec. 2, Row 1, Seat 3, 8' up Transfer: SDHC> WAV> Audacity (balance channels)-> Reaper (Acustica Gold, Purple, Sand; TDR Nova) -> CDWave (tracking)-> (Reaper) 24/48->16/48-> Flac16-> mp3tag (tagging) Recorded by David Perez