Mark Wilson 09/21/2001
Set I
Sittin' On The Dock Of The Bay
Achin' Pain
Graceland
I'm A Ram
King Harvest
Up On Cripple Creek
Get Back On The Train
Diamond Dancing
Ophelia
Ramblin' Man
Achin' Pain
Graceland
I'm A Ram
King Harvest
Up On Cripple Creek
Get Back On The Train
Diamond Dancing
Ophelia
Ramblin' Man
Set II
Set III
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Chris Braydon | / 0 | B | A | View | ||
| SolarGarlic | SHN / 1 | View | ||||
| Keri | CDR / 1 | A | View | SBD | ||
| Notes: | Mark Wilson & The Way It Is September 21, 2001 Jambands.ca Fall Festival Lancaster Tavern, Kitchener, Ontario Recorded/Mixed by Eric Warren (tungstengruvsten@hotmail.com) Soundboard stereo patch -> Delta 1010 (24 bit/96kHz) Setlist: 1.Sittin' on the Dock of the Bay 2.Achin' Pain 3.Graceland 4.I'm a Ram 5.King Harvest 6.Up on Cripple Creek 7.Get Back on the Train 8.Diamond Dancing 9.Ophelia 10.Ramblin' Man Notes: The Soundboard was resampled to 16-bit/44.1k in Soundforge (Highest Quality) prior to mixing. This disc is Soundboard only: About half way through the set, the SP/DIF signal from the MiniDisc(microphones) conked out--an earlier lightning strike had knocked power out with all my gear on and I think it screwed up the Minidisc-- the screen filled with strange characters then turned off. I left it off until the Fat Cats set and it worked fine for the rest of the weekend... Digital Editing: As we didn't run compressors on anything when we did sound there are some transients that are way too loud, a cymbal or kick usually... These were manually notched in Vegas with a combo of EQ and Volume automation. 3 sec fade in/out added at start and end respectively. The following EQ's were applied in Vegas: Low shelf 1.4dB@171Hz 1 Octave Parametric 2.1dB@3.2kHz 0.6 Octave Parametric -1dB@6.3kHz Hi shelf 1dB@8kHz The soundboard was then compressed 3.5:1 at -16dB. This initial compression basically tamed the drums down so the overall level could be brought up via normalization. The final step was to run it through a mastering compressor--once again the goal was to make the material more listenable, not necessarily louder. The mastering compressor(Timeworks) had it's threshold set to -7dB(soft knee/fast release), which catches the leftover drum transients and allows the whole thing to be brought up by 7dB with a set peak level of -0.2dB. | |||||
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