Phish 04/20/2024
Set I
Set Your Soul Free, Tube, Stash, Pillow Jets, Steam, Mountains in the Mist, Taste, 46 Days
Set II
Sigma Oasis > Fuego > Golden Age -> Twist, I Am Hydrogen > Chalk Dust Torture > Say It To Me S.A.N.T.O.S.
ENCORE: A Life Beyond The Dream[1], Tweezer Reprise
ENCORE: A Life Beyond The Dream[1], Tweezer Reprise
Set III
Comment
[1] Began with Trey on acoustic guitar.
During Tube, the dome seemed to fill with soap bubbles which reflected the venue and drifted in front of a nebula of changing colors. During Pillow Jets, the view became that of a grassy path through a grove of trees under a starlit sky. Travelling down the path as the jam progressed, the grass and trees became tinged with glowing, multi-colored light, which periodically intensified and erupted from the ground through the branches, creating a firework effect. Mike and Trey teased Manteca during Steam. During Mountains in the Mist, the dome made it appear as if the venue was nestled in an evergreen-covered mountain range, with mist shrouding the sky from view. During Taste, the entire dome appeared to become covered in turning rings of Jim Pollock illustrations from the covers of the Live Phish CD releases, rendered in gold and black. During Sigma Oasis, the dome became a cloudscape, with trees, birds and sea creatures made out of bubbling clouds. During Fuego, a spotlight was used to create a silhouette of the band, with the image then recreated across the dome with effects added to make the band appear as flaming shadow people. During Twist, the dome became filled with multicolored letters tumbling before a backdrop of pulsing red circles. A Life Beyond The Dream featured Trey on acoustic guitar. During Tweezer Reprise, the dome again displayed images of cars, this time tumbling into the distance.
During Tube, the dome seemed to fill with soap bubbles which reflected the venue and drifted in front of a nebula of changing colors. During Pillow Jets, the view became that of a grassy path through a grove of trees under a starlit sky. Travelling down the path as the jam progressed, the grass and trees became tinged with glowing, multi-colored light, which periodically intensified and erupted from the ground through the branches, creating a firework effect. Mike and Trey teased Manteca during Steam. During Mountains in the Mist, the dome made it appear as if the venue was nestled in an evergreen-covered mountain range, with mist shrouding the sky from view. During Taste, the entire dome appeared to become covered in turning rings of Jim Pollock illustrations from the covers of the Live Phish CD releases, rendered in gold and black. During Sigma Oasis, the dome became a cloudscape, with trees, birds and sea creatures made out of bubbling clouds. During Fuego, a spotlight was used to create a silhouette of the band, with the image then recreated across the dome with effects added to make the band appear as flaming shadow people. During Twist, the dome became filled with multicolored letters tumbling before a backdrop of pulsing red circles. A Life Beyond The Dream featured Trey on acoustic guitar. During Tweezer Reprise, the dome again displayed images of cars, this time tumbling into the distance.
Sources
SHNID
167449
flac2496 3xDPA 4006c w/30cm APE spheres(ROC/OTS, Decca[0.5m spacing]@7')->Sonosax M2D2(analog)->SD788T(24bit/96kHz)->FLAC
Recorded and transferred by Scott Schneider
SHNID
167456
flac2496 USM69i(subcard90)>788t(24/96)
Vegas18>CDWave>TLH
SHNID
167457
flac1648 Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) >
Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16; Recorded by Charlie Miller
SHNID
167458
flac2496 Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) >
Samplitude Pro X6 Suite > FLAC/24; Recorded by Charlie Miller
SHNID
167459
flac1648 Neumann KM185 > Nbob Cables > Baby Nbox > Zoom F3 (32-bit/48k) >
Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16; Recorded by Duncan Oldham; Mastered by Charlie Miller
SHNID
167460
flac1648 Schoeps MK22 > Schoeps CMC 1K > Sound Devices 744T (24-bit/96k) >
Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16; Recorded by Duncan Oldham; Mastered by Charlie Miller
SHNID
167461
flac2448 Neumann KM185 > Nbob Cables > Baby Nbox > Zoom F3 (32-bit/48k) >
Samplitude Pro X6 Suite > FLAC/24; Recorded by Duncan Oldham; Mastered by Charlie Miller
SHNID
167462
flac2496 Schoeps MK22 > Schoeps CMC 1K > Sound Devices 744T (24-bit/96k) >
Samplitude Pro X6 Suite > FLAC/24; Recorded by Duncan Oldham; Mastered by Charlie Miller
SHNID
167502
flac2448 Neumann KM140(OTS / 90˚) > Sound Devices MixPre3ii @ 32/48
Rig Runner: Matt "Lazy Lightning" Lazor; wav > Audacity > iZotope RX > xACT(FLAC/TAG) 24/48; DiGiHoArDeRs
SHNID
167646
flac2496 (OTS/Row 21/Seat 12/7'high)
Brüel & Kjær 4011 (NOS) > Lunatec V2 + DPA 4018>MMP-A (DIN) > Lunatec V2 > Edirol R44 (line in) @ 24Bit/96Khz
Sound Forge 17.0 Pro (Balance, 4ch>2ch - 50/50 mix, EQ, Limiter, Dither, Fades) > CD Wave > FLAC (level 8)
Recorded By: Brian Lee
SHNID
173257
flac2448 Zoom F8n
Ch 1&2 AKG ck1x
Ch 3&4 AKG 414 wide card
Location: OTS
Recorded and Mastered by Joe Logrippo
Transfer: Adobe Audition (compression, limits, normalization) > Flac24
Tagging: Foobar2000 Live Show Tagger
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